The small regular script calligraphy is graceful and graceful, graceful and graceful, like a beautiful lady singing in the shadow of the moon, looking delicate and pure, wonderful. People at that time, in fact, Mi Fu in the Song Dynasty, Wen Zhengming in the Ming Dynasty, and Dong Qichang all had this state of mind. The following is what I compiled for you, I hope it is useful to you!
Enjoy
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Principles of using pen when creating small regular script
The method of writing small regular script is to use pen more quietly than to be slow, slow, and calm. Calmly, like strolling in a leisurely garden, with a leisurely and contented attitude. Throughout the ancient Chinese regular script, we can see that they are all composed, sophisticated, peaceful and serene, and then full of energy and spirit. When using the brush in regular script, the most important thing is not to be busy. The so-called busy person will let the brush form the body, gather the ink to form, move it freely, and be hasty. The so-called "use is fascinating in front of the brush, and the vibration is confusing under the hand." Although the brush is used very quickly, the ancients used the brush The subtle and refined realm is lost. Wang Yun's "Guide to Calligraphy" said: "Today's people have two diseases. One is to love a smooth face, not to seek depression, and lose lightness; the other is to be eager, not to seek setbacks, and lose carelessness." These two disadvantages are, in fact, The above is the most common mistake when writing in small regular letters. You cannot go too fast. The ancients called it galloping. If you gallop wildly, the situation will be incomplete and the people cannot be calm.
When writing small regular script, it is more important to use a pen that is round and lively. The so-called round refers to a square shape but a round momentum, and a lively and lively style. Although small regular script is mainly calm and dignified, it should also be calm. It contains movement, which not only means a comfortable attitude, the calmness of an old monk, but also the liveliness of the pen and the movement of a horse flying in the sky. According to legend, Zhao Mengfu wrote small regular script, and his pen was as fast as flying, and he could write ten thousand words in a day. Wen Zhengming would write every morning when he got up. When writing a thousand-character essay in small regular script, it can be seen that the speed of writing in small regular script is very fast, but the effect is calm and precise. When pretending to write in small regular script, do not use the pen too slowly. If you use the pen too slowly, the bones and flesh will become muddy and the pen machine will become stagnant. There are doubts about progress and retreat, uncertainty about whether to go forward or not, and the spirit of the ancients is completely lost. This shortcoming of being too late is called flooding and stagnation. Flooding and stagnation will cause the bones and flesh to be heavy and turbid. "Hanxi Calligraphy Comprehensive Interpretation" states: "The true calligraphy is too late. It’s hard to find a life.” This is actually my words of wisdom.
In short, the method of writing small regular script is to be quick, and to be busy is not enough. The only way to achieve this state is to be familiar with the characters and the writing skills are mature, so the wrist will not stop writing and the pen will not leave the paper. Although the calligraphy falls like flying, the pointillism is exquisite, the body is considerate, the attitude is graceful, and the charm is natural and vivid.
As far as style is concerned, there are two major categories of writing small regular script. One is the internal extension method, which is mainly late, and the other is the external extension method, which is mainly fast. All simple and ancient books, The rhythm should be slow, the so-called slowness is to imitate the ancients, and the slowness is to understand the heart; the rhythm of all beautiful and beautiful books should be fast, the so-called speed is to surprise, and the hurry is to gain momentum. The small regular scripts of Zhong Yao and Yan Zhenqing are mainly slow, and Zhao Mengfu, Wen Zhengming's small regular script is mainly about speed. No matter how slow it is, it is not an absolute, static, solid balance, but a relative and changing dynamic rhythm. It must be both spiritual and calm, quiet and lively, and it must be balanced. I got the wonderful use of small regular script, just as Yao Hua said in "Books with Yao Hong": "I used the calligraphy very quickly at first, because I was familiar with it quickly, and later I worked hard to improve it, and I became calm. However, it was too calm, and it was unavoidable to be explicit, because I realized that writing "Books must be quick to help each other, and only then can hardness and softness complement each other." This is actually what I have learned.