Mr. Gu's calligraphy is both traditional and contemporary. His running script is vigorous and elegant, and he has the charm of brush calligraphy. With his solid foundation and years of hard work, his calligraphy has been loved by the majority of calligraphy lovers. Personally, I think it is relatively easy to start.
The Significance of Learning Hard Pen Calligraphy
Today, with the maturity and development of computer technology, network technology makes paperless office a reality. The application of computer technology has not only changed the way people work, but also brought more convenience and speed to our lives. So most people are more and more lazy in writing, which greatly reduces our writing level. Some people even think that it is not necessary to write well and learn hard pen calligraphy. Is it really useless to learn hard pen calligraphy? I don't think so.
From a cultural point of view, China's calligraphy is the core of China's national culture. It is an artistic miracle rooted in the special soil of Chinese characters, a cultural representation of China's aesthetic ideology, a manifestation of the specific cultural form and aesthetic style of the Chinese nation, and a miracle in the history of human culture. It should also be pointed out that a new type of calligraphy-hard-pen calligraphy, which flourished in 1980s, is also a new atmosphere for the development of China calligraphy in the 20th century. It not only embodies our national character, but also has strong characteristics of the times. It is a new artistic variety based on traditional culture. Waves of heat waves have been set off throughout the country and even overseas, sweeping the vast land. The National Hard Pen Calligraphy Exhibition Competition was held, with as few as 100,000 to 80,000 participants and as many as one million participants. It was magnificent and resounded all over the world. Therefore, we should do a good job in calligraphy education.
China's calligraphy is "an art that can express feelings with high freedom and express the calligrapher's personality". Several works of art coexist in one style. What is the style? Buffon of France said in On Style: "Style is man". China and Liu Xizai said in the book Introduction to Art: "Books are like people." In other words, the beauty of art is always closely related to the people who create art, and many calligraphers are respected by future generations because of their excellent calligraphy. A respected calligrapher, his works unconsciously standardize, enlighten and cultivate people's character spirit and national integrity. Many contemporary scholars have said: "The power of China is all related to this square character." Carrying out calligraphy education is conducive to cultivating a large number of high-quality talents. Because learning calligraphy from bit by bit is itself an opposition to those impetuous, speculative, hypocritical and arrogant. Whenever the learner calms down in the joy of learning books, other desires will fade or shrink back. Therefore, the process of learning calligraphy is the process of cultivating positive spirit and personality. Through learning, learners can learn to do things, learn to be human, learn to distinguish right from wrong, and gradually understand people's ways of survival, struggle, success and wisdom. Because the structure and lines of calligraphy can be transformed into a moral education force, which leaves an indelible mark on students' minds and also plays a subtle role in the formation of their values. Fu Shan, a calligrapher in the late Ming and early Qing Dynasties, said four words, which turned it into a modern saying, that is, people should be naive, not kitsch, not insincere, not opportunistic, not charming, not eager for quick success, not blind and impetuous. These four sentences were originally used as the criteria for judging the aesthetics of calligraphy. Today, we sum them up. This is the law of our life. After the explanation and guidance of the calligraphy teacher, the learners will develop some noble qualities and make achievements in the pavilion industry.