If Nalan Xingde's life is just the first time, why draw a fan in the autumn wind? It is easy to change, and it is also easy to change. Lishan language stops midnight, and the rain bell doesn't complain. More importantly, if you are lucky, you will be more willing than before.
If the first sentence in life is only the most prosaic and emotional sentence in the whole word at first sight, if a relationship is heavy enough in a person's heart, then no matter what changes he has experienced in the future, the first moment will always be clear and unforgettable. When I first saw this, I suddenly pulled my feelings back to the good memories of my first love.
2. Jiang Chengzi Mao Yi dreamed of the Song Dynasty on the 20th day of the first month.
Su Shi has been in where will you go for ten years. A lonely grave thousands of miles away, desolate and nowhere to talk about. Even if we don't know each other, our faces are dusty and our temples are frosty. At night, I suddenly dreamed of going home, and the window of Xiao Xuan was being decorated. Care for each other without words, only a thousand lines of tears. It is estimated that the annual heartbroken place, moonlit night, short matsuoka.
Compared with predecessors, the expressive art of Su Shi's mourning poems is different. This word is about dreaming. It clearly describes the day of dreaming. But although it is about remembering dreams, in fact, only the following five sentences are about remembering dreams, and the rest are about expressing their feelings and telling their sadness. They are sincere, simple and touching.
3. Five Thoughts of the Fourth Tang Dynasty
Yuan Zhen was once a sea of water, but never amber. Hurried through the flowers, lazy to look back; This reason is partly because of the ascetic monk, and partly because of who you used to be.
The most prominent feature of this poem is to express the hero's deep love for his lost sweetheart in a clever way. It uses water, clouds and flowers in succession, and it is written in a tortuous and euphemistic way, with far-reaching artistic conception and intriguing.
4. "Linjiang Xian sent Qian Mufu to Song"
Su Shi changed his door to fire when he left, and the world stepped on the world of mortals. When I meet with a smile, it's still warm as spring. Your heart is like an ancient well, not water, and the peak is like a bamboo pole in autumn. My heart is melancholy, because you want to separate the sails overnight. When you see me off, the clouds are the color of the moon. There is no need for the girls of Pei Jiu to feel too sorry for the glass. Life is a difficult journey, you and I are both passers-by, just like stopping at different hotels.
The whole poem has changed the sentimental, sad and generous style of farewell poems in the past, and has made some innovations in statutes, resorting to bold, argumentative and frank writing, which has both charm and interest, and fully embodies the author's broad-minded and free-spirited personality. The poet's affection for his old friend as soon as possible is deep and delicate, and it is full of twists and turns and touching.
5. "Queqiao Xianyun Unique Skill Song"
Qin Guan's thin clouds are mysterious, flying stars spread grievances, and both silver and Chinese are dark. On the seventh day of autumn dew and autumn, it is time to meet, mostly those who are together in the world, but the appearance of husband and wife. Common complaint against acacia, tender feelings like water, meet each other as if it were a dream, when it is hard to see the bridge. As long as two people love us to the end, why covet my Heron?
Therefore, this word has aesthetic value and artistic taste across times and countries. This word combines scenery, lyricism and discussion in one furnace, telling the love fairy tale of Penny and Weaver Girl.
Give the fairy couple a strong human touch and eulogize the sincere, delicate, pure and loyal love. In the word, the two stars in the sky are clearly written, and the lovers on earth are furtive. Their lyricism, mourning music and mourning are impressive and moving.
6. Tang Dynasty, Nanzhuang Capital.
Today in Cuihu last year, peach blossoms set each other off. Today, I came here again. I don't know where the girl went. Only the peach blossoms are still there, smiling in full bloom in the spring breeze. Although this poem has some plot, legendary ability and even drama, it is not a narrative poem, but a lyric poem.
It explains a common life experience. You accidentally meet something beautiful, but when you deliberately pursue it, you can't get it back. This may be one of the reasons why this poem has maintained its enduring artistic vitality.
7. "Yu Louchun intends to tell the Song Dynasty about the return date."
Ouyang Xiuzun intends to talk about the return date first. He wants to talk about spring first. Ah, there is love in life, and love is in the depths of madness. This is not irrelevant to hate-the wind overhead, the moon in the sky. Before the farewell party, Mo sang a new tie. This song has a sad feeling. It's easy to see all the flowers in Los Angeles at first.
This word eulogizes parting, which contains a simple and profound life experience in sadness. In the first movie, I respected the former and felt sad, but turned to meditation on life. Life is naturally infatuated, and this resentment has nothing to do with romance. The moon in the sky and the breeze on the balcony are originally ruthless and have nothing to do with personnel. Just because people who are infatuated with each other look at them, they all become heartache. The so-called bell of love is in our generation.
8. "A plum rain and a pear flower are at Mingshenmen"
Tang Yu-yin closed the door on pear flower, forgot youth and missed it. Pleasure * * * Who said that flowers are charming and the moon is charming? Sorrow gathers eyebrows, and a thousand tears mark ten thousand tears marks. See the sky at dawn and the clouds at dusk. When I walk, I miss you; Even when I am sitting, I miss you.
Tang Yin described a kind of pain tortured by time and space. The upper and lower films complement each other, and the image of an infatuated woman with hard tears is vividly displayed in the pen, which is worthy of the name of a talented person.
9. Untitled the stars of last night and the wind of last night Tang Dynasty
Li Shangyin, the star of last night, the wind of last night, the west of the studio and the east of Guixiangtang. Without Cai Feng's wings, it is impossible to be Qi Fei in fly with me; The heart is like a soul, and the feelings are the same. Guessing and intrigue, wine warms the heart; This group of people came to the bet of drinking friends, and a win-lose red in candlelight. Alas, it's time to call the roll in the morning when you hear the drums of the fifth watch; Riding to Lantai is like the wind in the wind.
The room full of red shadows set off the loneliness of the author Xiao Suo. To the reader's surprise, there are two scenes with such a big contrast in one world. The poet's loneliness is the loneliness hidden in the excitement, and red is the surging torrent under the appearance of harmony.
10, "Meeting Lin Huanhua and Xie Chunhong Five Dynasties"
Li Yulin thanked Chunhong and left in a hurry. Helpless, cold rain comes early and wind comes late. Cochineal tears, stay drunk, when heavy. Naturally, people hate water when they grow up.
This kind of words in the late Tang Dynasty are short poems, which can be understood naturally without analysis. What he relies on is not whitewashing, disguising and carving that he has no intention to do, but only a strong and straightforward affection. His pen is also natural and beautiful. If you don't use force, just write casually