Couplet 4.11 of "Jianshe"
Author: Zhang Zhen
It requires smooth rhyme and neat dialogue.
Sentence 1: From now on, my hometown lingers in my dreams;
Couple 1: Only because of ambition.
Just because the expression is a little lacking, just let it go
Sentence 2: Who will be reminded of when the flowers fall?
Couple 2: The water flow still stains the tears lapels.
(Should be stained with tears)
Sentence 3: The end of the world always stays in the heart of the poem;
Couple 3: The cape of the sea occasionally remains in the picture scroll.
Sentence 4: Who wrote on the acacia tung leaves;
Couple 4: I was alone and lost my mind by the bamboo fence.
Sentence 5: For whom are the swans in the clouds weeping?
Couple 5: Brocade books convey dreams at night.
(Great)
Sentence 6: The fairy in the moon is drunk in the cup;
Couple 6: The traveler on the boat travels through the pictures.
(The painting is changed to "on the river")
Sentence author: Zhang Zhen
It requires flat water rhyme and neat dialogue.
Sentence 1: From now on, my hometown haunts me in my dreams;
Couple 1: Teaching as a guest is accompanied by sorrow.
Sentence 2: Who will be reminded of when the flowers fall;
Couple 2: A handful of fragrant fragrance is sold and the dream is lost
(If a handful is wrong, it has been lost. bar)
Sentence 3: The end of the world always stays in the heart of poetry;
Couple 3: The vicissitudes of life are not left in the world
(Sang Chu Lv)
p>Sentence 4: Who writes on the acacia tung leaves;
Couple 4: Difficult to disappear in the sound of farewell geese
(Difficult is not the same word)
Sentence 5: Who are the swans in the clouds weeping for?
Couplet 5: The beauty upstairs is sad in the sky
Sentence 6: The fairy is drunk in the cup in the moon;
p>Couple 6: The sweet-scented osmanthus in the garden is fragrant in the wind
(The Chinese character is wrong, changed to tingxia)
Couplet 6: The beauty under the flowers is charming in the mirror
Sentence 1: From now on, my hometown lingers in my dreams;
Couplet 1: But I will (from now on) be worried about my heart
Sentence 2: Who will the flowers fall? Think of it;
Couple 2: The crow of birds reminds you of you
(The crow of birds is not good, so use the cry of geese)
Couple 3: The end of the world is always there Staying in the heart of the poem;
Couple 3: Missing you in the dream
Couple 4: Who wrote the acacia leaves;
Couplet 4 : I listen to the sound of Li Xu's rain
Sentence 5: For whom are the swans in the clouds weeping?
Couplet 5: The lone shadow under the moon *** I am sad
< p> Sentence six: The fairy was drunk in the cup in the middle of the moon;Couple six: I dreamed of lovesickness and shed tears.
Everything else is good [Rose]
Sentence writer: Zhang Zhen
It requires smooth rhyme and neat dialogue.
In a guest's dream
Sentence 4: Who wrote "On the Acacia Tung Leaf"
Couple 4: Come and travel alone among the blue waves
Sentence 5: In the clouds For whom are the swans weeping?
Couplet 5: The parasol trees pity themselves after the rain
Couple 6: The fairy is drunk in the cup in the middle of the moon
Couplet 6: Cloud Sleeping in the Paintings of Paradise
@君诺? Teacher, I hope you can give me some advice [Holding fists][Holding fists][Rose][Rose]
@京一? They are all great! [Rose][Rose][Strong][Strong], passed the test!
Every time Jingyi Youyou is very thoughtful, it’s great! Congratulations!
In order to help everyone learn to write quatrains well, we will introduce some knowledge about quatrains. I hope you can study them carefully.
Note: "Jianshe" poetry class, what is quatrain
Mainly to understand the origin, concept and classification of quatrain. The content is mostly edited and compiled.
1. The origin of the title "quatrains"
There are two theories about the origin of the title "quatrains":
The first one: "quatrains" also means "quatrains". It is called "Jue Shi", or "Jie Ju" or "Jie Ju". Both "Jie" and "Juan" have the meaning of short cut. According to the explanation of "The Origin of Poetry", quatrain means "cutting a sentence", which means to cut off four lines of the verse, or cut off the first and last couplets, or cut off the first two couplets or the last two couplets, or the middle two couplets (the first and last couplets, the first two couplets) , second two, middle two).
The second type: the quatrain poem was first produced in the Six Dynasties period. During the Six Dynasties, Bao Zhao, Xie Tiao and others often composed couplets, in which one poet composed four sentences first, and other poets also composed four sentences, continuing to form a couplet. If one person writes it and no one continues it or no one can continue it according to the artistic conception of the previous four sentences, the previous four completed sentences are called quatrains.
Judging from this development, "quatrains" evolved from "five-character short ancient songs and seven-character short songs". The people of the Tang Dynasty gave it rhythm and finalized it to become quatrains.
The "New Odes of Yutai" edited by Xu Ling in the Chen Dynasty of the Southern Dynasty had the name of "ancient quatrains". At this time, rhythmic poetry did not appear until the Tang Dynasty. It can be seen that quatrains did not originally refer to two couplets that intercepted rhythmic poetry.
So, the first statement is incorrect. Regarding the statement that quatrains are half of the verses, Wang Fuzhi, a thinker in the Qing Dynasty, once pointed out: "Five-character quatrains come from ancient five-character poems, and seven-character quatrains come from When the song comes, these two styles are before the verses, and the verses come out from there, so it is full and smooth. It is said that the quatrains may cut off half of the verses, or cut off the first four sentences, or cut off the last four sentences, or cut off two sentences at the beginning and the end. Or cut off two couplets to judge you, behead and cut off the feet, just to punish people. I don’t know who said this, to kill people’s physiology!” Zhao Zhixin, the author of "Tone Diagram" also pointed out: "The two sentences are a couplet, and the four sentences are a couplet." "Wei Jue" began in the Six Dynasties. Later generations of Yuan Fei Dynasty mistakenly regarded quatrains as truncated verses, so I asked this question. "It can be seen that the statement of quatrains is a formalistic assumption and cannot be trusted.
2. The concept and classification of quatrains
Quatrains, also known as truncated sentences, broken sentences, and quatrains, are composed of four sentences per poem, short and concise. It is a Han poetry genre that became popular in the Tang Dynasty and is a form of modern poetry.
The word quatrain first appeared in the Qi and Liang dynasties of the Southern Dynasties. "New Odes of Yutai" written by Xu Ling of the Chen Dynasty contains four poems of five characters and four sentences. The author's name is unknown, and they are titled "Ancient Quatrains". The quatrain at this time refers to a short poem with five characters, four lines and two rhymes, and does not require harmony and harmony.
Jue means "to cut off". The ancients used four lines of poetry, one Jue, to complete an ideological concept.
According to the rhythm of poetry, quatrains are divided into regular verses and ancient verses. Rhythm jue only appeared after the rise of rhythm poetry, and it requires flatness. Ancient Jue existed long before the emergence of rhythmic poetry.
Lüjue is the same as rhythmic poetry. It follows the rhythm of the rhythmic sentences and pays attention to adhesion and rhyme. The quatrains we talk about are the quatrains.
According to the number of words in each sentence, quatrains can be divided into five-character quatrains, six-character quatrains and seven-character quatrains. Among them, five-character quatrains and seven-character quatrains are the most common, while six-character quatrains are rare.
In the history of poetry development, five-character poems matured earlier than seven-character poems, so the five-character quatrains also appeared earlier than seven-character quatrains. In terms of language style, the language of five-character quatrains is more simple, elegant and concise than that of seven-character quatrains.
For example, Li Bai's poem "Sitting Alone on Jingting Mountain": "All the birds are flying high, and the lone cloud is alone. I never tire of looking at each other, only Jingting Mountain." If it is deleted or changed, Any one of these words will detract from the solitary and leisurely artistic conception of the whole poem.
Seven-character quatrains, in terms of form, have two more words per sentence. It is precisely because of the addition of these two words that the expressive power of the quatrain has been greatly enhanced, and the mood of the poem has become more euphemistic, tortuous, and swaying.
For example, Du Mu's "Qingming" poem, "Rains fall heavily during the Qingming Festival, and pedestrians on the road want to lose their souls." May I ask where the restaurant is? The shepherd boy points to Xinghua Village in the distance. "Some poetry commentators in later generations once said that this poem could have been written in five words: "The rain falls heavily during the Qingming Festival, and the pedestrians want to die. Where is the restaurant? It points to Xinghua Village in the distance. Although this basically expresses the artistic conception of the original poem, it lacks the very life-like scene of the poet stopping the shepherd boy to ask for directions and the shepherd boy giving directions. Therefore, the interest is greatly reduced and it seems to be inferior. .
In the Tang Dynasty, with the maturity of rhymed poetry, quatrains also became rhymed, and they were divided into rhymed verses and ancient verses. For example, pay attention to the level and level, and the one with the flat rhyme at the end is the rhyme, and the others are the ancient ones. Between the two, it is difficult to say who is better and who is worse. Both have excellent works and can create the most beautiful and profound artistic conception. However, because of the unique rhythm and the emphasis on rhythm, it reads with rhythm and rhythm, and the tone is harmonious. In addition to the artistic conception, it also has the beauty of sound and rhyme. This is probably the reason why Lü Jue is more popular.
In ancient times, there was no particular emphasis on flatness or obliqueness. Rhymes could be flat or oblique.
The rhyme we are learning now is a modern quatrain, which requires the use of flat and oblique and sticky pairs according to the metrical regulations, and is limited to rhyme in flat tones. The antithesis of quatrains is not as strict as that of rhymed verses.