Seven laws. Send white candles to the host.
During the day, I spread the quintessence of China, and even the paper was stamped with the quintessence of China.
Candlelight burns true feelings, with a long and healthy rhythm.
The sages gather and laugh, and the peaches and plums in the garden are fragrant.
He advocated that new people should sing new songs and hoped that the poetry world would win in the Song and Tang Dynasties.
Seven-character poetry is a genre of China's traditional poetry, which belongs to the category of modern poetry.
Shen Yue's new-style poems originated from Qi Yongming in the Southern Dynasties, paying attention to rhythm and duality. They were further developed and stereotyped by Shen Quanqi and Song in the early Tang Dynasty and matured by Du Fu in the prosperous Tang Dynasty. Seven-character verse is strict, which requires the unity of words in the poem. It consists of eight sentences, and each sentence has seven words. Every two sentences are a couplet, and * * * is a quadruple, which is divided into first couplet, parallel couplet, neck couplet and tail couplet. The two couplets in the middle demand antithesis.
Representative works include the Yellow Crane Tower in Cui Hao, Du Fu's Ascending, and Li Shangyin's Stabilizing Tower.
Seven-character verse has four standard sentence patterns:
First, flat and flat (flat and flat, the last word is flat, called flat feet);
Second, flat and flat (flat and flat, the last word is flat and flat, called flat and flat feet);
The third is flat and flat (from the beginning, the last word is flat, called flat feet);
Fourth, it is flat (the last word is foot, called foot).
These four sentence patterns are the basis of the change of the flat and flat format of the regular poem, and constitute the four basic formats of the seven-character regular poem.