The hard-pen ancient poetry and calligraphy works include Li Bai's "Early Departure from Baidi City", Zhang Ji's "Night Mooring at Maple Bridge", Su Shi's "Inscription on the West Forest Wall", Wang Zhihuan's "Liangzhou Ci", Li Bai's "Wang Lushan Waterfall", Li Bai's "Wang Tianmen Mountain" Du Mu's "Mountain Journey". "Shanquan Jiancha Huai" and "Xia Ke Xing" Zhao Keman Hu Ying, Wu Gou Shuang Xue Ming. "Linjiang Immortal", "Ding Feng Bo", "Send Friends Off" and "Send Friends to Shu".
Hard-pen calligraphy is a bright pearl in the garden of calligraphy art. Its writing tools include pens, gel pens, art pens, pencils, chalks, etc., using ink or powder media as the main carrier to express the writing skills of Chinese characters and other characters.
It has the characteristics of easy portability, fast writing, and wide use value. The visual difference between it and brush calligraphy lies in the thickness or slenderness of the strokes, which is like removing the muscles and retaining the bones, but the principle and movement of its imaging The techniques are very different and are two different modes of movement.
Hard-pen calligraphy is divided into the art of hard-pen calligraphy and practical hard-pen calligraphy. The former mainly emphasizes artistry, while the latter mainly emphasizes practicality. The artistry of hard-pen calligraphy mainly expresses the writer's understanding and feelings of the art of calligraphy through changes in lines and structures. It pursues beauty, emotion, interest, artistic conception, personality, etc.
The practice of hard-tipped calligraphy, from the strokes of characters, radicals, the structure of characters to the entire text, can then lead to the practice of composition. That is to say, writing according to the requirements of the work, which can be a temporary practice or free writing. This stage is not as strict as the release of formal works and does not require a seal (generally speaking, stamping a seal indicates that you recognize it as a formal calligraphy work) ).