I will stay for a long time, ready to pick your first sorrow, so I will cross this frosted reed and reach your village before the sun rises.
Dance the flags of desire in different shapes, and guide you to come alone with sharp ears. However, I need a hundred degrees to gather lonely days quickly, and I promise to live next to the river that tells about you in the darkest night. Strange patterns on reed leaves are your language.
Ji's body finally approached the reed angel in insomnia. Its autumn dance belongs to the primitive style, insisting on crossing the water depth with light, while your strange sword fountain rises from a deeper stratum. The bitter reed root dream is like sugarcane, and you don't believe in the two-color fruit of mulberry trees. My waiting broke out quietly on the water, so it spread all morning in the form of ripples.
Your voice woke me up as soon as possible, and the smell of you and reeds made me feel fragrant. There was enough food when the sky was high and the clouds were light this morning. No wonder colorful grass is the background of your appearance. You won't feel like a sunrise after a long drift, as if you were picked out from the dawn of Jiangxinzhou, where you left your back.
Just like your life, sailing in the days with strong thrust and traveling in the colorful seasons without hanging colorful lanterns. Weave a rest place for Enron's homing pigeons, and fill all the blanks with the wind of butterfly big wing. Unless the rose garden falls. I won't read these water quality fables in the dim moonlight without opening the rose petals that quietly open at dawn.
This is the most common land in the water, similar to my village. A hundred years have passed in a blink of an eye. Its flesh and blood contains rich past events, which flow into the starry sky from the place of birth. And mysterious images appear at night, and ordinary wind and rain cannot be decrypted.
Collect your changes, your actions and your experiences. Just like a growing castor, it stores energy in a strange hard shell in order to break the spring and appear in a booming crop. This is a fragmentary fragment, which is different from others. With the help of the initial spots on your hands, you can be restored to the mutated you. Only every Sunday is covered with spears, bamboo shoots, reed flutes, bamboo leaves and wind flags.
It doesn't cost anything. We come from the same point, the same expanding cloud. At the turn of the distant river at the beginning of time, nothing happened except a few parallel tracks.
You started your dream on the top of the first quarter moon last night and came to this beach on a Mid-Autumn Festival bathed in countless crystals.
Through this frosted reed, I want to reach your village before the sun rises.
Jianquan rises from the deeper stratum where bitter reed roots dream of sugarcane and don't believe in mulberry bicolor fruit. My waiting broke out quietly on the water, so it spread all morning in the form of ripples.
Only every Sunday is covered with spears, bamboo shoots, reed flutes, bamboo leaves and wind flags.
I found it online.
2. Write a 600-word prose appreciation poem "Jia Xu" with the artistic conception of the Book of Songs. The year of Jiaxu: the pre-Qin book of songs was green and the white dew cream. The so-called Iraqis are on the water side. Tracing back from it, the road resistance is long; Swim back and follow it. It's in the middle of the water. It's sad, but the Millennium is unclear [1]. The so-called Iraqis are in the water. If you swim back and follow, the road will be blocked and broken; Swim back, follow it, and it will always be in the water. When you pick it, the dew is not there. The so-called Iraqis are in the water [2]. When you swim back, follow it and the road will be blocked, that's right; Go back and swim from there and swim in the water [3]. [1]: Yinxi, Gan [2]: Yin Si, Shuibian [3]: Yin Zhi, a small beach in the water, belongs to Zhou Wangxiao of Qin Feng, and the ancestor of Qin Dynasty was sealed in Qin Valley (. Du Yuyong (now Xingping, Shaanxi). Qin includes the area from Guanzhong of Shaanxi Province to the southeast of Gansu Province. Most of Qin Feng's ten poems are folk songs in this area during the Eastern Zhou Dynasty. This poem has always had different interpretations. Some people think that the author misses his lover and the main purpose of this poem is to write about love. Some people say that the poet satirized that Qin Xianggong could not be a good corporal through his bosom friend, which led to the hermit of the wise men and refused to come out to be an official; Some people say that the author is a hermit, and this poem is the work of Zhi Ming. We are poetic, but the love between men and women is not clearly shown in the poem. Besides, it is difficult to judge whether "Iraqi" is a man or a woman. It is even more unfounded to say that it is a satire. Therefore, we only regard "Iraqi people" as the person whom the author admires and loves, whether male or female. The crystal dew has condensed into the thick cream of white brush, the slight autumn wind sends the coolness of the incoming people, and the boundless autumn water is full of chill. In this desolate and quiet late autumn morning, the poet sometimes stands, sometimes hesitates, sometimes looks up, and sometimes frowns and meditates. His anxiety appeared in front of our eyes from time to time. It turned out that he was longing for a friend. He explained the object of the poet's admiration and the position of the Iraqi people, and showed the poet's longing to see through the autumn water and his hard search. "Iraqi" refers to people who are close to the poet and never forget it. The word "so-called" shows that "the Iraqi people" is often mentioned and chanted, but now he is on the other side of the long river. Follow it, it's in the middle of the water. "It is dangerous and long to walk on the riverside path, even if it takes a long time, it is difficult to reach; If you swim across the river directly, although not far apart, you can see endless autumn water, which is within reach and difficult to do, as if you saw an Iraqi figure shaking in the middle of the water. Although the poet is standing by the river, his trance-like mind is already flying, and his infatuated image reminds you of an Iraqi. The wonder of poetry, as Fang Yurun said, "It is impossible to play with its words. You can really ask for it. "The second and third chapters of the poem (the book of songs) have only changed a few words, and the content is basically the same as the first chapter. But it embodies the musical characteristics of poetry singing, enhances the melodious and harmonious beauty of rhythm, and makes the feelings expressed stronger and stronger. The first chapter is "ash", the second chapter is "sadness", and the last chapter is "picking", which is about reeds. It shows that the poet's environment was very cold and he was very lonely. The transformation of "white dew is frost", "not wet" and "not already" depicts the scene and process of morning dew gradually turning into autumn water, vividly outlines the track of time development, and shows that the poet came to the river at dawn and stayed until the sun rose. Imagine that he wandered in the cold alone for a long time. When describing the position of the Iraqi people, due to the transformation of the three words "Fang", "Mei" and "Huan", it truly describes the activities and psychological images of the Iraqi people waiting for poets and poets to meet them on the other side, which greatly broadens the artistic conception of the poem. In addition, words like "long", "sharp", "right", "middle" and "middle" etc. I want to see an anxious friend. If we relate several groups of deformed words used in the three chapters to taste, we can better understand the meaning of this poem. At the beginning of each chapter of the poem, we all adopt the brushwork of finding interest in fu. Through the description and admiration of the real scene in front of me, I draw an ethereal artistic conception, which covers the whole article. Grasping the unique characteristics of autumn, the poet repeatedly described and rendered the empty and sad atmosphere of late autumn with heavy colors. In order to express the poet's sense of loss and ardent admiration for his friends, as "Words on Earth" said, "A poem, Jia Jian, is the one that impressed me the most." It has "seeing things from me, so everything is my color" and "its feeling will be refreshing; Its landscape writing will also attract attention; His words blurted out and he didn't wear makeup. " This widely read poem has obvious influence on later generations. Look at a description in Song Yu's Nine Debates: "Sad autumn is also angry! Bleak, the vegetation falls and decays; If you want to travel far; Get the moon first by being close to the water tower; The sky is crisp; Lonely and lonely, clear water; Sorrow increases pain. " Here, through the description of the autumn weather and the fall of vegetation, a chilling atmosphere is created, and the poet's sad and painful mood is expressed. This may be influenced by the poem Jia Jian, from which we can see the inheritance and development clues of Chu Ci to the Book of Songs. From this poem, the poem "The autumn wind is bleak, the weather is cold, and the vegetation shakes the frost" is derived. Thus, the poem Jiaxu has a very important position in the history of ancient poetry. In a word, the rich aesthetic feeling of Jia Xu deserves our attention and serious discussion from the perspective of appreciation and creation.
3. The 300-word artistic conception of Sword House is profound and profound, which means "sadness without injury". Jianjia is a famous article in the Book of Songs, and its simple and natural language gives people a rich sense of beauty.
The first is implicit beauty. The work is not directly lyrical, but implicitly expresses the poet's passion, infatuation, anxiety and disappointment through the poet's action of looking for Iraqis.
Secondly, the artistic conception is beautiful. The poet's infatuation, dream and trance for the Iraqi people are integrated with the misty scenery in the early morning of autumn; The poet's melancholy and frustrated mood of pursuing nothingness is integrated with the bleak scene in late autumn.
After reading this scene, I only feel sad, quiet and endless images. The third is hazy beauty.
The whole poem of Jiaxu is confusing and foggy, presenting a mysterious and hazy beauty in vague images. At the beginning of each chapter of the poem, the brushwork of seeing interest in fu is adopted.
Through the description and admiration of the real scene in front of me, I drew an ethereal artistic conception that enveloped the whole article. The poet grasps the uniqueness of autumn colors, and repeatedly depicts and renders the empty and sad atmosphere in late autumn, so as to express the poet's disappointment but ardent yearning for his friends.
There are three chapters in the whole poem, and only a few words are changed in each chapter, which not only plays the artistic effect of repeating chapters and sentences, chanting repeatedly, singing three times and sighing three times, but also plays the role of constantly promoting poetry. With the passage of time, it symbolizes the long-term gaze and pursuit of the lyric hero; With the change of location, it symbolizes the elusive Iraqi people; The whole poem repeatedly plays up the difficulties in the pursuit process to highlight the indomitable spirit of the lyric hero.
Just as "Words on Earth" said, "Jia Jian's poem impressed me the most." .
4. Write a 600-word prose appreciation poem "Jia Xu" with the artistic conception of the Book of Songs. The year of Jiaxu: the pre-Qin book of songs was green and the white dew cream. The so-called Iraqis are on the water side. Tracing back from it, the road resistance is long; Swim back and follow it. It's in the middle of the water. It's sad, but the Millennium is unclear [1]. The so-called Iraqis are in the water. If you swim back and follow, the road will be blocked and broken; Swim back, follow it, and it will always be in the water. When you pick it, the dew is not there. The so-called Iraqis are in the water [2]. When you swim back, follow it and the road will be blocked, that's right; Go back and swim from there and swim in the water [3]. [1]: Yinxi, Gan [2]: Yin Si, Shuibian [3]: Yin Zhi, a small beach in the water, belongs to Zhou Wangxiao of Qin Feng, and the ancestor of Qin Dynasty was sealed in Qin Valley (. Du Yuyong (now Xingping, Shaanxi). Qin includes the area from Guanzhong of Shaanxi Province to the southeast of Gansu Province. Most of Qin Feng's ten poems are folk songs in this area during the Eastern Zhou Dynasty. This poem has always had different interpretations. Some people think that the author misses his lover and the main purpose of this poem is to write about love. Some people say that the poet satirized that Qin Xianggong could not be a good corporal through his bosom friend, which led to the hermit of the wise men and refused to come out to be an official; Some people say that the author is a hermit, and this poem is the work of Zhi Ming. We are poetic, but the love between men and women is not clearly shown in the poem. Besides, it is difficult to judge whether "Iraqi" is a man or a woman. It is even more unfounded to say that it is a satire. Therefore, we only regard "Iraqi people" as the person whom the author admires and loves, whether male or female. The crystal dew has condensed into the thick cream of white brush, the slight autumn wind sends the coolness of the incoming people, and the boundless autumn water is full of chill. In this desolate and quiet late autumn morning, the poet sometimes stands, sometimes hesitates, sometimes looks up, and sometimes frowns and meditates. His anxiety appeared in front of our eyes from time to time. It turned out that he was longing for a friend. He explained the object of the poet's admiration and the position of the Iraqi people, and showed the poet's longing to see through the autumn water and his hard search. "Iraqi" refers to people who are close to the poet and never forget it. The word "so-called" shows that "the Iraqi people" is often mentioned and chanted, but now he is on the other side of the long river. Follow it, it's in the middle of the water. "It is dangerous and long to walk on the riverside path, even if it takes a long time, it is difficult to reach; If you swim across the river directly, although not far apart, you can see endless autumn water, which is within reach and difficult to do, as if you saw an Iraqi figure shaking in the middle of the water. Although the poet is standing by the river, his trance-like mind is already flying, and his infatuated image reminds you of an Iraqi. The wonder of poetry, as Fang Yurun said, "It is impossible to play with its words. You can really ask for it. "The second and third chapters of the poem (the book of songs) have only changed a few words, and the content is basically the same as the first chapter. But it embodies the musical characteristics of poetry singing, enhances the melodious and harmonious beauty of rhythm, and makes the feelings expressed stronger and stronger. The first chapter is "ash", the second chapter is "sadness", and the last chapter is "picking", which is about reeds. It shows that the poet's environment was very cold and he was very lonely. The transformation of "white dew is frost", "not wet" and "not already" depicts the scene and process of morning dew gradually turning into autumn water, vividly outlines the track of time development, and shows that the poet came to the river at dawn and stayed until the sun rose. Imagine that he wandered in the cold alone for a long time. When describing the position of the Iraqi people, due to the transformation of the three words "Fang", "Mei" and "Huan", it truly describes the activities and psychological images of the Iraqi people waiting for poets and poets to meet them on the other side, which greatly broadens the artistic conception of the poem. In addition, words like "long", "sharp", "right", "middle" and "middle" etc. I want to see an anxious friend. If we relate several groups of deformed words used in the three chapters to taste, we can better understand the meaning of this poem. At the beginning of each chapter of the poem, we all adopt the brushwork of finding interest in fu. Through the description and admiration of the real scene in front of me, I draw an ethereal artistic conception, which covers the whole article. Grasping the unique characteristics of autumn, the poet repeatedly described and rendered the empty and sad atmosphere of late autumn with heavy colors. In order to express the poet's sense of loss and ardent admiration for his friends, as "Words on Earth" said, "A poem, Jia Jian, is the one that impressed me the most." It has "seeing things from me, so everything is my color" and "its feeling will be refreshing; Its landscape writing will also attract attention; His words blurted out and he didn't wear makeup. " This widely read poem has obvious influence on later generations. Look at a description in Song Yu's Nine Debates: "Sad autumn is also angry! Bleak, the vegetation falls and decays; If you want to travel far; Get the moon first by being close to the water tower; The sky is crisp; Lonely and lonely, clear water; Sorrow increases pain. " Here, through the description of the autumn weather and the fall of vegetation, a chilling atmosphere is created, and the poet's sad and painful mood is expressed. This may be influenced by the poem Jia Jian, from which we can see the inheritance and development clues of Chu Ci to the Book of Songs. From this poem, the poem "The autumn wind is bleak, the weather is cold, and the vegetation shakes the frost" is derived. Thus, the poem Jiaxu has a very important position in the history of ancient poetry. In a word, the rich aesthetic feeling of Jia Xu deserves our attention and serious discussion from the perspective of appreciation and creation.
5. On the water side-reading Jiaxu has a feeling that love is the most profound thing in the world.
Crazy mentality and the beauty of being with my son for the rest of my life make people drift from place to place and sip a full cup in the long world. "After a long time, the Millennium has not changed."
The city is gone, the beauty is old, and love is still lingering in this world. -Inscription "The so-called literary classics are nothing more than the most authentic, essential and unique poetic expression of individual life and emotional experience."
Because classics, like Jiaxu, are dusty, but it is difficult to hide the light of life. "It is not dead words, but living thoughts and emotions."
This is my motivation and significance as a modern person to reread Jia Jian. Teenagers read Jiaxu and love its smoothness and beauty, just like young and unattainable feelings and dreams; When young people read Jiaxu, they love it and regret it, just like the feelings they once indulged in. Reading Jiaxu in middle age, loving its poems and writing about the loss and regret everywhere in life; Old people read Jiaxu and love its indifferent tea. The past is like smoke, and they are indifferent to it.
Humans have a bad habit of pursuing possession all their lives, but abandoning what is easy to get. What worries them most is what the water side has and what it can't get. "Jiaxu" has such power that everyone can pick up his own tears and face the loss of feelings with poetry and get comfort.
Jiaxu depicts a long romantic search. This is a lost but determined journey to find the hometown of the soul.
In the end, beauty is like a dream, and searching is the only thing. No one knows what he is looking for, except that the autumn wind is fine, the reeds are swaying, and the lonely pursuers are struggling to shuttle as always.
Shuttle, to the depths of reeds, no direction to swim back. "Go home, road resistance and long.
Swim back from it, in the middle of the water "It seems close at hand, and it will soon be out of sight like time.
He wandered among the white reeds, wandering in a trance. The Iraqi man is like a flower, like fog, sometimes at the water's edge, as if he could get close in just one step. Once he gets close, the beauty is far away from the water, and the cry can't stop ... The ethereal artistic conception has to be amazed. He searched in such a distant place, just looking, without stopping, without sadness, as if time had passed for thousands of years and his life was over.
There is a saying in "Ci Hua on Earth": "Poet Jia Jian" is the most impressive. "This kind of wind is hard to say, only those who have looked for it can suddenly realize.
There are many people looking for marriage in the world, but they earnestly advise them not to pursue those things that are beyond their reach, but to hold on to their real happiness. However, as we all know, some searches can never be abandoned.
What is true is not necessarily what you want most, but what you can't get is the best. Love, at this time, we are too far away, we can only watch from a distance and can't play.
Spring flowers and autumn moon, the smoke is flattering, we look at the flowers in the fog, but we can't see the sadness and joy clearly, but we understand from Jiaqu that love is not dull, and the years are quiet and good, and the warmth we can't wait for will make people lose their magic, thus pursuing "unrealistic". Life, sublimated in the material, playing with busy work every day.
Walking in the world every day, the "Iraqi" we are chasing is a dream. Only when the goal is the desire in the heart can we persevere. Like a poet, even if he loses the right course, he will choose the infatuation in his heart, go on firmly, work hard in disappointment, and chase after it in sweat and tears. Even though time will take us across Qian Shan, we will not regret this festival.
Some dreams, even if they are unattainable, we will still look for them. There are too many puzzles in the world. One of the meanings of finding them is to let us stick to our hearts, guard our persistence in our hearts, and go on bravely and persistently. Because of that kind of desire, it will add bright color to the helpless life, and that kind of persistence will make us not indulge in disappointment and numbness even if we are disappointed.
Dream, search, as long as you think it is worthwhile and infatuated, pursue it. That process must be the best time of your life.
6. The descriptive words of artistic conception in Jianjian
Full curse: jiān jiā
Interpretation: The name of the poem is Qin Feng. It is generally considered to be a love poem, which is about the sadness that "Iraqis" repeatedly pursue and finally can't reach. The artistic conception of the poem is beautiful and profound, and it has the feeling of "sighing".
The river is green with reeds and frost in autumn. Where is the right person? Just across the river. It's too long to go upstream to find her. Follow the running water to find her, as if in the middle of the water.
The reeds by the river are dense, and the morning dew is not dry. Where is the right person? Just beyond the river bank. Sail against the current, it is hard to go climbs. Follow the running water to find her, as if on a beach.
The reeds by the river are thick and thick, and the dew has not been completely collected in the morning. Where is the right person? It's just beyond the water. It's hard to find a way to find her against the current. Follow the running water to find her as if she were in the water.
7. The reeds by the river are blue and green.
The white dew condenses into frost in late autumn.
The people I miss day and night,
On the other side of the river.
Looking upstream,
This road is dangerous and long.
Look for it downstream,
It seems to be in the middle of the water.
The reeds by the river are lush,
The dew is still wet in the morning.
My ghost,
Just across the river.
Looking upstream,
The road is rugged and difficult to climb.
Look for it downstream,
It seems to be in the middle of the sandbar.
The reeds by the river are more lush,
The Millennium still lingers in the morning.
The person I'm looking for,
Just across the river.
Looking upstream,
This road is dangerous and circuitous.
Look for it downstream,
Like a sandbar in the water.
8. What is the intention of describing the white dew and the white dew in Chinese medicine? 1. Chinese medicine is a lover's love song. This poem presents a sad atmosphere by linking chapters and describing the scenery in late autumn, and also sets off the poet's infinite sadness. The Millennium turns from frost to water, and then gradually dries up. These three states imply the passage of time, while the poet lingers in this period, making endless explorations. The setting of images not only provides the background of the poet's activities, but also constitutes a beautiful artistic conception of scene blending. Moreover, with the change of image, the poet's unreachable feelings deepened step by step, becoming more and more melancholy, unable to restrain himself more and more, and his feelings for others became more and more ethereal. Persistent reverie. 3. The images such as "Sword Nine", "White Dew" and "Autumn Water" in the article not only point out the festival, but also show the bleak autumn, rendering the hazy and blurred emotional atmosphere of the whole poem. This leap-forward and attractive rise is the early form of folk song poetry language, and it is the bud of China literature lyric tradition. You can't make the best use of it without repeating it. Because individual words are changed in repetition, the process of the Millennium from condensation to frost to melting into water is written, which shows the passage of time. During this period, the poet's pursuit, expectation and composition overlap also show the deepening of emotions.
9. The beautiful artistic conception of The Book of Songs is a folk song of Qin State. It is a love poem written in the mind and feelings of an infatuated person in love, which is very real and touching.
"Jiaxu" is a general term for reed and reed, both of which are born near water. "Jian Peijun is pale and the white dew is frost" describes the cool scenery of reeds in an autumn, with broad white dew and thick frost, which secretly reflects the hero's mood at this moment.
"The so-called Iraqis are on the water side", Zhu's "Biography of Poetry": "Iraqis are still the same." The hero misses his lover very much.
In front of autumn scenery, there was silence, a long talk, and nothing at all, but because she was preoccupied, she seemed to see the right person in the distance on the other side of the water, so she wanted to pursue her in order to get together. "Going back and forth, the road is long and its Xiu Yuan is Xi". The protagonist goes upstream along the riverbank to find the trace of the right person, but there are many obstacles on the road, and it is difficult, tortuous and far away.
"Follow it and swim to the middle of the water." Then he swam into the water to find her, but no matter how the protagonist swam, he couldn't reach her. She seems to be in the middle of the water forever, but I can't reach her. These words are about the illusion of the protagonist. There is always a vague figure floating in front of her eyes, as true as false. No matter whether she travels on land or in water, she can't get close to her, as if she were turning around the center of the circle.
So he lingered by the water and felt uneasy. This clearly outlines a hazy artistic conception, describes an obsessive mood, and casts a layer of confused and sentimental mood on the whole poem.