Composer: Gu Yue
Singing: Teresa Teng
Album collection: movie Haiyun soundtrack episode
Release date: 1974
Record company: Mo Lifeng
Lyrics girl, why are you wandering on the beach alone?
Girl, aren't you afraid of the sea making waves?
Ah! It's not the waves, it's my beautiful clothes floating.
Even if there is black fog on the horizon, fly like that seagull.
Girl, how I wish I were by your side.
Girl, accompany you to see the sea and the wind and waves.
Singer Profile Teresa Teng (1953 19951October 29th-1May 8th, 995) is a Taiwan Province singer who has great influence in Asian region and the global Chinese community, and is also one of the most famous Japanese pop singers in the second half of the 20th century. Her songs are widely popular and enduring in China society, winning the reputation of "one billion applause". Before his death, he performed in Taiwan Province Province, Hongkong, Japan, Southeast Asia, the United States and other places, and published more than 1000 songs in Mandarin, Japanese, English, Cantonese, Minnan and Indonesian, which had a far-reaching impact on the enlightenment and development of China music, especially mainland pop music, and made important contributions to the exchange of different pop music cultures in Asia. Today, countless singers still cover her classic songs to pay tribute to her, which is regarded as an eternal cultural symbol of Chinese pop music.
An overview of poetry and sea rhyme works title: sea rhyme
Release date: 1925 August 17.
Author: Xu Zhimo
Type of work: poetry
Original works 1
"Girl, single girls,
Why do you want to stay?
The seaside at dusk? -
Girl, go home, girl! "
"Oh no; I'm not going home,
I like to blow the night wind: "—
On the beach, in the twilight,
There was a girl who sent-
Wander, wander.
two
"Girl, girl,
Why are you hesitating?
In this desolate sea?
Girl, go home, girl! "
"Oh no; You listen to me sing,
Sea, I sing, you come here: "-
Under the starlight, in the cool wind,
Gently swinging a girl's voiceless voice-
Sing high, sing low.
three
"Girl, bold girl!
There was a shady day,
In an instant, there was an evil storm-
Girl, go home, girl! "
"Oh no; Watch me dance in the air,
Learn from a seagull, Haibo: "—
At night, on the beach,
Spinning a slim figure-
Dance, dance.
four
"Listen, the anger of the sea,
Go home, girl!
Look, the sea is fluctuating like a wild animal.
Girl, go home, girl! "
"Oh no; Haibo, he won't swallow me,
I like the turbulence of the sea! "
In the tides, in the waves,
Ah, a flustered girl is in Harmo.
Waste of time, waste of time.
five
"Girl, where is the girl?
Where's your loud voice?
Where is your graceful figure?
Where, ah, brave girl? "
The night swallowed the starlight,
There is no light at this seaside;
The tide swallowed up the beach,
There are no more girls on the beach,-
There are no more girls!
Note: This poem was published in August 1925 "Morning News".
Appreciation of works narrative lyrics occupies a considerable proportion in Xu Zhimo's poems, and Haiyun is one of them. In the writing of such poems, narrative language inevitably persecutes reading. This compulsion comes from modern poetry-because in traditional narrative poems, such as Peacock Flying Southeast and Mulan Ci, narrative language and lyric language appear from different levels, which is clear at a glance, but what has happened or may happen. However, in modern poetry, such as Xu Zhimo's Hai Yun, narrative language and lyric language are integrated, and the narrative function of language can only be determined after reading through. Moreover, the more essential difference is that the narrative of modern narrative lyric poetry is not a direct life experience, nor an experience that may be verified by life (but it is not unimaginable).
The colloquial and lyrical language, simple and clear image and simple and linear plot development of Haiyun, after reading it, poetic expression will be combined with complete plot explanation. The single lady lingered-singing-dancing-submerged in the sea foam-and disappeared from the beach. This is not a true story of lovelorn self-destruction. But in the final analysis, Xu Zhimo used the plot of this story or similar stories. Xu Zhimo's poems still accept the basic conception mode of traditional narrative poems, that is, the characters have appearances and endings, and the plot has ups and downs. But this character is a virtual character, and this plot is an enlarged behavioral "possibility". In Haiyun, The Single Lady doesn't or doesn't need to contain the meaning of life, moral commitment and ethical will. She is neither like Liu Lanzhi nor Mulan, nor a specific "person" in real life. She is just a possibility in modern life. Therefore, her wandering, singing, dancing, drowning and disappearing are just a "possible course of action", which is a brand-new feature of Haiyun. Girls, the sea, and girls' behaviors at the seaside are all particularly persecuted and boundless, because they are symbols of the suspended spiritual status quo. Due to the infinite expansion of the meaning indicated by symbols and narrative language, the whole poem far exceeds the poetic expression of traditional narrative poems. Although the language of Hai Yun is quite simple, its implication, width and complexity can be understood repeatedly in reading.
The first section is a single lady with long hair and lingering, which makes people miss. Her answer is just "I love the night breeze". The sea is as sinister as life and always more mysterious than life. Its eternity is fascinating. The lonely girl who is far away from life demands "the sea, I sing and you make peace", which is not only heroic and arrogant, but also because of her persistence and firmness in eternal heroism and arrogance. So when storm warning is evil, she wants to "learn from a seagull without waves". Seagull is the spirit of the sea, and spirit and faith are the wings of human beings. Although the girl is thin, her belief is firm. But the ruthless sea will eventually engulf this girl who loves the turmoil of the sea. The struggle against nature and eternity is an eternal struggle. The girl's "waste" has also become sad. However, the girl was not really defeated and disappeared completely. In Hemingway's The Old Man and the Sea, the old man returned empty-handed, but the spirit of "invincible" has since filled the human mind. Tomb of the Sea is a famous essay by H. Broquelon, which eulogizes the eternal pursuit will of mankind with the eternal melody of music. Xu Zhimo's Hai Yun, with its urgent call, metaphysical questioning and rich lyricism, finally pushed the whole poem to a position of * * *, leaving readers with a broad and far-reaching ideological space.
"Girl, where is the girl? /What about your loud voice? /Where is your graceful figure? /Where, ah, brave girl? " I have pursued, fought and sung, so I am brave, so I will still be eulogized and become the source of my pursuit. Hai Yun is an excellent imitation of the eternal rhythm of the sea in the last section.
Unfortunately, Xu Zhimo's conception of "Haiyun" draws lessons from the traditional narrative poem mode, which may make him not create a new narrative lyric expression in the end. But as far as the poem "Hai Yun" is concerned, the expression still has its own uniqueness. On the one hand, the poet is obsessed with the "story" of poetry; On the other hand, he does not appear in the poem in the way of the narrator "I". Not only did he not express "I", but he also hid "I" behind the whole story, allowing the story to unfold leisurely in the lyrical dialogue between two characters. In this way, the poetic expression of narrative lyric poetry has dual functions, on the one hand, it is the lyric of the characters themselves in the story, on the other hand, it is the strong emotional guidance of the narrative poet. The lyrical effect of the five independent parts of Hai Yun can not be ignored. The lyricism of each independent part finally meets at the end, interacting with the poet's ideological intention and lyricism to form lyricism.
Author's brief introduction Xu Zhimo (1897~ 193 1) is a modern poet and essayist. Famous Zhang Yi, pen names Nanhu, Yun Zhonghe, etc. Haining, Zhejiang. 192 1 went to study in the uk and became a special student at Cambridge university in London, studying political economy. During my two years in Cambridge, I was deeply influenced by western education and romantic and aesthetical poets in Europe and America. 192 1 Start writing new poems. 1922 After returning to China, he published a lot of poems in newspapers and periodicals. Professor Peking University went from 65438 to 0924. 1926, Wen Yiduo, Zhu Xiang and others launched the metrical movement of new poetry, which influenced the development of the art of new poetry. In the same year, they moved to Shanghai and successively served as professors at Guanghua University, Daxia University and Nanjing Central University. /kloc-in the winter of 0/930, she taught in Peking University and Peking Women's University. 193 1 year1month 19 died in an air crash near Jinan.
Xu Zhimo's poems are fresh, harmonious in rhythm, novel in metaphor, rich in imagination, beautiful in artistic conception, elegant in thought, rich in change, pursuing neatness and splendor in artistic form, and having distinct artistic personality. He is a representative poet of the Crescent School. His prose is also sui generis, and has achieved no less achievements than poetry. His works have been edited and published as Collected Works of Xu Zhimo.
Movie Haiyun Movie Overview Movie Name: Haiyun
Mbth: The rhythm of waves.
Other foreign titles: Haiyun
Movie genre: romantic movies
Length: 90 minutes
Country of manufacture: Taiwan Province Province.
Date and place of release: Taiwan Province Province 1974.
White language: Mandarin Chinese
Color: color
Format: 35 mm film deformation widescreen
Production Company: Hongkong art cinema Company.
cast
Producer: He
Director: Li Xing
Deputy Director/Assistant Director:, Li, Cai.
Screenwriter: Zhang Yongxiang
Photography: Cheng Ying Lai
Original music: Zuo Hongyuan
Editor: Cheng Ying Lai
Makeup: Lu Ku
Art Design: Zhou Zhiliang
Fashion design: Shu
Cast:
Xiao Fangfang plays the song Danny.
Qin jiangtao
Hu Yanni decorates Yunxian County.
Ke Junxiong plays Jiang Lan.
Tsui Hark Fu Sheng plays Song Yewei.
Di Chengmeng plays Mary.
Wang Yu plays a gambler.
Lingling plays Teacher Ma.
Head of Su Han Songshi Dance Troupe
Zhao Ting plays Po.
Zhou plays Dr. Meng.
Lushi Jia
Synopsis The story happened in Taiwan Province Province in 1970s. Song always thought that he inherited his dead mother's mental illness and was afraid to associate with people since he was a child. She is withdrawn and suspicious. One day, she met a promising young Jiang Tao at the seaside. They fell in love at first sight and immediately became lovers. Later, it was discovered that Yunxian, Song's stepmother, was the eldest sister-in-law who abandoned her husband and daughter five years ago and left home forever. Jiang Tao deeply understood Yunxian's difficulties and kept her secret. Unexpectedly, the association with Yunxian was mistakenly thought by Song that they were having an affair. Song was furious and refused to see him, and fell out with Yunxian all day long, when you are sad. You can't tell the truth to Song, but you can only silently bear the indifference of Song. Finally, Yunxian returned to her ex-husband. At this time, Song knew that he had been wronged, and at the same time confirmed that he was not suffering from madness, and his doubts vanished. They made up again.
Original Music 1 Haiyun Teresa Teng 2 Sanmeng Teresa Teng 3 Haiyun Sammi Kao