A Brief Analysis of Ai Qing's Green

Appreciate green;

Ai Qing's poem "Green" uses the charm of words to describe that the spring is green everywhere, the grass and the earth on the tree swing back and forth in the spring breeze, the wind is green, the water is green, and the world is full of green. Green is the color and symbol of life.

Green is the color of nature, hope, comfort and happiness! Mr. Ai Qing's famous phrase "Green" describes the swaying of green, the illusion of green, the movement when the wind touches green, and even the life of green. "Green" really has eternal charm!

Famous comments

Gu Zhichuan, deputy director of the research and development center of middle school Chinese curriculum teaching materials of People's Education Publishing House, said in "I am a scholar": "In spring, green is everywhere, and trees and grass sway back and forth in the spring breeze. Green is the color of nature, hope, comfort and happiness. Ai Qing's poems are green swaying, green beauty and illusion, green moving with the wind, and even green life. "

Shao Yanxiang, the third and fourth director of the Chinese Writers Association, wrote "Taste Poetry": "Under the theme of emancipating the mind, the scale is slightly relaxed, and the theme, style and technique of poetry are diversified. This was inevitably questioned at that time. Like Ai Qing's Green, "It seems that the green ink bottle is upside down/everywhere is green ... Generally speaking, all mountains and rivers are dyed with green ink. If some readers don't understand, please explain. The question of what is meaningful and what is meaningful is not so simple. "

Chen Gan, director of China Modern Metric Poetry Society, and Zhai, a professor at Anhui Normal University, A Guide to Aesthetic Psychology of Poetry: "Isn't this a typical infection?" Spring has come, and the earth is full of vitality, gradually expanding from the initial little green to everything in front of us. At this time, the color infection is actually an emotional infection. No wonder Tolstoy said:' Not only is infectivity a definite sign of art, but the degree of infectivity is also the only criterion to measure art. The deeper the infection, the better the art. "