The whole poem can be divided into six parts. The first part is from the beginning to Seeing Tianmen. Mainly praised Wei Wan's love for literature and his experience in seclusion of the king of Wu. This part is written in four layers, and every four sentences have a meaning. The first floor is about Dong Fangshuo wandering in the sea of clouds, free and easy, carrying the blue sky, believing in traveling, driving the breeze and going alone. The size of heaven and earth is indispensable. This is comparing Wei Wan to Dong Fangshuo of the Han Dynasty. It should be pointed out that this metaphor is very appropriate. Dong Fangshuo was a famous scholar in the Han Dynasty, and Wei Wan was a scholar in the early Shang Yuan Dynasty in the Tang Dynasty, which is one of the similarities. Dong Fangshuo is a good fairy, and Wei Wanxiu is on Mount Wuwang, which is the second similarity; Dong Fangshuo once flew away in the wind, rose gradually, and then was shrouded in fog, and I didn't know what to do (see The Story of Hanwu). Wei Wanfang traveled abroad and roamed the world, which is the third similarity. There are three similarities, so the analogy is ten thousand. Next, the name of Weiwan is associated with Biwan in the Spring and Autumn Period. During the Spring and Autumn Period, Jin Xiangong destroyed Wei and gave Wei's land to Bi Wan, the minister. A man named Yan is in charge of divination. He said, "The descendants of Bi Wan must grow up. Ten thousand is abundant, and Wei (with great significance) is a famous figure. The Jin army gave the Wei land to Bi Wan, and it was God's will that made his descendants grow up "(see Zuo Zhuan Min Gongyuan). Later, the descendants of Bi Wan really established the State of Wei during the Warring States Period. These four words: My friend's surname is Wei Mingwan, and he inherited Di Wei's name from Bi Wande; Born in Liao (now Liaocheng City, Shandong Province) and filmed in Chiping County, Shandong Province. Shu Juan (Yu Youxian) lives among fairies, and her traces are exactly the same as those of ancient sages. Through the ingenious connection between this allusion and the place name, it points out Wei Wan's great fortune, great destiny and great nature. After joining the WTO, you can become famous, and after you are born, you can become immortal. The third layer describes Wei Wan's historical talent, poetic style, eloquence and strategy. He is "thirteen sections of literature and history, brilliant in writing." He is a young man with early wisdom and extraordinary wisdom. He is familiar with literature and history, and his writing style is extraordinary. In fact, Wei Wan himself said, "Jun (referring to Li Bai) holds the pearl of the blue sea, and I am pregnant with lantian jade. Each is a genius, and Wan Li's Candle (Set each other off) ("Jinling Appreciates Hanlin Fairy") shows that Wei Wan himself is also proud of poetry. The phrase "debating Tian Ba Sheng and practicing calligraphy with Qi Lu in mind" is a metaphor for Wei Wan's eloquence and lofty aspirations with Lu Zhonglian's story. According to Lu Lianzi, "Tian Ba, a debater in the Spring and Autumn Period, was eloquent and eloquent, and could convince thousands of people in one day. Lu Zhonglian, a student from Xu Jie, was only twelve years old at that time and went to see Tian Ba. Said: the dung in the hall has not been removed, and the grass in the suburbs has not yet come out; The white vector is in front of you, and it doesn't save the distant vector. who is it? Do things in order of priority. Now Chu is stationing troops in Wan, Zhao is attacking Gaotang, leaving 100,000 troops in Liaocheng, and the country is in danger. What about you, sir? " Tampa said, "There is no way." Lv Zhonglian said: "If you can't turn the country around, you can't be a bachelor! Now I want to call back the troops of Chu, Zhao and Yan. Eloquence should play a role in state affairs; Empty talk like you sounds like an ominous owl, and everyone hates it. Don't say any more. " Tian Ba said, "Please be taught!" From then on, I won't say anything. The phrase "arguing and folding", put into practice, shows that Wei Wan is not only eloquent, but also has Lv Zhonglian's real ability to save the crisis. On the fourth floor, Wei Wan waded from Liaocheng to the west into Luoshui and into Taihang; This made the world stunned and clamored, and they didn't understand why Wei Wan didn't let high officials be generous. He had to go to Wuwangshan to mow the grass, but Wei Wan did see the paradise. At this level, the poet wrote Wei Wan's unique personality. In the eyes of the world, a scholar like Wei Wan, who has learned great wealth, will certainly have a smooth career and will not worry about wealth; Wei Wan, on the other hand, refused wealth and pursued fairyland. The Fairy Classic says: "There is a fairy palace and a cave on the Mount Wu ... an immortal land, a real human cave." Wei Wanzhi's example stunned the world and was praised by the poet, which just shows that the poet and Wei Wanzhi share the same interests. So as to copy the following paragraphs.
The second part. From "Interview with Song Feng" to "Thunder and Thunder", it tells the story of Wei Wanzi Song swimming along the waterway. Write in two layers. There are six sentences on the first floor, which are about Wei Wan's visit to Li Bai, from the palace to the Song Dynasty. These six sentences mean that Wei Wan left the King of Wu in Shanxi and first came to Dengfeng County, Henan Province to visit the famous Zhongyue Songshan Mountain, where there are many "feather-guest couples". In the morning, I visited the beautiful scenery of Song Yue with the moonlight fairy in Tiantai Mountain. In the evening, I saw the fairy girl in the sky from the "Jade Girl Window". I visited Mr guiguzi's residence in the north of Dengfeng county. How far is the mountain road! At the foot of Songshan Mountain in the east of Dengfeng County, I visited the famous Jiulong Lake. The water in the pool is deep and unpredictable. In this layer, the poet used two stories from myths and legends to write two scenic spots in Songshan. In the first story, the immortal scripture said: "Gao Song, a cave under the rock of Nanda, Shandong Province ... has a big room, more than 30 feet high, surrounded by 300 steps, and it is natural to meet each other by lighting candles. There are 16 immortals, and teenagers in the moonlight. Often on the rooftop, I come and go, and people can't see it unless they have a way. " The second story "Five-color Line Painting Classic" says: "There is a jade girl window in Songshan Mountain, and Emperor Wu of the Han Dynasty sees a jade girl in the window." Since Wei Wanneng traveled with the moonlight boy who flew from Tiantai Mountain and got a glimpse of the jade girl in the sky, we can see that he has gained enlightenment. The trip to Ghost Valley and Jiulongtan shows that Wei Wan misses the past and never forgets the world. The second floor is the last ten sentences, which mean that Wei came to Song Dynasty, went boating southeast via Bianshui, and came to see me on foot for three thousand miles. Yaxing is very high, the Wu section of Gaoling, traveling everywhere in the swaying, finally came to the Qiantang River; He happily waved to Hangyue (Hangshao) and returned from Zhang Ting, Qiantang County. I saw the waves rolling on Haimen stone and white clouds floating in the mountains on the horizon; The Qiantang River surges like a white horse, thunder and lightning, earth-shattering, awe-inspiring heart and face. Although they all talk about the actual experience of Weiwan, they all experience famous mountains and rivers, including the fairyland with moonlight fairies and the enlightened places of ancient sages. In Kowloon, there are deep pools infested with black water, and there are clear streams stretching for thousands of miles. There is both a clear Qiantang and a frenzy of white horses; It not only describes the hardships of Wei Wan's search for poets, but also describes the infinite fun of traveling outside the party.
The third part, from "Scenery Far Away" to "Half-Moon Walking", is devoted to Wei Wan's tour of Taiwan Province and Vietnam, and describes the scenic spots in Taiwan Province and Vietnam beautifully. I have long heard that Huiji in Yuezhou is a beautiful place, so I fiddled with the water in the west field (28 miles east of Huiji) and swam along the river. Thousands of rocks and valleys have their own charm, and the majestic mountains are reflected to the bottom of Jinghu (also known as Jianhu); Its beautiful state is beyond description. The beautiful colors complement the walls of Huiji City. The boat is sailing towards the moon, and the water and sky are the same. Colorful boats are like moving slowly in the air. The people in the painting linger and want to see ancient celebrities such as Wang Xizhi and Xu Xun again in Tunxi. Laugh at Han Danchun's inscription for Cao E, a filial daughter of 14 years old, and whisper the "eight-character argot" inscribed by great writers in the Eastern Han Dynasty; After visiting Tiantai Mountain, I visited April Mountain and rested at the National Day Temple in Tiantai Mountain at night. Enjoy the beautiful scenery of the five peaks of Tiantai Mountain turning to the moon in the temple and enjoy the long wind of Songtao lapping the shore. At dawn, you can enjoy yourself in Lingxi in the north of Tiantai County. Tiantai Mountain is so far away. The stone bridge set up in the mountain stream is like the bright moon in the sky, and tourists walk carefully on the half moon bridge. -This part, on the one hand, depicts the beauty of mountains and rivers in Taiwan Province and Viet Nam, and at the same time eulogizes the ancient spiritual civilization here. The Book of Jin says: "Huiji has beautiful mountains and rivers and many celebrities. Sun Zhuo, Li Yan, Xu Xun and Zhi Dun. They are all famous for their literary meaning, no less than Wang Xizhi. " The poem mentions "Stay here for a long time and look for Wang Xu." It's about Wei Wan's homesickness. For another example, this poem not only mentions the famous Cao E tablet in the history of calligraphy in China, but also mentions the "eight-character argot" inscribed by Cai Yong, a great writer in the Han Dynasty. According to the Taiping Heavenly Kingdom, Cao E was a famous filial daughter in the Eastern Han Dynasty and lived in Yuyao. When his father fell into the water and died, Cao E, who was only fourteen years old, jumped into the deep water and died holding his father's body. At that time, the county magistrate Duchamp's life student Han Danchun wrote an inscription for her, and the words were extremely sad. This is the famous Cao E Monument. Later, Cai Yong read this inscription, which read the words "yellow silk bride, grandson mortar". Many people do not understand its meaning. Once Cao Cao passed by and saw the inscription and comment on writing. He asked the famous scholar Yang Xiu what these eight words meant. Thirty miles away, the two men simultaneously uncovered the mystery of the eight-character argot: "wonderful words"-the original "yellow silk" is a colorful silk, and the "colorful silk" hides the word "Jue"; "Young woman" means "girl" and implies the word "Miao"; "Grandson" is the daughter's son, which means "good"; "Qi" is a pungent thing, the mortar of the prosperous times is to accept pungent things, and "accepting pungent things" is combined into "Ci" ("Qi" is an ancient word for "Ci"). In the poem, "Laughing at the tablet and thinking about yellow silk language" is a scene of writing Wei Wan's tablet and guessing the bottom of the puzzle. Due to the proper use of these allusions, they not only add luster to the scenery of Taiwan Province and Viet Nam, but also add the meaning of a long civilization, and at the same time write the unique interest of famous literati and Taoist priests in visiting scenic spots. If you are an ordinary landscape tourist, you absolutely don't understand this spiritual civilization, and you don't have this noble elegance.
The fourth part, from "thinking of Yongjia as soon as possible" to "facing Cangling directly", tells the story of Wei Wan traveling from Taizhou to Yongjia to Jinyun, Jinhua and Tonglu. Generally speaking, I think of Yongjia (now Wenzhou) because I love mountains and rivers, so I am not afraid of the distance between the sea and the sky; Hang a long sail to travel far and wide, board a boat and look back at the picturesque clouds of Chicheng Mountain; Chicheng Mountain has gradually become tiny. Before crossing the island, it was all high mountains. The river in this area flows through the ages, and the pavilions by the water face the Millennium moon; Although the valley near Jinyun Mountain (in Jinyun County, Zhejiang Province) is small, Shimen Mountain with two mountains like doors is really spectacular; The waterfall on the mountain hangs from the Big Dipper and flows into Sichuan forever. Spraying stone walls is like snow, and empty water vapor makes it cold. I also want to take a trip to Evil Creek, where the water is steep and dangerous. Don't be afraid of the risks brought by bad currents when traveling. The roaring seventy dangerous beaches, water and stones are dazzling. Wei Wan has the boldness of vision of Li Yong, the satrap of the North Sea, and the courage of Xie Lingyun in the Southern Dynasties to write rock poems here. The pine wind here is mixed with the cries of apes, echoing back and forth between caves and valleys; Pass under the Meihua Bridge like a winding path leading to a secluded place, and you won't see the rolling tide when you get to Shuangxi. Sailing on the banks of Jin Huashan, immortal red pine nuts seem to be calling Wei Wan. After disembarking, I boarded the Xuanchang Building (namely Bayong Building) and saw eight poems written by Shen Yue. In the towering buildings, four fields and eight wastes are clear, and rivers and streams flow into the vast ocean from a distance; The wind blows the clouds open, the earth becomes extremely open, and the turbulent waves connect the piles of rocks at the mouth of Xin' an River in western Zhejiang. Looking north, it is the place where Yan Ziling, a hermit of Han Dynasty, fished. Diaoyutai (there are two things, each tens of feet high) towering in the blue sky, and the distant Kuocang Mountain echoes it from a distance-this part is written about boating into the sea, which makes the scenery vivid.
The fifth part, from "Come a little" to "Know that I love you", describes Wei Wan's encounter with poets from Gusu to Guangling. I slowly arrived in Suzhou (the capital of Soochow) by boat, visited Gusu Mountain and boarded Gusu Terrace built by the King of Wu. Clouds of smoke covered the line of sight overlooking Jiuben Mountain (in fact, Jiuben Mountain is thousands of miles away and can't be seen at all, which is an exaggerated imagination), while overlooking the vast five lakes; Be far-sighted and broad-minded, singing sad songs and sighing. Boating the Chu River to the path, whipping the horse to the Yangtze River Ferry, wearing a big-eyed robe made in Japan, bearing high spirits and surpassing the dust. Finally, one day in May, Wei Wan came to talk to me. They had a chance to meet again and knew that his mind was as wide as heaven and earth. The two met each other very happily, and they traveled around every day. Paying homage to dignitaries is really tasteless, and I don't want to use 100 yuan to make a fortune for senior officials; Yang, a good friend, as in the Han Dynasty, poured out elegant feelings with songs; Although the name is "County Killer", they had sex with Shan Ye Goldstein, and they swam hand in hand on a whim. Besides, he knows that I deeply respect Wei Wan. —— From Wei Wan's "Meeting Hanlinbo (Li Bai) in spring, I can't help it" to this "Speaking in May, knowing who I am", two meetings show Wei Wan's deep affection for Li Bai; Because it was a reunion of close friends, I invited another good friend, Yang Tong, to say that "poetry pours out pure fragrance", which shows the deep affection between them, and "meeting each other late" is not empty talk.
The sixth part, from "When you come to Geometry" to the end of the article, describes Wei Wan's parting feelings with the poet when he returned to the mountain. In a word, how short your time here is! The immortal's residence is empty of your altar; The window of the Xianju of Wuwangshan, how many branches must Yushu grow; Taoist friends on the Temple of Heaven in the palace will laugh at your coming back late. I really don't want to say goodbye today, but I feel very sad; As long as the Yellow River never stops, we will always miss it when we are old. -This part is written with sincere feelings. As far as the meeting time between friends and themselves is concerned, it is not short to meet in spring and meet again in May. But as far as feelings are concerned, I feel that time is very short, so I started with When You Come to Geometry! It can be seen from "Sendai should be a certain time" that Wei has traveled for a long time and has developed to the degree of "Yushu should be sent"; It has developed to the point where Taoist friends "laugh when they are late". After a long time, "suffering for parting, being at a loss makes my heart sad", which shows that Li Bai's attachment to Wei is deep and inseparable. The Yellow River never stops, but as long as it flows continuously, it will be Sauvignon Blanc, which shows that their friendship is as long as the world.
Among Li Bai's farewell poems, this is the most extraordinary masterpiece of long poems. It is one-fifth longer than Du Fu's "Chanting 500 Words from Beijing to Fengxian" and more than twice as long as Li Bai's most famous "Difficult Road to Shu". It is the highest farewell poem in ancient times. Gu Lin, an Amin scholar, said in the manuscript of Interesting Garden: "The so-called art of war is strange, the writing is to Zhuang, the poetry is to Taibai, and the cursive script is to Huai Su. There are laws to follow, and strangeness is out of reach. " "Yang Sheng 'an Collection" also said: "Zhuang Zhou Li Bai is a writer, and non-writers can't reach him. If literature is not a work, it can't be God, but God can't work. "The poet read this poem carefully, recounting that Wei Wan passed through so many famous mountains and rivers and visited so many places of sages and sages. The poet listed the myths and allusions, historical legends and places of interest in each place and incorporated them into the poem; And always natural and decent, superb. The reason why the poet has such extensive and rich knowledge is not only because he has read all kinds of wonderful books, but also because he has followed an unchanging habit in my life (a Lushan song as a reminder of Xuzhou). Sun Yong, a poet in the Song Dynasty, said in the preface to sending a nephew to delete Nan 'an: "Li Taibai is surrounded by famous mountains and rivers, surrounded by a stone and covered by a mountain, haunted by the forest of gods, grotesque caves, the home of apes and the palace of ichthyosaurs. Therefore, it is poetry, it is strange. " Just say the key to the problem. Reading this poem, we should not only understand the content of the poem, but also understand the reasons and origins of its success. Professor Cha of Chinese Department of Fudan University: Li Bai's 64-sentence preface to "Seeing Mountain Man Wei Wan, Returning to Wang Zhai" describes the whole process of Wei Wan's visit to wuyue in detail, in which scenes appear in his own related poems, which completely combines Li Bai's "Jiangnan Literature Map". According to the year when Li Bai wrote poems in Yue Yue, we can see that Wei Wanzhi's tour was similar to his first trip to wuyue, while Wei Wanzhi's tour inspired his youthful memories. Ji Zhi's trip is not only a praise for Wei Wan's demeanor, but also a recollection of his many trips to eastern Zhejiang, reflecting people's geographical awareness of Jiangnan at that time. (The Travel Style of Jiangnan Poets in the Prosperous Tang Dynasty and Li Bai's Unique Geographical Memory —— A Textual Research on Li Bai's Sending Wu Wangshan to the Palace for Late Return)
Wu Zhenhua, a professor at Anhui Normal University: Li Bai has been paying attention to his Yuefu poems and quatrains. In fact, Li Bai's five ancient poems are also very distinctive. He inherited the artistic conception of the Han, Wei and Five Dynasties, made some innovations and made new artistic achievements. Sending Wei Wan back to the Palace of King Wu is one of the representative works. This poem occupies an important position in all Li Bai's poems, and Wei Wan put it at the forefront when compiling Li Bai's poems and songs. Its particularity is that it is a double blend of farewell poems and farewell orders. By describing the recipient's travel experience, Li Bai, on the one hand, reviewed his own travel, on the other hand, expressed his deep affection for Wei Wan, which was completely different from the general farewell poems in Tang Dynasty. It's actually a poetic preface. Li Bai showed his efforts to reform the style by writing poems in sequence, which made the ancient Five Dynasties have a new atmosphere in lyricism. Double Blending of Farewell Poems and Farewell Preface —— Reading Li Bai's Farewell to the Weiwan Palace in Wuwangshan and Preface)