Li Bai's Xian Xia Poems

1. Xian Xia's feelings in Li Bai's poems i. Li Bai's feelings:

1, Pengfei's feelings for nine days: in the prosperous Tang Dynasty, the national strength was strong, and many scholars were eager to make contributions. Li Bai prides himself on being an unrivaled talent, boasting of the achievement of "strengthening his wisdom, assisting his wishes, making the Atlantic region big and the sea and county clear", and unswervingly pursuing the ideal of "laughing for profit" and "finally enjoying the country" all his life. He compared himself with Dapeng, Tianma and Xiong Jian: "Dapeng rises with the wind one day and soars in Wan Li. If the wind stops, it can still lift away the raging water. " . He hopes to be a wise monarch like Jiang Shang and restore the Han Dynasty like Zhuge Liang. Yin's Biography of Reading Zhuge Wuhou, Dong's Tour Songs and Difficult to Walk all reflect his thoughts.

2. Free and uninhibited feelings: He thinks that with his own talent, he can "go out and make friends with princes, and look down on the nest when he runs away" ("Preface to Send Swallows to Play Hidden Mountain in Xiancheng"). He showed strong contempt for those dignitaries who enjoyed high positions and high salaries by virtue of their family background, and showed an indomitable character. He despised the feudal hierarchy, was unwilling to flatter, and disdained to rise and fall with customs. The darkness of reality disillusioned his ideal, and he was suffocated by the shackles of feudal ethical hierarchy. He longed for the freedom and liberation of his personality, so he adopted a wild and uninhibited attitude towards life to get rid of the shackles and strive for freedom. Its manifestation is binge drinking and singing, seeking immortality and learning Taoism. But wine can't relieve worries, and the immortal is more ethereal, so he praised the beautiful nature as the ideal sustenance and the embodiment of freedom "according to the unchangeable habit of my life" (Lushan Ballad). Mount Emei, Huashan, Lushan, Taishan, Huangshan, etc. It is majestic in his works, full of clouds and streams; The rushing Yellow River and the surging Yangtze River swept away everything in the works, showing the poet's unruly character and strong desire to break through the fetters.

3. The feeling of worrying about the country and the people: opposing Xuanzong's exultation and arrogance, revealing that it is not one of our own, leading to the sacrifice of the people's soldiers in vain. Because of Xuanzong's arrogance, the eunuch's power was hot ... Through the analysis of the political platform and the observation in Youyan's field, Li Bai was sensitive to poets, and he and Du Fu were the first poets to reveal the disaster at that time. When the "An Shi Rebellion" broke out, his patriotic enthusiasm was sublimated and he got rid of the contradiction of using Tibetan resources. His rebellious character and spirit have profound patriotic connotation, social significance and characteristics of the times. The third, fifteenth, twenty-fourth and thirty-ninth editions of Antique have profoundly exposed and strongly criticized the social reality.

He has both lofty and vulgar side. His ideal and freedom can only be found in the mountains, in the fairyland and in his hometown where he is drunk and dreaming. Therefore, in his poems such as Into the Wine, Songs on the River, Songs of Xiangyang, etc., the thoughts of dreaming life, eating, drinking, enjoying everything and escaping from reality are revealed, which is also the representative of upright and arrogant literati in feudal society.

Second, expand knowledge: profile

Li Bai (February 8, 7065438+0—February 65438+February 762), born in Taibai, was named Qinglian Jushi, with the name "fallen immortal", and was of Han nationality. He was a great romantic poet in Tang Dynasty, and was praised as "Poet Fairy" by later generations. It is also called "Du Li" with Du Fu. In order to distinguish it from the other two poets, Li Shangyin and Du Mu, namely "Little Du Li", Du Fu and Li Bai are also called "Big Du Li". He is cheerful and generous, loves to drink and write poems, and likes to make friends. ? Li Bai was deeply influenced by Huang Lao's idea of sorting out villages. Li Taibai's poems have been handed down from generation to generation, and most of his poems were written when he was drunk. His representative works include Looking at Lushan Waterfall, it is hard to go, Difficult Road to Shu, Entering Wine, Liang, First Sending Baidicheng, etc. There are biographies of Li Bai's Ci and Fu in the Song Dynasty (such as Wen Ying's Xiang Ji). As far as its pioneering significance and artistic achievements are concerned, Li Bai's Ci Fu enjoys a high status.

2. The spirit of Xian Xia in Li Bai's poems played an indelible role in carrying forward the spirit of Xian Xia in ancient literature. Zhuangzi is in front, Li Bai is in the middle, and then Zhu Huan (he is the landlord of Zhu Huan, not Gege).

For example, chivalry:

"Ten steps to kill a person, thousands of miles away.

After you finish, brush off your clothes, don't show any sound, and hide in the depths.

……

As a knight, the death of chivalrous bone is also fragrant, and it is worthy of being a hero.

Who can learn Confucian scholars, stay in books all his life, have white hair, and still write the Xuanjing? . "

Another example is Bo Gu XVII:

"Lotus Mountain is in the west, watching the stars all the way.

Holding a white hibiscus flower in both hands, curled up into a ball.

Dressed in colorful clothes, elegant clouds floated high into the sky.

I boarded the rainbow platform and bowed to Wei Shuqing.

Anxiously follow them and take Hongyan to Zixuan.

Inadvertently, the Luoyang Plain was full of soldiers in the Anshi Rebellion.

The bones are bloody, and the traitors turn their backs on the court. "

He once called Li Bai a "fallen fairy". When Li Bai first arrived in Chang 'an, he visited He and showed him "Difficult Road to Shu". When he saw it, he was amazed and said, "Not a human being, not a white star?" . It can be seen that Li Bai's poems are full of fairy tales and admired by the world. When Li Bai was young, he held a sword and held a bow, "counting people by hand", upholding justice, not afraid of dignitaries as their agents, and being chivalrous.

In Li Bai's poems, the Taoist thought of pursuing equality and freedom, the Confucian thought of saving the world and the people, extraordinary talent and self-confidence, and heroic and free-spirited personality can be seen everywhere, all of which are the embodiment of his immortal spirit.

3. The spirit of Xian Xia in Li Bai's poems has played an indelible role in carrying forward the spirit of Xian Xia in ancient literature. Zhuangzi is in front, Li Bai is in the middle, and then Zhu Huan (he is the landlord of Zhu Huan, not Gege).

For example, chivalry:

"Ten steps to kill a person, thousands of miles away.

After you finish, brush off your clothes, don't show any sound, and hide in the depths.

……

As a knight, the death of chivalrous bone is also fragrant, and it is worthy of being a hero.

Who can learn Confucian scholars, stay in books all his life, have white hair, and still write the Xuanjing? . "

Another example is Bo Gu XVII:

"Lotus Mountain is in the west, watching the stars all the way.

Holding a white hibiscus flower in both hands, curled up into a ball.

Dressed in colorful clothes, elegant clouds floated high into the sky.

I boarded the rainbow platform and bowed to Wei Shuqing.

Anxiously follow them and take Hongyan to Zixuan.

Inadvertently, the Luoyang Plain was full of soldiers in the Anshi Rebellion.

The bones are bloody, and the traitors turn their backs on the court. "

He once called Li Bai a "fallen fairy". When Li Bai first arrived in Chang 'an, he visited He and showed him "Difficult Road to Shu". When he saw it, he was amazed and said, "Not a human being, not a white star?" . It can be seen that Li Bai's poems are full of fairy tales and admired by the world. When Li Bai was young, he held a sword and held a bow, "counting people by hand", upholding justice, not afraid of dignitaries as their agents, and being chivalrous.

In Li Bai's poems, the Taoist thought of pursuing equality and freedom, the Confucian thought of saving the world and the people, extraordinary talent and self-confidence, and heroic and free-spirited personality can be seen everywhere, all of which are the embodiment of his immortal spirit.

4. Xian Xia's feelings in Li Bai's poems 1. Li Bai's feelings: 1, Pengfei's feelings for nine days: the Tang Dynasty was prosperous, the national strength was strong, and scholars were eager to make contributions.

Li Bai prides himself on being an unrivaled talent, boasting of the achievement of "strengthening his wisdom, assisting his wishes, making the Atlantic region big and the sea and county clear", and unswervingly pursuing the ideal of "laughing for profit" and "finally enjoying the country" all his life. He compared himself with Dapeng, Tianma and Xiong Jian: "Dapeng rises with the wind one day and soars in Wan Li.

If the wind weakens, it can still lift away the turbulent current. "。

He hopes to be a wise monarch like Jiang Shang and restore the Han Dynasty like Zhuge Liang. Yin's Biography of Reading Zhuge Wuhou, Dong's Tour Songs and Difficult to Walk all reflect his thoughts.

2. Free and uninhibited feelings: He thinks that with his own talent, he can "go out and make friends with princes, and look down on the nest when he runs away" ("Preface to Send Swallows to Play Hidden Mountain in Xiancheng"). He showed strong contempt for those dignitaries who enjoyed high positions and high salaries by virtue of their family background, and showed an indomitable character. He despised the feudal hierarchy, was unwilling to flatter, and disdained to rise and fall with customs.

The darkness of reality disillusioned his ideal, and he was suffocated by the shackles of feudal ethical hierarchy. He longed for the freedom and liberation of his personality, so he adopted a wild and uninhibited attitude towards life to get rid of the shackles and strive for freedom. Its manifestation is binge drinking and singing, seeking immortality and learning Taoism. But wine can't relieve worries, and the immortal is more ethereal, so he praised the beautiful nature as the ideal sustenance and the embodiment of freedom "according to the unchangeable habit of my life" (Lushan Ballad).

Mount Emei, Huashan, Lushan, Taishan, Huangshan, etc. It is majestic in his works, full of clouds and streams; The rushing Yellow River and the surging Yangtze River swept away everything in the works, showing the poet's unruly character and strong desire to break through the fetters. 3. The feeling of worrying about the country and the people: opposing Xuanzong's exultation and arrogance, revealing that it is not one of our own, leading to the sacrifice of the people's soldiers in vain. Because of Xuanzong's arrogance, the eunuch's power was hot ... Through the analysis of the political platform and the observation in Youyan's field, Li Bai was sensitive to poets, and he and Du Fu were the first poets to reveal the disaster at that time.

When the "An Shi Rebellion" broke out, his patriotic enthusiasm was sublimated and he got rid of the contradiction of using Tibetan resources. His rebellious character and spirit have profound patriotic connotation, social significance and characteristics of the times.

The third, fifteenth, twenty-fourth and thirty-ninth editions of Antique have profoundly exposed and strongly criticized the social reality. He has both lofty and vulgar side. His ideal and freedom can only be found in the mountains, in the fairyland and in his hometown where he is drunk and dreaming. Therefore, in his poems such as Into the Wine, Songs on the River, Songs of Xiangyang, etc., the thoughts of dreaming life, eating, drinking, enjoying everything and escaping from reality are revealed, which is also the representative of upright and arrogant literati in feudal society.

Second, expand the knowledge: Character profile Li Bai (70 1 February 8-762 65438+ February), the word Taibai, the number of Qinglian lay, the number "fallen fairy", Han nationality. He was a great romantic poet in Tang Dynasty, and was praised as "Poet Fairy" by later generations.

It is also called "Du Li" with Du Fu. In order to distinguish it from the other two poets, Li Shangyin and Du Mu, namely "Little Du Li", Du Fu and Li Bai are also called "Big Du Li". He is cheerful and generous, loves to drink and write poems, and likes to make friends.

? Li Bai was deeply influenced by Huang Lao's idea of sorting out villages. Li Taibai's poems have been handed down from generation to generation, and most of his poems were written when he was drunk. His representative works include Looking at Lushan Waterfall, it is hard to go, Difficult Road to Shu, Entering Wine, Liang, First Sending Baidicheng, etc. There are biographies of Li Bai's Ci and Fu in the Song Dynasty (such as Wen Ying's Xiang Ji). As far as its pioneering significance and artistic achievements are concerned, Li Bai's Ci Fu enjoys a high status.

5. Xian Xia style poems include Xian Xia style poems:

1. Young beauty. Kunlun. love

The vast Kunlun Mountain, thousands of years have passed, and ice butterflies are flying wildly.

Snow melts lovesickness and tears, just for infatuation.

Jump into the fire and love to burn.

I have no regrets about the cold wind and sword, the landslide of Sansheng Shishan!

2. Linjiang Xian. complex

The world is intertwined and the world of mortals is hard to find.

Silent vicissitudes of life dream now.

Several degrees east water, stormy.

Love each other, no matter this life or the next.

And heaven remains our neighbourhood, the bright moon is in the sky.

A string of red rope ties two hearts.

3. Liang Zhu and Liang Zhu

Peach blossoms go far away, people don't return, and spring flowers flow.

An infatuation meeting.

Heaven and earth are heartbroken, and the balcony tears are not red and heartbreaking.

Even if the secular wall, life and death without regret.

It's a long way to go. Xiu Yuan?

The bleak autumn wind passed by the grave, and blood and tears turned into butterflies.

4. "The world of mortals. Become a butterfly. "

I love Naiheqiao in this life, and I am sad and tearful.

The vicissitudes of the past have become memories, and Cao E's Yanhe River has fallen.

The world of mortals is bitter rain, and flowers are buried with the wind.

Blood-stained butterflies are attached to the soul, and the grass in the tomb of Qingming is deep and long.

5. "Qingping Music. The journey begins. "

The cock crows and the sun rises.

Countless white smoke, blue sky in Wan Li.

Driving a long car like a flying wing, fighting northwest and southeast.

Looking ahead, my blood is boiling!

6. In Li Bai's poems, he used a sword to express his feelings. In the spring of the 12th year of Kaiyuan (724), Li Bai left his relatives and friends with the Longquan sword given to him by his father. From then on, Longquan sword became his favorite thing, and he began a strong journey to visit the famous mountains and rivers of the motherland. He wrote many immortal poems that enthusiastically eulogized the great rivers and mountains of the motherland. It is Longquan sword that constantly inspires his poet and enriches his imagination. Write the heroic spirit of a heroic teenager: "A good horse is gold, and Longquan is a gold belt"; General's heroic expedition: "Wan Li ventured to explore the tiger's den and drew his sword out of Longquan with three cups"; Free and easy to say goodbye to friends at night: "Longquan untied the brocade belt and poured out thousands of sacrifices for you"; Fighting chivalry in rivers and lakes: "I know more about people among the rough people, and I have Longquan at my waist", and so on.

Poets and immortals use swords to express their will.

In Li Bai's poems, the poems that express feelings and aspirations with swords can be seen from the intonation. He hopes to make contributions to the country by "crossing the sea to kill whales with the heavenly sword" and "willing to cut the floor". "There is no fish to eat when returning home, and it is unnatural to drag one's skirt" and "It is hard to find a bosom friend, and touching the sword increases his feelings" are his sighs that he has repeatedly suffered setbacks and cannot serve the country. "Knife-wielding and sword-wielding, four people raise their eyebrows" and "getting drunk and taking off their swords, and having a high sleep" are his real feelings of contempt for power and love for freedom. "Clawing the sword at night, aiming at rapid growth" and "crown the sword against the phoenix que, build a boat to serve the Longtan" are the manifestations of his persistent pursuit of ideals and positive romantic spirit. In these poems, there is a sword in the poem and a poem in the sword, which has reached the realm of the unity of poetry and sword, and contains the poet's sword bone and poetic soul, all of which reflect Li Bai's spirit, ideal and ambition. "A long sword and a glass of wine, a man's heart." It is poetry and sword that created a generation of poet Li Bai and radiated brilliant light.