"Sending Letters to Xue Tao of the Middle School of Sichuan" The girls' school reads by the Wanli Bridge, living behind closed doors in the loquat flowers. How much does a talented person know about sweeping his eyebrows, but it is not as good as managing the spring breeze. "Peony" In the late spring of last year, the red paper was wet with tears and resented separation. I am often afraid that they will be separated from Wuxia, so why is there the Wuling period again? Every time we convey affection, we should know each other even if we don’t say a word. I just want to sleep on the mat beside the railing and talk about lovesickness late at night. Analysis: The poem uses the technique of "heavy love and deep love", repeatedly weighing the feelings between people and flowers, creating a lingering artistic conception, novel and delicate conception, and unique artistic style. When last spring fell and late spring came, the red paper was wet with tears and complained about separation: when we meet again after separation, there is too much excitement and infinite emotions. Regarding the peonies blooming in front of me, I drew ink from the separation from the peonies last year, condensing the deep affection into the specific scene of reunion. Chang feared that it would be the same as Wuxia, so it was also in the Wuling period: turning peonies into lovers, delicate and expressive. "Wuxia San Seated Statue of Xue Tao [3]" inherits the resentment and separation mentioned above, and uses the story of the dream tryst between King Chu Xiang and the Wushan goddess in Song Yu's "Gaotang Fu" to give the flowers a dreamy and confusing color. Worried that parting will be like the clouds and rain in Wushan, they will disperse and never reunite, and I will feel disappointed after looking forward to seeing them. In the midst of extreme disappointment, we suddenly met unexpectedly, and felt the rareness and joy of meeting again. Combining the story of Wuling fishermen discovering the wonderland of Peach Blossom Spring in Tao Yuanming's "The Story of the Peach Blossom Spring" and the legendary story of Liu Chen and Ruan Zhao's encounter with fairies, the encounter with flowers is covered with the veil of fairy adventure, bringing a surprise and crazy excitement. Two wonderful allusions, full of changes and twists. When conveying affection, each person should know each other without words: "Xinxiang" and "No words" are used to allude to the characteristics of the peony; "Expressing affection" and "mutual knowledge" are used to refer to the previous text, which is explicit but not revealing, and implicit but not astringent. Flowers convey love with their fragrance, and people are known by their trustworthiness. People and flowers are connected, and people and flowers feel the same way, so as to express "We should know each other even if we don't speak." The above poems describe the love affair between the poet and the peony. I just want to put my pillow and mat by the railing. Late at night, I am leisurely talking about lovesickness: "Place my pillow and mat" by the railing, and lie down with my feet up, feeling the same love for the mountains and the sea. Talking about lovesickness late at night can quench the thirst of lovesickness and deepen the admiration for each other. These two sentences are novel and bring the poetry to a climax. This poem personifies the peony and describes it in a heartfelt tone. It is novel, unique, cordial and touching, and has intoxicating artistic charm. The poet began to write about peonies from the peonies in late spring last year. Last spring, peonies bloomed very lively, but the arrival of late spring still withered the enthusiasm of peonies. The poet looked at the dried and rolled petals scattered in the wind, letting the breeze control them. He suddenly felt a sense of desolation and melancholy, and his heart filled with tears. Tears came out of his eyes and fell on the red paper spread on the desk. At that time, the poet was When writing a farewell poem for a loved one, the pink paper should be filled with the sadness of parting. There is no endless feast, and the prosperity is empty. Why are the days of gathering together so short? After all, the flowering period of peonies cannot match the arrival of late spring. Only the word "resentment" makes the separation heartbreaking. After such a separation, I no longer had any illusions about getting together. Although I longed for it, I never dared to hope for it. Because all encounters will be as easy to disperse and difficult to reappear as the clouds and rain in Wushan, which will only increase the depression. For Xue Tao, all happy gatherings are short-lived and can easily dissipate like the clouds and rain in Wushan Mountain. As a singing prostitute, she was used to seeing the frequent joys and sorrows around her, and no one who had a close relationship with her really wanted to marry her. The last sentence "Why is there the Wuling period again" shows how overjoyed she was. She used the story of the Wuling fisherman who found the portrait of Xue Tao[4] and the legendary story of Liu Chen and Ruan Zhao meeting the fairies to see the second return of peonies. Open with joy. The poet is deeply in love with peonies but never dares to hope for them. The peonies are blooming, and although they are silent, they convey their feelings with their unique fragrance, full of affection. As long as you watch quietly, you will be content. "There is a clear connection between hearts", or "silence is better than sound at this time". When people who are truly in love are together, no amount of words is superfluous. Everything is said without words, as long as they can look at each other and cuddle up, it is enough. This silent understanding is the most touching. The last sentence "I just want to sit on the mat beside the railing and talk about lovesickness late at night." The poet loves peonies so much that he calmed down after the brief joy of meeting, and being silent is obviously not enough. I just want to put a pillow on the railing, lean on the pillow, soak in the quiet moonlight, and talk about the pain of lovesickness. The word "Xian" in the middle expresses the poet's tranquility and joy after getting together. The days ahead are long, and no matter how painful the separation is, it has come to an end. The days to come will be about staying together, and the word "leisure" contains infinite comfort. This poem is not so much a description of the happiness after getting together, but it is better to say that she has always been lonely. This is just a way to express her feelings. Her branches welcome the birds from the north and south, and her leaves are sent to the wind. Her life seems to be very lively, and every day They all sang poems and songs with dignitaries, literati and poets, but in fact they were the most deserted. The loneliness in my heart cannot tell that every vow I make is a beautiful lie with no ending. There were so many literati and poets who came and went with her, but none of them wanted to give her happiness sincerely, including Yuan Zhen. "Once upon a time, it was difficult to make water come from the sea, except for Wushan. I looked back lazily in the flowers, half of them were cultivators and half of them were kings." While talking about lovesickness , and there is a new love on the side. But only Mudan did not make a pledge of eternal love with her, and finally met her unexpectedly, and the depression in her heart was finally relieved a lot. She just borrowed peonies to comfort herself. So many emotions can only be related to peony, which shows the loneliness of the poet. The only person who knows her is Peony. "Farewell to a Friend" There is frost in the water country at night, and the moon is cold and the mountains are green. Who said that a thousand miles away from today would be as long as a fortress away from dreams. People in the past once praised this "girls' school book by the bridge thousands of miles away" for her "good quatrains and no female voice".
Her song "Farewell to a Friend" is a famous piece that has always been recited and can compete with the "Tang Dynasty Talents and Xue Tao Statues". When I read this poem for the first time, I feel as if my breath has been emptied; after chanting it for a long time, I feel that there are infinite implications and countless twists and turns in the short poem. The first two sentences describe the evening view of Bieppo. "Jianjia is green and white dew is frost", which means it is autumn. "Autumn is a sad time, and the grass and trees are bleak and decaying; I feel sad when I'm traveling far away, and when I'm climbing a mountain and near the water, I'm about to see you off." It's particularly embarrassing to see each other off at this time of year. The poet climbed the mountain and faced the water. One thing he saw was that "there is frost at night in the country of water", and the other thing was that the moon shone in front of the mountain as bright as frost. This scene of the jianjia and the mountain color being "green and gray" was awe-inspiring and chilling. It is worth noting that this is not just a description of scenery, but the Book of Songs is also used secretly in the sentence. Qin Feng. "Jianjia" "Jianjia Cangcang" has the following poetic meaning: "The so-called Yiren is on the side of the water. Going back to follow it, the road is long and blocked; traveling back to it, you will be in the middle of the water", to express a feeling of missing a friend when he is far away. An invisible feeling of nostalgia. The excerpt is from "The Book of Songs" and contains the meaning of the whole poem. Wang Changling's "The mountain is long and the autumn city color is not visible, and the water clouds are in the sky at dusk" ("Baling Farewell to Li Twelve") has the same meaning as this poem. The use of this rhetorical technique of quotation makes the connotation of the poem much deeper. People are separated by thousands of miles, starting from this evening. The phrase "a thousand miles begins today" reminds people of Li Yi's famous line "a thousand miles of good times will rest in one night", thus allowing people to experience the poet's infinite affection and regret. The word "who said" is added here, as if to contradict the meaning of regret, and not to make a bitter saying of "I have no intention of loving the good night from now on". It seems to mean that "we know each other in the sea, and we are neighbors as far as the end of the world", and we can "see the bright moon thousands of miles apart", which is a comforting tone. This forms a twist with the implied divorce in the first two sentences, showing the persistence of lovesickness. Xue Tao's wallpaper poem mentions "Guansai". It seems that the friend is going to the border, so it will be difficult to see each other again, unless we meet in a dream. However, sweet dreams are not easy to come by, and travelers are far away from the Great Wall. "It's hard for the soul to fly even though the world is far away, and it's hard for the dream soul to reach Guanshan" (Li Bai's "Long Love"). "The chief of the pass" makes it difficult for the dream soul to escape, and it is already unbearable. What's more, "the dream is gone", even the dream is new. There are layers of twists and turns in one sentence, pushing the embarrassment to a climax. The bitter words in this sentence are another big twist compared to the consolation in the third sentence. The tone of this sentence is also very beautiful. The "ru" in "杳如" not only expresses state, but also functions as the particle "xi". It sounds like a sigh when read. Together with the twists and turns of the poem, it has a particularly long flavor. The poetic development of the whole poem is "tightening first and then widening" (composing bitter words first, then relaxing), wide and then tight, "the beginning and the end are connected, and the opening and closing are full of changes" ("Art Summary. Poetry Summary"). "Quatrains are popular in the six arts, so the style is regarded as tortuous, implicit, and natural." ("Art Summary. Poetry Summary") This poem uses some famous idioms from the predecessors to make readers feel richer. ; The poetic meaning advances layer by layer, with twists and turns everywhere, becoming deeper and deeper. It can be said to be both tortuous and implicit. The poet's words can be renovated without leaving any trace. When he speaks eloquently and without drawing, he appears "clear". He is also good at "short phrases telling stories", and he has the method of hesitation, but he also appears "empty". Emptiness is opposite to substance, but there is no contradiction with enrichment, so it is interesting. "Double Pheasants on the Pond" Two ducks perch on the green pond, flying back in the morning and evening; more busy approaching the sun, concentric among the lotus leaves. The poem is full of affection and sweetness, as well as the confession of "the mother-in-law flies back in the morning and evening, between the lotus leaves of the same heart", Dayou and Yuan Zhen have the thought of staying together, and Xue Tao must have thought about it when they were deeply in love. Married to Yuan Zhen. However, the good times did not last long, and Yuan Zhen left Sichuan a year later. At that time, Xue Tao was already forty-six years old, his youth had reached the end of autumn, and Yuan Zhen was an indulgent and passionate person, so Xue Tao quietly ended the relationship. As smart as she is, she understands the relationship between her and Yuan Zhen. A romantic relationship, life and death, why bother with grudges and grudges? "I plan to marry and rest for the rest of my life. Even if I am ruthlessly abandoned, I cannot be ashamed." This is what the woman said in Wei Zhuang's poem. It's a pity that there are too many infatuated women. Being able to cut off the relationship like Xue Tao makes them even more precious. This is exactly what I like about Xue Tao: he is smart and calm. Although she is a prostitute, her heart is as pure as ice and snow, and her face is as pure and powerful as the moon. Wei Gao got angry and sent a piece of derogatory letter to her. Xue Tao suddenly realized that he had gone too far, and that no matter how famous he was, it was he who made him famous. No matter how much those princes and princes praised and lingered on her, they would leave after a few days. The man who truly faces him day and night and can control his life and death is this man named Wei Gao. Sadness welled up in her heart, and the small twists and turns made her see her situation and identity clearly. The fame of beauty is a false name, the reputation of talent is a false name, the mutual love between men and women is fake. The only real thing is that she is a prostitute and needs to rely on the mercy and compassion of others to survive in the world. Xue Tao, who was very smart, calmly restrained his sorrow, which was meaningless. No one's sorrow can move God unless she has the power to turn things around. On the way to Songzhou, Xue Tao wrote ten famous farewell poems and sent them to Wei Gao. These ten "Ten Li poems" are written like this - Taming the wealthy family for four or five years, the fragrant hair and feet purify the master of pity. Xue Tao in the Qingwan Room is like a stone carving biting his family guests for no reason, and is not allowed to sleep on the red silk carpet. ——"The Dog Leaving Its Master" The more you control it, the more you announce it, the more you show your affection, and the red paper is sprinkled with flowers. The edge of Du Yuan has been exhausted for a long time, and it cannot be held up by Xi's hand. ——"The pen leaves the hand" Snow ears with red hair and light green hooves have been chasing the wind to the east and west. To be surprised by the beautiful man's fall, Hua Xuan was not allowed to hiss. ——"The Horse Leaving the Stable" Longxi is alone, flying back and forth to the Jinyin. It is because it is inconvenient to speak, and you are not allowed to call anyone in the cage. ——"Parrot Leaving the Cage" When entering and leaving a wealthy family, I can't bear to be thrown away. The master always communicates with her with loving words.
Holding mud and filthy coral pillows, you are not allowed to build a nest between the beams. ——"The Swallow Leaving the Nest" The bright and clear Yuan Ming connects the inside and outside, and the clear light seems to shine on the Crystal Palace. Just a little bit of filth can't stay in the palm of your hand all night long. ——"Beads Leaving Palms" I jump into the deep pool for four or five years, often shaking my red tail and making hooks. Breaking the hibiscus flowers for no reason, you can’t clear the waves to swim again. ——"Fish Leaving the Pond" Xue Tao wallpaper's claws are as sharp as sharp eyes and his eyes are as sharp as bells. Catching rabbits on the plains is considered a pleasure. He rushes out of the blue clouds without any reason, and cannot be held up by the king's arms. ——"Eagle Leaving Kun" The four and five elements are newly planted, and the strength is often lost to the autumn frost. For the sake of the spring bamboo shoots, they break through the wall, but they cannot hang down to cover the jade hall. ——"Bamboo Li Pavilion" The golden mirror begins to open, and it lingers in March and May. Because I am blinded by infinite dust, I cannot go to the beautiful hall or the jade platform. ——"Mirror Leaving the Terrace" These ten poems use dogs, pens, horses, parrots, swallows, pearls, fish, eagles, bamboos, and mirrors to compare themselves, and Wei Gao is compared to the Lord on whom he relies. Hand, stable, cage, nest, palm, pond, arm, pavilion, platform. Just because a dog bites a loved one, the pen is exhausted, a famous horse scares a jade man, a parrot talks nonsense, a swallow mud sweat pillow, a pearl has a slight flaw, a fish plays with a hibiscus, an eagle flies into the blue clouds, a bamboo shoot breaks through the wall, and the mirror is covered with dust. , so it causes the owner's displeasure and disgust.
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