one
In the original text, you can't wake up when you are worried 1, and hooligans arrive in Jiangting in spring. That is, send flowers for further study three times, and then teach Yingying to speak too Ding Ning.
Note 1 Don't wake up: intoxicated and confused. 2 rogue: I don't understand human feelings. Right away, right away. Expectation: reckless, rash. 4 Then: Come again.
Seeing myself immersed in the melancholy of staying at home, I rushed to Jiangting without knowing the spring scenery. It is rash to bloom once, and it is really noisy for songbirds to sing all the time.
This appreciation of quatrains was written in the second year of Su Zong Shang Yuan (76 1), which was the second year that Du Fu lived in Chengdu Caotang. The title "Manxing" contains the meaning of excitement and easy arrival, which also shows that it was not written at the same time. Judging from the contents of these nine quatrains, they should be written in the process of Zhixia in spring, and there is a sequence to follow. The scenery around Chengdu Caotang is beautiful, and poets live a relatively stable and leisurely life there. However, poets who care about the country and the people will never forget the disaster that the country is suffering and the pain that the people can't go home. Therefore, although the spring is bright and the front is full of flowers, I still feel full of sadness. The phrase "seeing a guest sad but not waking up" sums up the poet's sad mood. The word "not awake" vividly describes the poet's intoxicated and confused psychological state. However, spring seems to be not very good. It rashly came to Jiangting and broke into the poet's eyes. The spring is beautiful and pleasant, but the poet is troubled by guest worries at the moment. Seeing this sudden spring, he was a little more worried. Spring hastily urges flowers to bloom, making Yinger sing frequently, as if deliberately playing tricks on those wanderers who are full of worries. Seeing this scene, how can the poet not be angry and sad? The scene of being annoyed with spring in the poem is quite similar to the artistic conception of "the petals are already in tears, and the lonely bird is already mourning" in Looking at Spring. It's just that the poet's environment is different and his mind is different. When writing "Hope in Spring", the poet was in chaos and worried. When writing this poem, the poet was temporarily stable and worried. Poets make good use of contrast to deepen their feelings in the opposition between emotion and scenery and enhance the artistic effect of poetry. Wang Jiangting's spring scenery makes him feel like a rogue and reckless, but when he sees flowers in full bloom, he feels reckless, and when he hears warblers and birds, he feels too noisy. The ingenious use of this artistic technique adds a lot of color to this poem. Qiu, a poet in A Qing, commented on this poem and said: "When people are comfortable, there is love in spring; When people are frustrated, spring scenery also becomes hooligans. " (Detailed Interpretation of Du Fu's Poems, Volume 9)
Secondly,
The original hand-planted peaches and plums are not ownerless, and the wild old 1 wall is still home. Just as the spring breeze deceives two, the night blows a few flowers and three.
Note 1 Ye Lao: Du Fu claimed to be. 2 D: it's an auxiliary word. Bullying each other: refers to bullying wild old men. 3 nights: Last night. Fold: Disconnect.
The peaches and plums planted by hand are by no means ownerless, and the wild old courtyard walls are low, so they are still a family. It is this annoying spring breeze that deliberately bullies people, blowing off a few lovely flowers at night.
To appreciate this poem is to hate the spring breeze. The peach and plum trees were planted by Du Fu himself, which aroused the poet's antipathy. He hates the spring breeze and shouldn't bully him. The word "de" is wonderful, just like smelling it.
third
The original text is familiar with Mao Zhai's absolute 1 low size, and geese often come on the river. Dirty piano books with mud, even catching flying insects and hitting people.
Who knows the note: as we all know, as we all know. Absolutely: very, very.
Swallows on the river know that my hut is too low and too small, so they often fly here to nest. The mud that swallows brought into their nests stained my piano and books. They kept chasing flying insects and touching people.
Appreciating this poem describes the disturbing scene that swallows frequently fly into Du Fu's thatched cottage. The first sentence tells the reason why swallows come frequently. The poet's hut is extremely low and narrow, which is conducive to birds nesting. Even the swallows on the river are familiar with this, so they frequently fly here to nest. And does the frequent arrival of swallows have any impact on the owner's life? Then the poet described it. Muddy bird's nest stained the poet's piano and books. Not to mention, they haven't chased flying insects blindly, and even touched people. In clear language, the poet gave a delicate and vivid description of the disturbing scene of swallows, giving people a cordial and realistic feeling. Imagine that the hut used to be a poet's refuge, but now it is blatantly occupied by a swallow. How can it not be boring and angry? Furthermore, Jiang Yan frequently harassed poets because they lived in low and narrow huts instead of high-rise spacious rooms. It was precisely by grasping this point that Jiang Yan dared to invade openly, making it difficult for the poet to take shelter. Wang Siyi commented on this poem in the Ming Dynasty: "A distant guest lives alone, but he meets many unhappy people later." (Du Yi) and "unsatisfactory" contain the reality that birds can deceive people. At this time, the poet's boredom reached its peak. The whole poem seems to describe swallows everywhere from the river flooded in Maozhai. However, in this detailed description of "soiling the piano book" and "beating people", there is anxiety caused by the poet living in a foreign country and having a bleak future. Body and things love each other, and God and things are wonderful. The poet feels "unsatisfactory", but he doesn't mention a word in the poem, so this emotion is all reflected in the fine description of the scenery. Therefore, this poem can really be described as a masterpiece with feelings for the scenery and feelings for the scenery. The language of the whole poem is simple and easy to understand, but it is very charming and chewy. In addition, it is full of strong flavor of life, giving people a natural and cordial feeling.
Fourth.
February has broken 1, and spring has aged several times. Don't think about the endless things outside, try your best to have a limited cup 2.
Note 1 "broken" means "Guo" and "Guo". 2 "Mo Si" sentence: This is a complaint, telling people not to think about infinite things outside, but to drink limited wine before they die.
February passed, and March came. People are getting old gradually. How many times can there be beautiful spring? Forget it, there's a lot of trouble outside, so let's finish it happily. We drank two or three glasses of sake before we died!
Appreciate this poem, saying that spring is coming to an end, but people are getting old. In the sentence "MoSi", you don't need to think about things that worry you outside, but drink to drown your sorrows. "Limit glasses before death", people are limited in age and can only drink a limited number of glasses of wine. The "limited cup" echoes people's "aging". "Infinite things" is talked a lot, and "limited cups" is said little. This kind of caring writing is intriguing.
Seventh.
The original text is 1 diameter poplars covered with white felt and lotus leaves in western Yunnan stacked with green money 2. No one saw the pheasant 3 with bamboo shoots, and the baby 4 in the sand slept next to its mother.
Note 1 3 (s m 4 n): rice grains. 2 green money: bronze money. Here, the newborn lotus leaf is described as small and round, like copper coins. 3 pheasant (cheese) son: pheasant. 4 lucky chicks: ducklings.
Poplar trees falling on the path are like white carpets spread out; Lotus flowers dotted on the stream are like round green money piled on the water. Few people pay attention to the pheasant squatting beside the bamboo shoots in the bamboo forest; The duckling just hatched on the beach snuggled up to the mother duck and fell asleep peacefully.
Appreciating this poem is about the scenery in early summer. The first two sentences focus on scenery, while the last two sentences focus on things. The poet used superb brushwork to write the scenery in perfect harmony and full of fun. At the beginning, the poet showed us a beautiful and moving picture of early summer scenery: poplars flying all over the sky fell on the path like a white felt; Lotus flowers dotted on the stream are stacked together like green money. Then, the poet rolled his eyes and looked at the bamboo forest and the beach: a pheasant crouched beside the bamboo shoots, which was really difficult to find; The newly hatched ducklings snuggled up to the mother duck one by one and fell asleep sweetly. The "talking about classics" in the first sentence is concise and vivid. The words "dot" and "stack" in the second sentence vividly describe the floating state of lotus leaves in the stream, which makes the whole sentence vivid. The third and fourth sentences are more nuanced and detailed, vividly showing the "pheasant" that others have never found and the "chicken" that others are used to, which is very interesting in life. This poem is a scene, which is independent when viewed separately, and each poem is a vivid picture; Together, it constitutes a very charming rural landscape map in early summer. Careful observation and description reveal the poet's appreciation and love for the beautiful scenery in early summer, and also reflect the poet's leisurely mood at the moment. However, in his leisure time, the poet has a faint loneliness of living in a foreign land. Pu Yin Dragon said in Reading Du Xin Jie that it "has a slight pity for Xiao Ji". Judging from the whole poem, "micro-silence" is very pertinent, but the feeling of "pity" is too deep. This poem is exquisite and lifelike, with vivid and concise language, full of mellow life interest, and creates a fresh and meaningful artistic conception, which is beyond the master's reach.