(Low tide part)
1. The lingering flowers under the moon are a little worried.
There is nothing to worry about drinking.
See how many lights are boating in the river on a moonlit night.
There is a song of broken willow in Yangzhou.
2. The evening breeze is still short, and the black tea is fragrant.
The bright moon reflects the green willows by the river.
I still hear the sound of Guancheng autumn wind piano so quiet,
Bow your head and smile, a pot of wine among the flowers.
(climax part)
Three. Only these two words and three phrases can make a beautiful sentence.
It exudes the elegance of the previous dynasty and the memory of a thousand years.
The dreams of the Qin and Han Dynasties came to nothing,
I can only see misty rain.
Four. Millennium handwriting, deja vu.
Like the rain in March, the fragrance is overflowing.
In rhyme poems, the inscription is still red,
Everything in the pen went with the wind.
(The second low tide part)
5. When you put pen to paper,
Tears in Kunming fell in front of your case.
I accidentally turned to the ancient scrolls and read seven words.
The artistic conception of the text is lingering and profound.
6. Xu An Bi Deng's study is grinding the inkstone again.
Miss the jade steps with blue and white hooks in the cold window.
Meishi invites you to hang a jade pen.
The order of Lanting still belongs to pillow.
(The climax of the second paragraph)
7. Silent but turned away, the poem was shocked.
Only until the hair turns white and the crow falls at the moon.
I changed my clothes in Tsing Yi, and the bamboo breeze shed tears.
Candles in the sunset sigh with you.
(at the end)
Eight. Another year of green spring in Su Causeway.
Needle and thread cross the bridge and ask the tea girl.
Stop for half a cup of tea and read the Preface to Lanting once again.
Sunset and wind rush, hiding in those few miles,
Who are you going to marry today?
9. The sunset and the wind are in a hurry, hiding in those few miles.
Who are you going to marry today?