Overture 1 8 12
Prelude to the Second Edition (Bach)
3 F melody (Rubinstein)
4 G Song of Strings (Bach)
5 Three sets of cars
6 Erquan reflects the moon
Flowers bloom in July
Blue danube dance
March of the Army (Schubert)
10 Hungarian Dance No.5 (Brahms)
1 1 house of flying daggers
12 Carmen
Friendship forever
14 guitar sonata (Verdi
15 symphony of destiny (Beethoven)
16 beer barrel polka
17 Four Seasons (Verdi)
18 Turkish March (Mozart)
Ode to the virgin Mary
20 Summer Night Afternoon Dream Overture (Mendelssohn)
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22 Swan (raw mulberry)
23 Swan Lake
Overture by William Tourre (Rossini)
25 majestic March
26 western Western jackdaw frolicking in the water.
27 Serenades (Schubert)
28 Serenades (Chopin)
29 minutes (Bicai)
The prayers of 30 girls
3 1 Brandenburg Dance Music
32 Paganini Rhapsody
33 Pingsha geese
Qiuyue Pinghu no.34
35 Fantasy Impromptu (Chopin)
36 Muse (dvorak)
37 clouds chasing the moon
38 lullabies (Brahms)
Song of the matador
40 xingxingsuo
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4 1 sound of spring Waltz
Song of Spring (Mendelssohn)
43 Chunjiang Moonlit Night
44 Zhao Jun complained
45 Moonlight (Beethoven)
46 Moonlight Music (Debussy)
47 azalea waltz
48 Zarathustra said (Richard Strauss)
49 Meihua agriculture
50 Fantasy (Schumann)
5 1 brunette (Debussy)
Flute ConcertoNo. 1 (Mozart)
53 Ode to Joy (Beethoven)
54 bubugao
55 Water Music (Gandel)
56 Autumn Moon in Han Palace
57 Meditation (Masnai)
58 Song of the Wanderer
59 romantic
60 Haydn serenade
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6 1 Riverside Scene at Qingming Festival
62 fishing boats sing late
63 skating waltz
64 firelight (Anderson)
Happy 65th birthday.
66 Emperor Waltz
67 Sleeping Beauty Waltz
68 Wedding March (Mendelssohn)
69 Vienna Forest Story
70 green sleeves
7 1 Beautiful Sunday
72 Flower Fairy
73 Song of Scotland
74 Suwu Shepherd
Symphony of Heroes (Beethoven)
76 Brave Polish Dance (Chopin)
77 jasmine flowers
78 nights outside Moscow
79 Planet Kit (Horst)
80 Spanish girl
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8 1 mail transportation
82 Return to Surento
83 wild rose
84 Golden Wedding Ceremony (Mari)
85 gold and silver waltz
86 watch shops (Anderson)
87 minutes (Liszt)
Piano Concerto No.2 (Rachmaninov)
89 Nutcracker Waltz
90 from the New World (dvorak)
9 1 for Alice (Beethoven)
Dance Suite 92 (Bach)
93 Good night
94 parade March
Triassic in Yangguan in 1995
96 Bai Xue Yang Chun
97 in the rain
98 raindrops (Chopin)
99 Happy Widow Waltz
100 high mountains and flowing water
King of the piano
Franz Liszt
Franz Liszt (1811-1886)
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Hungarian famous composer, pianist, conductor, romantic master, one of the most outstanding representatives of early romanticism. Born in Reading, Hungary, he began to learn piano at the age of six and was a disciple of many famous pianists. Settled in Paris at the age of sixteen. Liszt developed piano skills to an unparalleled degree, greatly enriched the expressive force of the piano, created the effect of orchestral music on the piano, and also pioneered the recitation method. I have excellent improvisation ability, and he has won the reputation of "the king of piano". In composition, he advocated title music, created the genre of symphonic poetry, developed the technique of free tone sandhi, opened the curtain of the birth of atonal music, and established the romantic principle opposite to the college atmosphere and citizen atmosphere. He composed 13 preludes, 19 advanced etudes by hungarian rhapsody and 12, which greatly expanded the expressive force of piano music.
First, children who are destined for celebrities
When Liszt was only ten years old, his father discovered his musical genius. For Liszt's further study, his father sold his property, raised some money and the whole family moved to Vienna. A family of three in Vienna lives in poverty. They live in a small room and make a living by working.
In order to learn piano, Liszt's father hired the famous pianist Cherny as his teacher. Little Liszt attends classes three times a week and walks back and forth for more than two hours each time, but ten-year-old Liszt never stops taking piano lessons. Cherny also appreciates this diligent student very much.
Two years later, Liszt's piano skills advanced by leaps and bounds and he was able to hold a concert in Vienna. Once, a completely deaf old man appeared in the audience of his concert. Although the old man couldn't hear Liszt's performance, his mind seemed to feel the power of this young genius, so the old man warmly embraced the "prodigy" and kissed him on the forehead after the concert. This old man is Beethoven, a master musician. This anecdote was published in the major newspapers in Europe at that time, which made the twelve-year-old Liszt popular all over Europe.
Second, "spiritual twin brothers"
Liszt is cheerful and enthusiastic, and has a wide range of friends. When he was in Paris, he often interacted with Hugo, a great French writer. They all have humanitarian thoughts, pursue equality, fraternity and freedom, and advocate artistic innovation. Their similar world outlook and artistic outlook make them extremely speculative. Hugo is always the first appreciator of Liszt's works, and Liszt is often the first person to appreciate Hugo's literary works. Some of Liszt's works are based on Hugo's poems; Some of Hugo's poems are also inspired by Liszt's melody. No wonder later generations called these two artists "spiritual twins".
Third, kind piano master.
One day, Liszt passed by a small town, where a piano concert happened to be held. The poster of the concert openly said that the female performer of the piano concert was Liszt's student. Liszt was very surprised because he didn't remember teaching such a student. In order to understand this matter, he found the actress's residence and visited her personally.
The female pianist is a young man. When she saw Liszt, she was surprised, threw herself at Liszt's feet and cried, "I'm sorry!" Sir, I really have no choice but to put on your signboard and pretend to be your student. But if you don't do this, how can people listen to me? "
Liszt, who suddenly realized, was not angry. He kindly said to the female pianist, "Would you please play a tune for me?"
The female pianist thinks that a master like Liszt has no shelf. He is so approachable. So she eliminated her nervousness and fear, and with infinite reverence for Liszt, she devoted herself to playing her own music. As a result, she played well.
Liszt nodded with satisfaction. He enthusiastically corrected several mishandling places for her and gave some advice. Then Liszt smiled and said to the female pianist, "Now, didn't I teach you to play the piano?" You will be my student in the future, so you can rest assured to play my signboard. "
These words touched the female pianist, and Liszt's generosity, enthusiasm and approachability made her unforgettable.
Fourth, "Paganini in the Piano"
Lister made up his mind to be Paganini in the piano after listening to the violin magician Paganini. He learned to do brilliant, impossible and miraculous things with the piano. He also composed some music that no one had tried to play on the piano before. He believes that there is no music that the piano, an instrument he loves and chooses, cannot express. He adapted almost all kinds of music that people used to create, from grand operas to Beethoven's symphonies.
Nowadays, it seems a pity to adapt the rich acoustic effects of Beethoven's symphony into a piano piece, but it was different then. People don't have all kinds of machines to provide them with music-no radios, phonographs, automatic pianos, opera troupes and symphony orchestras that only big cities can afford, while in smaller towns, there are only pianos, and some famous pianists stop to play every year when they travel. Liszt thinks that if he rewrites operas and symphonies for the piano, he can bring those lovely melodies to those who will never have a chance to hear them.
When Liszt was a boy, he began to travel from Madrid, where there were whirlwind Spanish dances and cruel and charming bullrings, to quiet gray towns and cities in northern Europe. Spain, Italy, Switzerland, Britain, Germany-No matter where, no matter how big or small, almost all towns have seen the beautiful Liszt quietly step onto the concert platform like a tiger, suddenly pouncing on the piano and grabbing some music that people have never heard before. In Paris, there are as many famous musicians as Robbins in May, but Liszt has become their favorite. Ladies admire him, because he sprinkled flowers on the road; A princess generously gave him a large fortune; A countess eloped with him.
Verb (short for verb) converts to religion.
In his later years, Liszt came to Rome and prayed in those beautiful old churches. Here, many great artists and musicians do their best to praise the glory of God. Many great men and good people have come here to worship God.
As early as Liszt 16 years old, his father died. At this time, Liszt wanted to be a priest. But a kind priest in the parish advised him not to waste the superior musical talent given to him by God, so he gave up the idea for the time being.
Liszt, who entered his later years, thought that since he was old, he should naturally become a believer and convert to Christ. So in his later years, he was called "Father Liszt".
Introduction to piano
1698, the Italian organist Bartolomeo Christofi made a piano similar in appearance and structure to the harpsichord for the Florentine aristocrat Ferdinand Medici. 1709, Christopher made a piano that can play both weak and strong sounds at the same time, and the historical era of piano art began. In Italian, "piano" refers to a harpsichord that can produce strong and weak sounds at the same time. Later, Christopher devoted his spare time to the revolutionary invention of piano. From 1709 to 1732, he made 25 pianos.
[yehudi menuhin] The predecessor of the piano is the clavichord, not the harpsichord. Harpsichord is pronounced by plucking the strings, while piano is pronounced by striking the strings. You can play any style of music on the piano, but it may not be really perfect. As a violinist, I have a basis for saying this, because the sound made by strings is not like human voice. A person's voice can maintain a certain intensity, and after plucking the strings, the voice will change from strong to weak. Therefore, piano performance can't completely achieve the effect of human voice singing, but if the player is skilled, he can also play a timbre close to human voice. When the sound of the strings begins to decline, try to reduce the interval and keep the sound coherent and round, so as to play a timbre similar to human voice singing. To achieve this sound effect, the player must have extraordinary skills, otherwise, the sound intensity will not remain unchanged after hitting the strings. The quality of piano is not only directly related to the stability of string sound intensity, but also affects the performance effect. Piano is also a kind of harmony instrument, because it has various scales and can play all kinds of harmony, so it can play all kinds of music.
Why is the piano an important tool for self-expression? Georgebernard shaw, a famous writer, said: "Piano is the most important musical instrument invention in history, and it is as important to music as printing is to poetry." . /kloc-Prince, a keyboard instrument in the 6th century, used to be a harpsichord, but people's demand for more singing keyboard instruments has surged, and people need an instrument that can provide more timbre. The harpsichord, on the other hand, cannot make a soft or loud sound like a piano, nor can it produce an echo. In the18th century, when the society is gradually secularized, people hope that keyboard instruments can touch people's hearts like singing, not just spreading music. Soon, the piano that meets the needs of the times came into being. If the harpsichord represents the Baroque era, then the piano has become a symbol of classical and romantic music.
The early piano attracted the interest of many musical instrument makers, who improved the instrument, but the piano was not fully developed in the end. The philosopher Voltaire once said, "Making pianos and harpsichords should be the work of pot makers." The internal structure of piano is too difficult to practice. If the keys are too light, the hammer can't touch the strings. If the keys are too heavy, the hammer will rebound, resulting in repeated percussion and unpleasant sound. It was not until Christofory used the escapement that the problem was completely solved. Although Christopher invented the piano, Italians who are keen on singing and violin are not interested in this new invention. After Christopher's death, the Germans quickly mastered the development of piano.
Gottfried Hilberman, a German organ manufacturer, is a friend of Bach. He has always dreamed of making musical instruments with a large dynamic range. He miraculously discovered the drawings of Christopher's hammer device and put them into practice. In the late 1940s, frederick the great bought a dozen Hilberman pianos and put them in palaces and palaces in Berlin. The year before, Bach tried to play the piano of Hilberman. The harpsichord and organ master didn't like it, but when he visited frederick the great and tried to play the improved new device again, Bach declared it perfect. Bach's piano works are the earliest preserved piano music.
1843, Jonas Chiklin, a Boston piano manufacturer, invented a cast iron frame to make the outer frame of the piano. After that, not only did the piano last for a long time, but its loud voice could also reach every corner of the concert hall. Christopher's prototype piano is much lighter than the modern one. Modern piano won the throne of "the daughter of industrial revolution" with as many as 20 thousand parts, and piano has since become the representative of romantic instruments. In the romantic era, piano geniuses emerged one after another. In Germany, Felix Mendelssohn was born in 1809, Friedrich Chopin in Poland in 18 10, and Franz Liszt in Hungary in1810. They created a vision full of distinct personality and strong emotional catharsis for the piano.
The development of music creation further promoted the progress of piano production. Since 1860, human beings have entered the real piano era. Broadwood, a great British musical instrument manufacturer, improved the string design of the square piano to make the bass range wider. At the same time, the pedal is used instead of the control knob and knee plate. Broadwood also improved grand piano to make the piano sound stronger and louder, but at the same time it weakened the clarity of the sound. /kloc-At the beginning of the 0/9th century, the Frenchman Sebastian Ellal began to use metal support rods on the piano frame. In 1822, Ellal took another most important step, that is, he used a double escapement in the piano, which enabled the player to play the same tone quickly, so he could play various melodies on the piano. Nowadays, pianos all adopt double escapements, so Ellal is known as "the father of modern pianos". German Henry Papp was also a prolific inventor. 1826, Papp came up with a very creative method, that is, replacing the leather pad on the hammer with nylon pad. In addition, there are some important inventions in grand piano and square pianos, such as the cross installation of strings, which not only lengthens the strings, but also makes the position of the bridge more reasonable. The overlapping of bass strings and treble strings makes the piano achieve a more ideal sound effect.
With the development of social civilization, the piano is becoming more and more popular in the upper class, and new piano brands are constantly emerging. /kloc-In the second half of the 20th century, Henry Steinway of America became an outstanding piano manufacturer. The industrial revolution has promoted the development of machinery manufacturing industry, and the piano manufacturing technology has been improved. /kloc-In the mid-9th century, the piano manufacturing industry in Germany developed rapidly, and some piano brands with a long history were also actively carrying out technological innovation. The pianos they made occupy the concert halls in Europe, big and small. It was not until 19 14 that Steinway pianos from America entered the European market that the monopoly of German pianos ended. Before the outbreak of World War I, the pianos made in Germany were famous for their excellent quality, while the British were good at making teaching pianos, while the two major French brand manufacturers Ellar and Pleijel mainly produced playing pianos. At that time, the musical instrument manufacturers spared no effort to improve the production technology and injected richer timbre into the piano.
The 20th century was a watershed. In the 20th century, the piano has also entered the stage of modernization. Compared with many musicians, a French musician established a new composition system in the early 20th century. He's Claude Debussy. Debussy is not only a first-class pianist, but also an outstanding piano composer. He made many new explorations in music creation, and regarded the piano as a palette that can create rich colors and unique sound effects. Radical harmony language is his greatest gift in music creation in the 20th century.
From the appearance of the first ancient piano to the wide application of modern piano, the production of piano has gone through nearly 300 years. Through the continuous improvement of the masters of Qin-making in past dynasties, the structure of Qin is more and more perfect and the timbre is more perfect. It has become the keyboard instrument with the widest range and the richest expressive force among modern musical instruments. The 300-year historical development of piano not only embodies people's pursuit of acoustic aesthetics, but also outlines the mutual promotion relationship between musical instruments and performers. However, when the pianist put his emotion and mood into his piano works, he not only finished the second creation of his works, but also realized the piano's function as a self-emotional medium by pursuing the realm of the unity of piano and human beings. 300 years of piano history is 300 years of human culture. Piano is great because it is a symbol of human ups and downs for 300 years.