Ten most popular poems at weddings

First, "Jiangchengzi" Su Shi

Ten years of life and death are two boundless, disapproving and unforgettable.

A lonely grave thousands of miles away, desolate and nowhere to talk about.

Even if we don't know each other, our faces are dusty and our temples are frosty.

At night, I suddenly dreamed of going home, and the window of Xiao Xuan was being decorated.

Care for each other without words, only a thousand lines of tears

It is estimated that the annual heartbroken place, moonlit night, short matsuoka.

Comments: Su Shi/Kloc-married Wang Fu of the same county at the age of 0/9, and later went to Shu to be an official. Husband and wife made up, bitter and sweet. Ten years later, Wang Fu died and was buried in his hometown Zuying. This word was written by Su Shi ten years after Wang Fu's death after he had a dream in Mizhou. Although the living and the dead are separated forever, the emotional bond is knotted and exists forever. The phrase "never forget" seems ordinary, but it is heartfelt and sincere. "Don't think" is extremely heartless, and "self-destruction" is a life-and-death contract of getting pregnant without tasting one day. This feeling is deeply buried in my heart and it is hard to get rid of it. I am used to the loving words of "I don't think for a day, but I gather my eyebrows a thousand degrees" (Liu Yong). Looking at Su Shi's poems again, we can feel that they are writing emotional types at different stages of life. The former is the feeling of youth, passionate and romantic, but easy to fade. The latter is a normal relationship between husband and wife who have been living together for life after entering middle age. Like daily life, it is bland, yet light and eternal, long and profound. Su Shi has always appreciated the artistic style of "dry outside and paste inside, seemingly light but beautiful in fact", and this is exactly the feeling expressed in this word, so he can never die.

Second, the "operator" Li Chi Ngai

I live in the upper reaches of the Yangtze River and you live in the lower reaches.

I miss you every day, but I can't see you, so I drink Yangtze River water.

The water of the Yangtze River flows eastward for a long time, and I don't know when it will stop, and neither will their lovesickness and parting hatred.

I only hope that your heart is the same as mine, and you will not live up to this mutual yearning.

Comments: Li Zhiyi's "Bu Operator" has won the impression and charm of folk songs, which is as clear as words, and at the same time has the unique new ideas of literati words.

Ci originated from the Yangtze River. The first two sentences "I" and "Jun" are opposites, one lives at the river head and the other at the river end. Seeing the spatial distance between the two sides also implies a kind of lovesickness. Overlapping and overlapping sentence patterns strengthen the emotional breath of chanting, as if you can feel the protagonist's deep yearning and sigh, and a woman image yearning from a distance stands out in the broad background of Wan Li.

The first two sentences directly derive three or four sentences. Wan Li is far away at the end of the river, which leads to the backbone of the whole word "I miss you every day"; Living on the banks of the Yangtze River leads to "* * * drinking Yangtze River water". If you look at each sentence in isolation, it is not excellent, but when you sing it together, you will feel that there is a deep feeling and wonderful truth outside of pen and ink. This is a turning point in two sentences, implicit but not published. The literal meaning is simple and straightforward: I miss you every day, but I can't see you, but I drink from a river. After careful tasting, it seems that although you can't see it, you can still drink the water of the Yangtze River. This "* * * drink" seems to be a little comforting to lovesickness. The poet only told the facts of "not seeing" and "drinking" in an understatement, hiding the connotation of the turning relationship between them, making people guess the taste of the song, which made the feelings of the words particularly profound.

Third, The Book of Songs and the Wind Drum

Drums are dull and soldiers actively use them. Cao Tuguocheng, I travel south alone.

From Sun Zizhong, Chen Pinghe and Song Dynasty. No, I'm going home. I'm worried.

Where do you live? Lost his horse? For it? Under the forest.

Life and death are generous, and Zi Cheng says. Hold your hand and grow old with your son.

I am rich, but I am still alive. Sorry, but I believe it.

Comments: This poem expresses the feelings of soldiers who have served abroad for many years about their hometown and their wives. Among them, life and death are generous, and Zi Cheng said. Holding your hand and growing old with your son have dumped countless people who are eager for happy love and become the best endorsement of vows of eternal love. I told you, I will hold your hand and grow old with you. This is the highest state of love, and the highest state of love is a dull fleeting time.

Fourth, "thank you"

Evil! I want to know you and live a long life. There is no mausoleum in the mountains, and the river is exhausted.

Thunder in winter, rain and snow in summer, harmony between heaven and earth, but dare to break with you!

Comments:

"Evil" means "God" and "knowing each other" means loving each other. This sentence means, "Oh, my God! I want to fall in love with you, so that our feelings will never break or rot. " In order to prove her perseverance, she listed five impossible variations in nature one after another: "There are no tombs in the mountains, no exhausted rivers, thunder in winter, rain and snow in summer, and heaven and earth are in harmony." It means: if you want to betray your vows, unless the mountains are flat and the water is dry, there will be thunderstorms in winter and heavy snow in summer, and heaven and earth will be one! . The heroines give full play to their imaginations, and each one is imaginative and incredible. By the time of "harmony between heaven and earth", her imagination was out of control, and she thought aimlessly that all the environments on which human beings depended no longer existed. This irrational, exaggerated and grotesque fantasy is a special form for this spoony woman to express her love. These impossible natural phenomena are regarded by the lyric heroine as the condition of "leaving you", which means that "leaving you" is absolutely impossible. And the result? Only oneself and "Jun" love each other forever.

V. "Farewell"

You walk, walk, walk all the time, thus separating your life from mine.

Since then, you and I have traveled thousands of miles, I am in heaven, and you are in heaven.

It's a long way to Xiu Yuan, and it will be safe.

North Malaysia is still attached to the north wind, south birds fly north, and nest in the south branch.

The longer they are apart, the wider they become and the thinner they become.

Wandering clouds cover the sun, and wanderers are reluctant to return in foreign countries.

Just because I want you to age me, another year will soon end.

There are many other things to say, just wish you take care of yourself and don't be hungry and cold.

Comments: This is the song of a prime minister's thoughts in the turbulent years at the end of the Eastern Han Dynasty. Although the author's name was lost in the process of circulation, "the truth of love, the truth of scenery, the truth of material and the truth of meaning" (Chen Yi's poems) makes people feel sad for no reason and is moved by the heroine's sincere and painful call for love.

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