The rhetorical techniques in the Book of Songs are as follows:
1. The use of overlapping words. Overlapping refers to the overlap of words with the same syllables. Usually we call it overlapping. Character. The most profound impression left by the Book of Songs on future generations is its vivid and vivid language, and the extensive use of overlapping words is the most vivid and intuitive expression of beautiful language.
2. The use of metaphors and rhetorical techniques. Although there are various rhetorical techniques in the Book of Songs, metaphorical rhetoric is one of the most commonly used and classic rhetorical techniques. The most commonly used metaphor in the Book of Songs is all things natural. Ancient people created many new and special metaphors based on their most direct contact with nature and their profound and unique understanding.
3. The use of rhetorical techniques of Xing. The rhetorical technique of Xing is usually placed at the beginning, so it is also called Qixing. Xing's rhetorical technique is also one of the most artistic expressions in the Book of Songs, and it is also one of the rhetorical techniques commonly used in the Book of Songs. There are about a few hundred poems in the Book of Songs, which is 1/3 of the total number of poems. The evoking technique is mainly used to arouse the same emotions between readers and authors, and also plays a good role in connecting the past and the next.
4. Most of the authors of apocalyptic poems in the Book of Songs are folk poets, and most of the contents they describe are "little husbands and humble servants", "women's words", "slang alley songs" ”, has a strong social color. Through the use of evocative sentences, this color atmosphere is given a vivid touch, which strengthens the ideological meaning of the poem.
5. The most familiar poems in "The Book of Songs" are "Qin Feng Jian Jia", "Jian Jia is green, the white dew is frost", "Jian Jia is luxuriant, the white dew is still lingering", "Jian Jia Caicai" , The dew has not stopped." There is a rising sentence at the beginning of each chapter in the whole poem.
6. The rising sentence of the first chapter, "Jianjia is green and white dew is frost", describes a late autumn morning when the dew on the reeds by the river has gradually condensed into frost due to the cold weather. This scene triggered a series of emotional descriptions of missing her below. And "The reeds are luxuriant, and the white dew is still lingering" shows that the time when the poet pursues the beautiful woman is from morning to sunrise. Since the sun first shines on the reeds, the condensed frost and dew are slowly wetted.