In the third year of Huang, he was the capital of Yu Dynasty and returned to Luochuan. The ancients said, the god of water, named Fu Fei. Feeling Song Yu's concern for the goddess of Chu, he wrote a poem. His words say:
I'm from Beijing, and I'm going back to Dong Fan. Back Yi Que, the more iron, through Tonggu, Ling Jingshan. The sun is setting to the west, and the car is dangerous. Er is the tax driving on Gao, on Zhitian, on Yanglin, on Luochuan. Therefore, the essence is moving, and I suddenly think about it. If you look down, you will not see it. If you look up, you will see a beautiful woman on the bank of the rock. But he told the imperial protector, "What do you trust me with? Who is he? If it's gorgeous! " The charioteer said to him, I have heard of the God of Heluo, whose name is Fu Fei. However, what the king sees is nothing but a day? What is its shape? I would like to hear it. I told him:
"Its shape is as graceful as Youlong. Rongyao Qiuju, Hua Mao Chunsong. It's like a light cloud covering the moon, swaying like a wind flowing back to snow. Looking at it from a distance, if the sun rises in the morning glow; If you are forced to examine it, it will burn like a wave. Slim, trim the fit. If the shoulders are cut, the waist is as good as the element. The neck is extended and the neck is beautiful, and the quality is exposed. Fangze is not added, and lead is rich. The clouds are towering, and the eyebrows are trimmed. The red lips are bright outside, the white teeth are fresh inside, and the bright eyes are good at looking, and the cymbals are auxiliary to the power. The ring posture is gorgeous and easy, and the instrument is quiet and leisurely. Tender feelings, charming in language. Amazing clothes are outstanding, and the bone image should be mapped. The splendor of wearing a sweater is the splendor of Yao and Bi. Wear gold and jade jewelry, embellish pearls to show off your body. To practice the writing of a long journey is to drag the fog lightly. The fragrance of the tiny orchid lingers in the corner of the mountain. So suddenly how longitudinal body, to roam to play. Leaning on the left, leaning on the laurel flag on the right. I am busy with my wrist, and I adopt the mysterious wisdom of turbulent wrasse.
I am fond of her beauty, but my heart is oscillating and unhappy. Unscrupulous media greeted Huan Xi and made a speech with the help of microwaves. I hope that sincerity will come first, and Yu Pei will be understood. The letter of a beautiful woman is cultivated, and the Qiang people practice etiquette and understand poetry. Anti-Joan means to dive into the abyss for a period of time. Pay close attention to your family's money, and you are afraid of being bullied by me. I feel that I have just given up my words, but I am hesitant and suspicious. Be calm and calm, and be self-sustaining when honoring.
So Luo was inspired, wandering and wandering, and the gods and lights were on and off. Light body to stand out, if you will fly but not fly. The practice of pepper coating is fierce, and the steps are thin and fragrant. Super-long songs are always admired, and the sound is sorrowful and long. I am a wandering soul, a lonely soul, or playing clean, or Xiang Shenzhu, or picking pearls, or picking up jade feathers. From the second concubine of Nanxiang, she took the traveling girl of Hanbin. Sigh that there is no horse in the melon, and sing about the solitude of the morning glory. It's a shame to raise the light, but it's a delay to repair the sleeve. Hugh Xun flies, wandering like a god, walking in the waves, and the socks are dusty. If you are unstable, if you are in danger, you will be safe. Enter the difficult period, if you go, if you return. Turn to liquid sperm, smooth and beautiful. If you don't spit your words, you will be angry. Huarong is graceful, which makes me forget my meal.
so the screen died down, and there were still waves behind the river. Feng Yi sings drums and Nu Wa sings songs. Teng Wen fish took the police ride, Ming Yu Luan died together. The six dragons stand at the same head, carrying the capacity of the cloud car, the whale flying and clamping the hub, and the waterfowl flying for the defense. So the more north. After crossing Nangang, I went back to Qingyang, and moved my lips to Xu Yan and Chen's handover outline. The way to hate people and gods is different, and it is not appropriate to hate the prime of life. Resist Luo Mei to cover up tears, and the waves of tears flow. Mourn for the good society forever. Mourning passed away and left a foreign land. Love and cherish without affection, and offer the wisdom of the south of the Yangtze River. Although I am in the sun, I have a long heart in the king. Suddenly I don't realize what I'm giving up, and I'm disappointed that God is hiding the light at night.
So I carried my back high, and I stayed in my mind, imagining my feelings, and looking forward to my sorrow. The complex shape of the spirit body of Ji is traced back to the royal canoe. Floating in the long river and forgetting to return, thinking continuously and increasing admiration. Sleepless at night, stained with numerous frosts. I'll go to the east road if I'm driven by a servant. Take countermeasures, but linger and can't go.
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Translation
In the third year of Huang's junior year, I went to the capital to worship the son of heaven, and crossed the waterinfo when I came back. Legend has it that the name of the god of Luoshui is Fu Fei (Fuxi's youngest daughter drowned in Luoshui while playing, and was named the god of Luoshui after her death). So I imitated Song Yu to write the story of the King of Chu meeting the Goddess Fu, and I also wrote down this experience, which is like this:
I returned to the eastern city of Fenyi (Juancheng) from Beijing. Over yijue mountain, over Yuanyuan mountain, through Tonggu, and onto Jingshan mountain.
at this time, the sun is setting, and the horses and chariots are very tired. So I stopped the car on the bank covered with herbs and let the horses graze freely in the grass field. I walked safely and leisurely in the Woods, looking around and enjoying the beautiful scenery of Luoshui. Suddenly, I felt shocked and my thoughts drifted away. I suddenly looked up and saw a strange sight: a woman as beautiful as a fairy was beside the cliff. So he grabbed his entourage and asked, "Have you seen that woman? Who is she? It's so beautiful! " The attendant replied, "I heard that the god of Luoshui is called Fu Fei, so did the king see her?" What does she look like? I really want to hear it. " I said: "She looks light and soft, like a swan flying after being frightened, and her body is strong and graceful like Youlong playing in the air;" The face is bright and radiant like a chrysanthemum in full bloom in autumn, and the youth is gorgeous and prosperous like a dense pine in spring; If there is no such thing as a thin cloud gently covering the bright moon, the image floats like a swirling snowflake blown by the wind; Looking from a distance, the bright and white elephant is the sun rising in Ran Ran in the morning glow. When you look close, it is as bright and dazzling as the graceful lotus in the clear pool water. Full and slim, just right, tall and short and fat and thin in line with aesthetic feeling; The shoulders are as beautiful as cut, and the waist is as slim as a bundle of slender white silk; The neck is slender, the jaw is beautiful, and the white and tender skin is slightly exposed; No perfume, not enough powder; The thick bun stands tall, and the slender eyebrows are slightly bent; In the bright red lips, the white teeth are vividly presented; Bright and moving eyes look around, and two beautiful dimples appear on the cheeks; Her posture is beautiful, bright and elegant, her appearance is quiet and her posture is refined; Modality is soft, wide and charming, which is hard to describe in words; Wearing strange clothes is rare in the world, and the bones look like fairies in paintings; She is dressed in bright and clean clothes made of silk and earrings made of beautifully carved jade; Gold and jade are used as jewelry to hang, and the rare pearls embellished illuminate the beautiful face; She is walking on shoes embroidered with exquisite patterns, dragging a gauze skirt as thin as fog, faintly emitting a faint blue fragrance, wandering slowly on the hillside; Occasionally jump and jump, and play while walking; There are colorful flags on the left side and cassia twigs on the right side to cover the shade; She is rolling up her sleeves and probing her white and delicate wrists into Luoshui to pick black ganoderma lucidum in the rushing river. "
I'm deeply in love with her virtue and beauty, and my mood swings and I'm unhappy. Suffering from the lack of a good matchmaker to convey my love, I expressed my love with affectionate eyes, hoping that my sincere feelings could be expressed to her before others, so I took off Yu Pei from my waist and gave her a gift, saying that I would meet her. She is so perfect that she knows not only etiquette but also poetry. She raised Meiyu to answer me and pointed to the deep pool to agree on the date of meeting. My heart is full of sincere attachment, lest the beautiful gods cheat; Legend has it that there were two goddesses who gave Zheng Jiaofu white jade by the Hanshui River for a lifetime, but they broke their word and disappeared in an instant. So I hesitated with disbelief, restrained my joy, calmed my mood, and warned myself to strictly observe the etiquette between men and women to restrain myself.
So Luo Shen was moved, and wandered low, with colorful lights flickering and flickering, and raised his light body to fly and stay like a crane. She lingered on the fragrant path full of pepper orchids, lingering in the Du Heng bushes with faint flowers, expressing her long-lasting yearning with a sad and mournful voice. Soon, many gods called friends and friends to gather, some playing in the clear river, some soaring on the sandbar where Luo Shen often swam, some picking pearls at the bottom of the river, and some picking beautiful feathers on the shore. Luo Shen was followed by E Huang and Nv Ying of Xiangshui, accompanied by the goddess of Hanshui roaming by the water, lamenting the loneliness of Mugua Star and sympathizing with the loneliness of Altair. She raised her arm and covered the sun with slender sleeves, and her thin coat fluttered in the breeze. She moves lightly like a bird, elegant and unfathomable; Walking on the water waves, there is a misty mist under your feet; The whereabouts are uncertain, and the joys and sorrows are unknown; Predictably, I want to go and stay, my eyes flow with tenderness, my eyes fly, and the joy of love moistens my beautiful face; It seems that there are many words in my mouth, and there is a faint orchid fragrance in my breath; She is shy and soft in appearance, which deeply attracts me and I don't know where I am.
At this moment, the wind god stopped the wind, the water god stopped Jiangbo from fluctuating, the goddess of Yin and Yang sounded the heavenly drum, and Nuwa sang a clear song. Wen fish prance around in cars, and jade bells tinkle; Six dragons go hand in hand, carrying a cloud car slowly; Whales and salamanders compete for jumping clips to protect car drivers, and waterfowl shuttles and flies to protect them; So Luo Shen crossed the island in the water, turned over the hill in the south, turned his white neck, looked at me with delicate and beautiful eyes, started his lips, slowly stated the grand principle of helpless separation, hated the situation of man and God, and complained that youth love was unsatisfactory. He raised his sleeves to wipe his tears, and the tears could not help rolling down and wetting his clothes. The sad and beautiful party will be cut off forever, and sorrow will be separated from each other from now on. I didn't have a token of love to give, so I gave me the precious Yuhuan in the south of the Yangtze River. "Although I live in seclusion in heaven, I will always miss the king ..." Before I finished, I suddenly disappeared and the divine light disappeared, and I felt lost.
So I went over the mountains and tracked them up and down, looking for the footprints left by Luo Shen. Luo Shen has gone, the scene is still there, looking around, adding melancholy. I was looking forward to the reappearance of Luo Shen, so I took a boat against the current and wandered on the Yangtze River at will without knowing how to return. My thoughts were endless, which added to my yearning. At night, I feel uneasy and can't sleep, and thick crystal cream is covered with clothes until the sky is bright. Helpless, I ordered the servant to start driving and continue my return journey. I took hold of the reins and raised my whip, and I lingered in the same place for a long time.
Appreciation of the Ode to the Goddess of Luo
There have been many beautiful legends about the goddess for a long time in the riverside of Jianghan in China. These legends attract generations of poets and writers with their unique charm. They yearned for it and chanted in a low voice, leaving behind countless beautiful and moving masterpieces. The God of Hanshui in Poem Nan Zhou Han Guang is elusive, the God of Xiangshui in Qu Yuan's Nine Songs is graceful and affectionate, and the God of Luoshui in Sima Xiangru's and Zhang Heng's works is enchanting, beautiful and charming. However, among these tender chants and wonderful descriptions, Cao Zhi's Ode to Luoshen is the most full of plot and touching. According to the preface, Cao Zhi's fu was written after he entered Luoyang, the capital of the DPRK, in the third year of Huang Dynasty, and passed through Luoshui on his way back to Juancheng, a fief, "feeling Song Yu's concern for the goddess of Chu". At that time, shortly after Cao Pi became emperor, he killed Cao Zhi's close friends, Rockett and Ding Kuang. Cao Zhi himself played "Drunk and Slow, Robbed the Threatened Messenger" for the supervisor of the country after he left the country, and was demoted to the Hou of Anxiang, later renamed the Hou of Juancheng, and then made the King of Juancheng (for all, see Biography of the Three Kingdoms Chen Si). These are undoubtedly heavy blows to Cao Zhi, who is determined to "devote himself to the country, benefit the people, build a career that will last forever, and make contributions to the stone" (The Book with Yang Dezu), and his mood of depression and anguish can be imagined. The work begins with the journey of leaving the capital, "carrying Yi Que, crossing the shaft, passing through Tonggu and Lingjing Mountain", and describes the scene when the author and his attendants arrived in Luobin. At that time, "the sun was setting to the west, and the car was in trouble." They drove high taxes, cultivated fields, tolerated Yanglin and flowed to Luochuan. In a quiet atmosphere, the author was in a trance and looked at the sparkling waterinfo. At the moment when he occasionally looked up, a miracle appeared: a beautiful goddess stood on the opposite cliff. This made the author extremely amazed. He unconsciously grabbed the imperial ruler beside him and eagerly asked, "Do you have to trust him?"? Who is he, if this is gorgeous! " Here, the beautiful scenery before sunset on the side of the mountain and the water set off the surprise of the characters, creating a fascinating artistic conception. Next, the charioteer's answer was also very clever. He avoided the author's first question-"I am bound to the other" and didn't answer it. Instead, he put forward Fu Fei, the goddess of Luo, in a tone of speculation such as "I heard" and "Nothing is", which intentionally left a foreshadowing for the following description of Luo, and at the same time cast a mysterious color on the already strange encounter. Fu Fei, the goddess of Luo, is said to be the daughter of Mi Xi's family in ancient times. She was a water god because she drowned in Luoshui. Qu Yuan mentioned this ancient legendary goddess in Tian Wen and Li Sao. Later, Sima Xiangru and Zhang Heng described her like this in their Fu: "If my husband is a person who plays the piano and Fu Fei, he is absolutely unconventional, enchanting and refined, and he is graceful and graceful. ..... fragrance retting depression, cool Shu depression; Bright teeth, should laugh? ; Long eyebrows, Lian Juan, slightly shy "(Shanglin Fu); "The jade girl of Taihua, Xi, called Fu Fei of Lop. Xian Jiao-li's charm is charming, which increases her eyes and makes her eyebrows. Shu? Jing's slim waist is Xi, and Yang's miscellaneous emblem is wrong. Smile away from the lips, Yan? With the legacy of light ... "("Si Xuan Fu "). Different from the direct description of predecessors, the work first gives a colorful description of the temporary situation of Luo Shen with a series of vivid and strange metaphors: "Its shape is also amazing, graceful as Youlong, glorious as autumn chrysanthemum and spring pine in Hua Mao." It's like a light cloud covering the moon, floating like a wind flowing back to snow. Looking at it from a distance, if the sun rises in the morning glow; If you are forced to examine it, it will burn like a lotus. " Its vivid image and gorgeous colors are eye-catching. Among them, "If you are amazed, if you are graceful, if you are Youlong", it especially vividly shows the charm and charm of Luoshen. It and the following "light clouds cover the moon" and "wind flowing back to snow" all give people a light, elegant, flowing and graceful movement from the aspect of posture; While "autumn chrysanthemum", "spring pine" and "the sun rises at sunrise" and "hibiscus rises in waves" give people a bright, clear, gorgeous and enchanting color sense from the aspect of appearance. This sense of movement and color are intertwined and immersed in each other, weaving into a colorful magical scene, which highlights the beauty of Luoshen to people. On the basis of this strong artistic effect caused by repeated metaphors, the author further uses traditional techniques to describe Luo Shen's posture, appearance, clothing and manners in detail. This Mi Xi's daughter has a moderate figure, shoulders and waist, and she is born with beauty and is not fake. Her eyebrows are trimmed in a bun, her lips and teeth are fresh, her eyes are hidden and radiant; In addition, Luo Yi is brilliant, the jade is bright, the pearl is shining and swaying gently, which makes it even more "elegant and elegant, quiet and leisurely". These descriptions by the author remind people of the praise of Wei Zhuanggong's wife Zhuang Jiang in The Book of Songs: "The hands are soft, the skin is coagulated, the collar is like a dragonfly, the teeth are like a rhinoceros, the head is bowed, the smile is clever, and the eyes are eager" ("Wei Feng Shuo Ren"); It is also reminiscent of Song Yu's praise for the neighboring women in the east: "One point is too long to increase, one point is too short to decrease, the powder is too white, and the Zhu is too red to apply" ("The Lothario"). The author is obviously influenced by them, but he pays more attention to the dynamic beauty of the characters than the previous people. Next, he emphatically described Luo Shen's naive and lively behavior: "Practice the writing and shoes of traveling far away, and drag the fog lightly." The fragrance of the tiny orchid lingers in the corner of the mountain. So suddenly how longitudinal body, to roam to play. Leaning on the left, leaning on the laurel flag on the right. I am busy with my wrists, and I am taking the mysterious wisdom of the hustle and bustle. " In the face of such a scene, we seem to smell the fragrance coming from Luo Shen's walking, and see her wandering in the corner of the mountain and collecting wisdom by the water. At this point, the image of Luo Shen has both demeanor and be vividly portrayed. "Yu Qing yue Shu mei Xi, heart vibration.