It's a long night in the rain, and the lights are lonely.
My hometown is full of clouds and water, which is not suitable for Qiu Meng.
The first poem "Stagnant Rain" is a poem about wandering, "being a stranger alone". Loneliness is easy to breed homesickness, not to mention in the middle of the night in the autumn rain. It's hard to go back to your thoughts, and it's not appropriate to go back to your dreams. Is it because of the "stagnant rain"?
The first sentence "a long night in the rain" explains the time, place and reason, which means it's raining and I'm going to spend the night in Chang 'an tonight. But why didn't the poet say "the rainy night lingers in Chang 'an"? Because the word "lag" is ahead of time, it not only reflects the long rain, but also highlights the long night. It seems that the thick and lingering rain has hindered the pace of time and delayed the arrival of dawn. Anxious to return, however, happened to encounter seemingly endless rain, giving people a sense of helplessness and dignity. Also prepare for the later "guest worries" and "dreams".
The scene described in "The Lonely Guest with Broken Lights" is that there is a lonely guest with a sad face under a lonely lamp whose oil is exhausted and the lamp is withered. The "residual lamp" can not only give people a bright and warm feeling, but also make people feel more desolate and sad than the endless rainy night outside. The light is broken, which means that you have been sitting alone for a long time; Sitting alone for a long time means that the guests can't sleep; The guests can't sleep, which shows the depth of homesickness. A Lonely Traveler with a Broken Light and the previous Rainy Night create a hazy and lonely atmosphere. In this artistic conception, a wanderer will naturally think of his hometown.
Is the "hometown of clouds and water" fictional, or is it a vast land where hometown meets clouds and water? Is there a distant barrier between the clouds and heavy water in my hometown? Or does hometown not exist at all in reality, but only exists in the homesickness like flowing water? This sentence reflects the poet's unique obscurity, which seems to be understandable in any way, giving people a real and cordial feeling.
"It is not appropriate to dream this autumn" is a direct expression of emotion, which seems straightforward, but in fact it is implicit. It is a "good" time to stay at home on a rainy night and sit alone by the broken lamp. Why not fall? Because in the poet's eyes, autumn is sadness, autumn wind, autumn rain, autumn clouds and autumn water ... all these make the poet sad. In a season full of sadness, in a dream full of sadness, isn't it the same sadness even when I return to my hometown? Forget it, don't dream of returning to China! In fact, such a dream is "inappropriate" in any season. The poet's saying "inappropriate" here is actually "the most appropriate", which has the wonderful effect of saying irony when a word is inconsistent.
Appreciation 2
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Shang Yin was caught in a partisan struggle all his life, reduced to a shogunate, wandering around the world, and homesickness is one of the important themes of his poems. Many scholars have made different textual research on the background and time of these poems, but
"Human feelings are the same as homesickness". Because of their universal significance and eternity to human beings, many emotions often go beyond a specific scope and exude permanent artistic appeal.
The so-called "stagnation of rain" means stagnation due to rain, but the first sentence of the poem does not say "stagnation of Chang 'an by night rain", but "stagnation of Chang 'an by night rain", so the word "stagnation" adds a bit of heavy and lingering texture, which makes people feel something.
Must have dignity. Rainy night is always the most charming and emotional, because night and rain are always combined with homesickness, and homesickness is deep because of night and heavy because of rain. More importantly, it's raining.
Night always creates a space for us, and this space belongs to listening Whether it's "a leaf dripping into light" or "* * * sleeping and listening to the autumn rain" or "residual leakage urging the autumn rain"
Urgent ",or" waiting for the rain ",all show a kind of listening power-listening to the rain at night, listening to self-worry, listening to more distant things. There's always something older and wider.
The difference between hearing and vision is that vision points to the present, which is the existence that vision can achieve, while hearing does not have all the experiences that exist in the form of sequential consciousness in our memory. Many times, it is precisely
Because we close our eyes, we break through the limitations of vision and have unlimited feelings. So listening attentively in the rain at night will awaken countless life experiences, which are memories and a unique life form, but we can't say anything.
The overlap of truth and dream, memory and forgetting. At the moment, for the author who is wandering in a foreign land and alone, all his listening and memories point to the same direction, that is, his hometown. So, at this moment, the sound of autumn rain
Sound creates a space for the poet's mind to flow slowly and expand infinitely. The center of this space is a flickering "residual lamp". For the night, light gives people peace and warmth, but it is safe.
Peace and warmth become sad because of the infinite darkness outside. Or on the other hand, it is this little light that has plunged the world into more boundless darkness. Leibnizon said, "What is darkness?"
Is the weakest light, is the smallest light. "This sentence is not so much to express the omnipresence of light as to express that there is light in darkness, and light exists because of darkness. So, this rainy night shines in the residual lamp.
A little warmth, so sad and lonely. ...
Li Shangyin's poems often have twists and turns in structure, and their leisure is infinite. Sometimes it's hard to avoid being esoteric because it involves too much. The first two sentences of this poem are much more natural and plain, but in this plain language, the use of implicit images creates a far-reaching and easy-to-associate space: autumn rain, listening in the middle of the night, sitting alone in a lonely lamp, wandering alone, and the word "worry" is self-evident.
The beauty of the poem is still in the last two sentences, "The hometown is full of clouds and water, which is not suitable for Qiu Meng." My hometown is full of water and clouds, which shows Shi Li's unique obscurity and kindness. What is a land of clouds and water? Is it the vastness and vastness of water and clouds? It's the weight of water
The remoteness and barrier of cloud complex? Is this Yun Qi's sadness? Maybe it's because listening to the rain reminds me of my hometown, which is also a rainy place. It's rainy in autumn, and I'm afraid my dream will be blocked. Perhaps, the more I want to remember each other, the more I can't remember.
It's just as ethereal as water and clouds; Maybe the water is gone, and the clouds are rolling and the clouds are comfortable, so that the wanderer can't wait for my love when he is alive, and his hometown is far away and difficult to return? Shi Buhua's "Poem of Servants" said that Li Yishan's poem "Farming Ceremony"
In the middle, the situation is gloomy. This kind of melancholy is precisely his unprecedented exquisite description of the rich level and complexity of the spiritual world, and a vivid expression of the vast and confusing shape in the depths of the soul.
Show. The sentence "Autumn is not suitable for dreaming" seems straightforward, but it is implicit. It was a rainy night and a lonely lantern day. It's when I'm homesick and worried, but the author says that "autumn is not suitable for dreaming". Why? Because "the autumn wind is still short and brown, and the night rain is also a dream of rivers and lakes."
Cold "? Are you afraid that you will be confused if you sleep deeply, and you will be scared to have a good dream and have nowhere to find it? Still worried about "I don't know the way in my dream, how can I comfort Acacia?" "Rational judgment can't stop lingering feelings. As the saying goes, "if you keep cutting, you will be confused and you will be separated." "
Hey. "Poetry is precious in implication, which should not be too explicit or too straightforward, but the methods of" implication "are different, and some are" silent ",such as Liu Yuxi's" In Old Times, Wang Xietang flew into the homes of ordinary people ",and he did not say nostalgia.
I only wrote that Wang Xietang flew into the homes of ordinary people, but all I talked about was the vicissitudes of the world and the impermanence of the world. Some of them are "extreme words", such as Li Shangyin's "It was a long time before I met her, but it has been longer since we parted" and Li Yuzhi's "When are the spring flowers and the autumn moon", and the poetic language itself is very clear.
White as words, the inner feelings are unobstructed, but because of the high generality of this vernacular, poetry often goes beyond the described events themselves and gains a symbolic meaning and uncertainty; There is also desire between words.
Don't talk, don't talk, click without breaking, and talk endlessly, giving readers unlimited room for daydreaming. This is the kind of sentence in this poem. The word "unsuitable" seems to hit the nail on the head, but in fact it is self-defeating. The difficulties and helplessness behind "unsuitable",
Sigh is the poet's inner emotion.
There are many similarities in the use of images between Dead Rain and Notes on a Rainy Night, but they convey different life experiences and poetic meanings. The same autumn rain, one full and one dignified, was in Bashan that night.
Although the rain is cold and desolate, the word "Shang" adds a mellow beauty to it, as if feelings have also been soaked and spread in other places and hometown, today and in the future. The rain in Chang 'an is so heavy that the word "lag" makes people feel sad.
Depressed, as if the dream was frozen clean, the mountains and rivers were heavy, and I couldn't fly back to my hometown after a long separation; It is also a candlelight, a warmth and a desolation. Although the candle in the west window is weak, it is warmer because of the scissors of relatives. candle
Talk under the lamp, tell quietly, listen quietly, and let the sigh bring a smile. Although the lights in Chang 'an are flashing, they are limited and narrow because of sitting alone. What is really profound is the endless darkness of Beyond the Lights.
The same is nostalgia, one is light and the other is heavy. Bashan's thoughts are elegant because of the imagination of "cutting candles at the west window", while Chang 'an's thoughts are sour because of dark clouds and heavy rain. ...
He Shang said in "Poetry with Wine": "Poetry in one mountain is better than fiber". Chen Yixin pointed out the beauty of Li Shangyin's poem "Slender" in the article "On Li Shangyin's Poems about History and Things", that is, "He has gone to other places"
It is of high aesthetic value to be able to see depth in thinness, muddy in exquisiteness, and new ideas in mediocrity, and successfully show the subtle feelings and emotions of life. "I think" Dead Rain "and" Notes for a friend in the north on a rainy night "are both shown.
This "slim" beauty.