Rhythm and rhyme. Rhythm originally refers to the length of the beat in music. Here it refers to the visual psychological impact of various elements (such as points, lines, surfaces, shapes, bodies, colors) in decorative pattern design on the viewer. It creates a sense of regular order and movement.
They can be the sense of order brought about by changes in size, weight, virtuality, speed, and straightness; rhythm originally refers to the feeling produced by the ups and downs in poetry, here it refers to the requirements between various elements in pattern design There are certain changes in style and pattern under the premise of unity, and there is a certain degree of repetition to a certain extent.
As shown in the picture, the elements in the picture are floating towards the right side of the picture as if blown by the wind. The main patterns and leaves form a regular sense of movement. Several small dot-like leaves The recurring sense of arc-shaped order reflects the rhythm and rhythmic relationship of the picture.
Extended information
Painting forms a visual rhythm and rhythm through the combination and order of visual elements and images to convey aesthetic information. We use the repetition of thick trees A strong repetitive rhythm can be clearly seen in the arrangement, and the changing rhythm can be felt by observing the shapes of different fields and the combination of different blocks.
You can see the soft rhythm through the rolling hills and the wind-blown waves on the grassland. All existences in nature naturally produce various contrasting relationships of rhythm and rhythm, including those mentioned above. Various contrasts such as direction, reality, priority, importance, movement and stillness.
These rhythms and rhythmic beauty generated through contrast will be fully present in our vision, and they will continue to change, disappear and reorganize repeatedly, depending on whether we discover and capture them with an aesthetic vision.
For example, the flowing clouds in the sky not only form various visual rhythms through changes in their shapes, but also form a dynamic and static contrast with the trees on the mountains. For example, the wind-blown willow leaves arrange different density contrasts in the autumn pond. There is a sense of order, and the style may change at any time as the wind changes.
Sometimes it is precisely because of the disappearance of a sense of order and rhythm that we observe that the aesthetic interest and expressive interest in the same scene disappear at the same time. This can prove the beauty produced by rhythm and order arrangement and contrast. How important it is in the aesthetics of a landscape painting.