Shi Ao reveres flowers and birds, and Xu Weiding adjusts salt plums.
Sue a surname, a lifetime, wine can't fill Cui Wei's chest.
Huangzhou deputy ambassador sits idle, and the silver platform has no way.
There is a bright moon in front of Nautilus Island, and Jiang Fei dances socks and gives birth to Egyptians.
The second mountain seems to be drunk, as if stepping into a cold stream.
Welcome guests, laugh at Wuchang River.
Who knows that the article is so old today, the wild old people compete for seats and fish.
Deng Gong Le left a portrait in the inscription and picked a silver hook to clean the green moss.
After ten years of thinking, it is easy to find.
Go to Changsha without worry? Entry and return are both painful and devastating.
But Yutang told Deng Gong that the north gate was called to listen to the wind and thunder.
Mountains and rivers are far away, and wealth and glory are there.
The sound of a thousand pines is in my ears today, and it is not so sad.
According to Su Shi's poem "Wuchang Xishan":
During the reign of Emperor Jiayou, the academician invited Deng to be the prefect of Wuchang, and he often traveled to Xishan, and people in the mountains can still talk about it. Stone lives in Huanggang, facing Wuchang, and often travels between Xishan. On November 29th, the first year of Yuan You, I went to the imperial examination hall and occasionally talked about the past with the Suyutang Holy Prayer Society. Shengqiu tastes like "the inscription of the second dimension of the mountain", which is carved in rocks. Therefore, poetry, please ask saints to seek common ground, when leaving the people, make it engraved.
Huang Tingjian's poem is about Su Shi, and what he wants to write in the poem is exactly what Su Shi said in the preface. As for how to conceive, how to draw materials, how to describe and how to structure, it is all out of Huang Tingjian's ingenuity.
It is conceivable that it can be written by Su Shi's "Climbing the Western Hills" or traced by Su Shi and Deng. However, in the first four sentences, he first wrote Yuan Jie (the second mountain) as a bottle. In the first sentence, "Manlang" is the number of Yuan Jie; Jiangnan refers to Wuchang; "Tibetan wine" summarizes Yuan Jie's life at that time, which is concise and easy to be associated with "bottle". The second sentence describes the victory of his place: it highlights "ancient trees towering into the sky" and has a beautiful image; Imagination was planted by Jie Yuan, which helped to express Jie Yuan's character and laid the groundwork for the ending "Wan He Song Sheng". In the third and fourth sentences, write Jie Yuan as a bottle on the Olympic Games, imagine him using the bottle to "consider flowers and birds", point out Jie Yuan's ambition, and write that his "self-promise" is the hand of "reconciliation", that is, the prime minister's ability to govern the world ("harmony and soup"), thus linking a depression with governing the world. Planting trees by hand, treating flowers and birds with a bottle, aiming at "adjusting salt and plum", wrote Yuan Jie as a pragmatic and free from vulgarity, as well as Guan Xinmin, so this bottle is also unusual. Jie Yuan is an official and a poet who cares about the people. He was once highly praised by Du Fu. Therefore, Huang Tingjian's imagination has a certain basis. Although it is exaggerated, it is not exaggerated. Its lofty ideas and rich imagination are commendable.
The following 12 sentence "Life" is translated into Su Shi's "Back and forth to the Western Hills" in Huangzhou. He went to a depression to play and drink with customers. The beauty lies in the rise of Qifeng. Write Su Shi's mind first. The first sentence of this paragraph is decorated with the word "four seas". Although it is a paraphrase of the phrase "grinding teeth in the four seas" in Encounter with Stone (see Shi Shuo Xin Yu), it also summarizes Su Shi's experience of being relegated to the north and south repeatedly, and his famous position in the world (at that time, people said that Su Shi "knew the frost in the four seas and his temples were full"), which is practical. Then I pointed out that "wine can't fill Cui Wei's chest". "Cui Wei" and "base block" have similar meanings. "Ren Xinyu Dan" contains: Chen Wang said Ruan Ji had a lump in his chest, which should be filled with wine. "Base block" refers to inner depression, and "Cui Wei" and "wine can't be poured" make the spirit of depression higher and bigger. This further depicts Su Shi's mind. Su Shi believes that "a scholar should give priority to qi", and he attaches great importance to Kong Rong, Li Bai and others, so Huang Tingjian grasps Su Shi's personality characteristics in this article. This is exactly what Su and Yuan Jie "promised to make a pot of salt plums", so they have something in common.
Next, go to Huangzhou to sue. With the words "no way to Yintai" (press: Yintai, that is, Yushitai), it is further written that although Su was demoted, he did not forget his country. Because there was no way to get through, he had to send his feelings to the mountains and rivers, and he pointed to Wuchang in Nautilus Island. It is also the location of Mi Heng's tomb), "Jiang Fei dances socks and gives birth to flowers", which reminds people of the poem "Lingbo Fairy gives birth to dust socks, and the moon swims on the water" in Huang Tingjian's poem "Singing Narcissus". Here, it is used to describe Su Shi's poems of "feeling heaven and earth" and "moving ghosts and gods", so that female immortals can dance for them. These six sentences depict the image of Su Shi. Then further describe Su's "breaking the cold current" and getting "two mountains of intoxication", and point out depression, which is related to the first paragraph. Then imagine that Su Shi "washed" the dust mark on the empty bottle, scooped the wine from the big "bottle" of Dajiang into the empty bottle, and then scooped it out from the empty bottle, which was classified as "good hospitality". In Su Shi's original poem, there is "grapes along the green river", and Huang said that "the river makes a bow" is based on Su Shi's poem. This can complement and reflect on the "playing with flowers and birds" in the first paragraph of Yuanjie. Among Su Shi's "Jiake", there are two or three literati, most of whom are "wild old people" in the mountains (see Su Zhe's Jiuqu Pavilion in Wuchang) and Yu Qiao (Su Shi's Answer to Uncle Li Duan: "boating grass, swimming in the mountains, mixing with Yu Qiao, often being pushed and scolded by drunkards"). Huang said that "Wild Man and Old Man Fighting for Seats and Fishing" not only wrote the scene at that time, but also implied that Su Shi's article was good, but he could not go to court and had to get along with Yu Qiao.
Huang Tingjian wrote this poem mainly for Su Shi, so he wrote Su Shi in thick ink. Writing about Su Shi is bold and free-spirited, persistent and free-spirited, "Zhang hates life", but he still doesn't forget your country, and he is still open-minded after a long exile, portraying Su Shi's personality and writing it vividly.
Next, "Xu Dong Pomo Deng Gong Inscription" (Zeng Guofan's "Seeking Que Zhai Reading Secretary") is a proper pen in the title. In Su Shi's original poem, there is a saying that "public wisdom stays in the mountains, so far weeds and thorns are good, and I am often afraid of burning moss in the wild." Huang, as far as Su Shi is concerned, is meticulous and decent, and also sees the beauty of tailoring. According to Deng's name, Runfu, Shao Sheng and Cheng were officials to businessmen.
Finally, the last eight sentences, "back to Beijing, Deng and Yutang are of the same value" (ibid.). It can be divided into several layers.
The sentence "Chen Qu" responds to the paragraph "Huangzhou" and compares Su Shi to Jia Yi. "Returning" means returning to Beijing, and "the devil takes the hindmost" has always been interpreted as referring to Zongshen's death. This is a chronicle. According to Su Shi's second poem "Wuchang Xishan", he "wants to return to the field at dusk and return to the river to leave the pile. When I am still ashamed of my old age and feel sorry for myself, I am not in a good mood. In view of this, Huang Tingjian pointed out that "the mountains and rivers are far away, there are many waves, and wealth and splendor come to this tripod" (tripod, a solution is "big"), which is an exhortation. In connection with the first paragraph, I hope that Su Shi, like Yuan Jie, "made his own tripod (the ancients used tripod to mean' three fairs') to adjust salt and plum". There is a problem worth studying here: when Zhezong ascended the throne and Empress Dowager Cixi came to Korea, Wang Anshi's "new law" was abolished, but Su Shi did not fully agree with this practice. At that time, someone wrote a poem to Su Shi, saying, "I knew from a distance that Dan was opening a yellow scroll (read by the emperor), and I remember there was no Bai Ou in Qingbo", which was to persuade Su Shi to live in seclusion. Why does Huang Fan use the word "wealth"? Is this yellow too vulgar? This depends on the last two sentences. In the last two sentences, he pointed out that what Su Shi thought was not "prosperous times" but "relaxation in his ears", which is a fact and worth pondering. There are natural reasons why he "doesn't want to do this", because when he "sits around", he still wants to write "admonition". In the future, why does he think of Jianghu and retirement instead? Isn't this worth pondering? For what reason, he didn't write it, and there is no need to write it, because the word "literary love" can spread beyond words. Otherwise, why "mourn"? The author wrote the "unspeakable meaning" with cadence. This is also using "unspeakable" to write "unspeakable" feelings, which is the charm of poetry. Ren Yuan said, "Gu Shi's rhythm is wonderful all his life, but its meaning is not easy to be seen" (Notes on Gu Shi). In fact, although Huang's poems have the "indulgence brushwork" praised by Mr. Wang, there are also traces of cohesion. If you can carefully ponder its words and sort out its context, its intention is self-evident. Its high conception and ingenious intention can be appreciated.