So far, no matter Li Bai written by researchers or Li Bai living in the hearts of ordinary people, that's all. In fact, since he called Li Bai an immortal, Li Bai's image has been stereotyped. This stereotyped image of historical figures adds to the legend of Li Bai and makes later poets yearn for it. However, this stereotyped image of poetic immortals has also caused the distance between people and Li Bai, which is close to the distance between admirers and idols. It has also caused an unattainable gap between watching flowers in the fog and watching the moon in the clouds, which restricts us from following the poet's externalized ideological and emotional trajectory-poetry, and entering the hall of Li Bai's mind.
In fact, Li Bai's character is free and easy, pursuing freedom, persistent and deep. The sadness in his emotions is accompanied by the joy that goes hand in hand. The contradiction between the poet and society and the poet's own personality makes some seemingly happy, elegant and free-and-easy poems of Li Bai mixed with disappointment, anxiety and loneliness. Whether it is a sigh of hope for the world, a hope for birth, or even a criticism of reality, it often contains this mentality. Some people think that Li Bai's poems are full of sadness and have a deep sense of sadness. This understanding reveals the personality characteristics and mentality revealed in Li Bai's poems from a deeper level.
Reading Li Bai's poems, I often feel bold, optimistic and free and easy, and appreciate a kind of loneliness and sadness of being alone, wandering and looking around. Li Bai's poems sometimes seem optimistic and free and easy, but in fact, in the poet's natural and unrestrained smile, there is a lonely and painful mentality under the wandering Zi Xia fairy dress.
Loneliness accompanied Li Bai's life until his death. Li Bai's Song of Near Lu;
"Peng Fei xi strike eight, zhongtian xi. The rest of the wind always excites me. I swim to Fusang and hang left. Later generations spread this, who will cry when Zhong Ni dies? "
Obviously, this romantic poet, who was proud of his blue sky and soared in Wan Li, left the world he loved with lifelong loneliness and regret, hatred and persistence.
Li Bai's loneliness is mainly manifested in three aspects:
(1) Unfortunate talents and untimely birth are the common tone of Li Bai's poems, accompanied by a sense of political abandonment and no place to return. When Li Bai was young, he had a strong desire for fame and fortune, and he was "conceited for worldly affairs." This strong concept of charity obviously comes from the Confucian idea of governing the country and calming the world. However, Li Bai is not an ordinary scholar. As a romantic poet, his chivalrous character and unique temperament, that is, his rich imagination and whimsy divorced from reality, came from the Confucian thought of helping others, and melted into the catalyst of the poet's own subjective spirit, which naturally expanded into arrogance, conceit and easy fame. However, Li Bai's arrogance and conceit are often inconsistent with reality, which makes the poet feel helpless about his political future.
(2) If the sense of political abandonment and loneliness without a sense of refuge are caused by the conflict between the poet's ideal, the poet's personality and the environment. Then, Li Bai's loneliness can only be said to come from the poet's subject and personality itself. This is the poet's loneliness of being aloof, arrogant and unwilling to walk with the world. Let's call it loneliness of self-exile. The loneliness of self-exile can especially show the strength and brilliance of the poet's character. Li Bai has a very strong sense of self. His chivalrous and romantic character, coupled with his natural talent and good education, often makes him feel pretentious and superior. Searching for a bosom friend embodies Li Bai's strong desire for the world. The sigh of bosom friend's peace of mind also reflects the unique loneliness in this world, and of course reveals the pride of Chun Xue.
(3) In some of Li Bai's poems, there is also a sadness of crossing the world. "The living are passers-by, and the dead are returnees. Heaven and earth go against each other, sharing the same sorrow and dust. " It is precisely because the poet is aware of the irreversible natural laws of life and the universe that he can realize this desolate loneliness consciousness in this strong contrast between finite and infinite, death and eternity.
Although Li Bai is a poet, he is not always elegant. In his mind, there is often a sense of loneliness that cannot be dispatched. This sense of loneliness directly influenced his poems and brought him a sense of loftiness and sadness. Although the style of Li Bai's poems is bold and unrestrained, the sense of loftiness and sadness brought by loneliness makes quite a few of his works have the style characteristics of seeing loneliness in luxury and sadness in luxury.
The characteristics of Du Fu's poems are:
Zi Mei lived in the historical period from prosperity to decline in the Tang Dynasty. Her poems are mostly about social unrest, political darkness and people's sufferings, which is called "the history of poetry". He cares about the country and the people, has a noble personality and exquisite poetic skills, and is known as the "poet saint".
Du Fu is good at using many systems of classical poetry and creatively developing them. He is the pioneer of the new Yuefu poetry style. His Yuefu poems contributed to the development of the new Yuefu movement in the middle Tang Dynasty. His "May 7th" ancient novel, which is also a history of poetry, begins to narrate and focus on the whole story, marking the high achievement of China's poetry art. Du Fu also showed extraordinary creativity in the May 7th law, and accumulated complete artistic experience in the aspects of temperament, antithesis and refining words and sentences, which made this genre reach a fully mature stage. Du Gongbu has been handed down from generation to generation.
One of the greatest characteristics of white poetry is that the language is easy to understand, but at the same time it has undergone a lot of artistic processing.
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