Today, there are more than 130 poems, in which natural objects are used to express their anger and frustration. For Wang Guiyang, The Collection of Jim's Poems and Songs and The Story of the Sword are his representative works.
The landscape prose "With Zhu Shu" and "With Gu Zhangshu" have high artistic achievements, and they are famous landscape essays handed down from generation to generation.
He wrote 30 volumes of Qi Chunqiu, 10 of Temple Records, 16 of Twelve States Records, 5 volumes of Qiantang Sages Biography and 90 volumes of Later Han Books, but they have all been lost.
The existing works are collected in the Ming dynasty edition of Wu Chao Please Collection and the wonderful book Continued Harmony. His articles are clear in wording and sentences, and people often imitate them, so they are called "Wu Junti".
Wu Jun's poems, like his prose, are full of mountains and rivers, with fresh and straight style and certain artistic achievements. In addition, he also has Continued Harmony, which is an excellent novel of the Six Dynasties.
Legend of Liang Shu: "The monarch's body is clear and ancient, and those who are good or learn are called' Wu Jun's body'."
Some Wu Jun allusions in various books:
Shen Yue once read his article and expressed his appreciation.
Tian Jianchu and Liu Yun were appointed as the magistrate of Xing Wu, called him as the main book, and often wrote poems with him.
Next is a brief introduction to Wu Jun, the secretary of Jian 'an, who was promoted to assistant minister of the country.
Please enter the court.
He once asked to write Qi Chunqiu, and the manuscript was handed over to Emperor Wu of the Han Dynasty. Emperor Wu of the Han Dynasty actually recorded that he was burned "because his book was untrue".
Later, he wrote the General History by imperial edict, but he died before.
See Liang Shu's History of the South, Volume 49, Volume 72, Biography of Wu Jun, and Zhu Dongrun's Poet Wu Jun has a chronicle of Wu Jun (see Introduction to China Literature by Zhonghua Book Company 1983) for reference.
We should make it clear that the gate valve in the Southern Dynasties was strictly hierarchical, and talents like Wu Jun rarely showed their talents, so it was inevitable to work as a "master book".