Among them, Li Bai's A Gift to Wang Lun, Wei's Xixi Chuzhou, Li Shangyin's A Message to Friends in the North on a Rainy Night, Su Shi's A Song and Du Fu's Ascending the Mountain left a deep impression on me. Li Bai's "To Wang Lun": Li Bai was wild and unrestrained all his life, passionate and sincere in treating friendship. In "To Wang Lun", he expressed his treasure for his friends in four unpretentious words. The first two sentences are straight, and Wang Lun's name is revealed later. In fact, the ancients generally taboo to call their names when writing poems. But Li Bai not only shows his free and easy personality, but also shows that his friend is also a hero. The poem "Peach Blossom Pond is deeper than thousands of feet, not as good as Wang Lun" shows how deep the friendship between Li Bai and Wang Lun is, and we can only appreciate such friendship from this poem.
Wei's Xixi Chuzhou: This is a famous landscape poem and one of Wei's representative works. Chuzhou is now Chuxian County, Anhui Province, and Xijian is in the western suburbs of Chuzhou City. This poem is about enjoying the scenery in Xixi in spring and what you see in the rain at night. Poets write scenes with feelings. They use scenes to express their feelings, write about their likes and dislikes, and talk about their comfortable and uncomfortable situations, but their inner peace and emotional sadness naturally show up. However, whether there is sustenance in poetry and what is its significance have been debated endlessly. Some people think that it is the thorn of "the gentleman is next, the villain is above"; Some people think that "there is no need to entrust the scenery of Xixi to this couple." In fact, each has its own bias.
In the first two sentences of the poem, in the prosperous spring scenery, the poet loves the solitary grass by the ravine, but has no intention of singing attractive orioles on the deep trees, so it sets off the contrast. When the grass is poor and sober, and the oriole is tall and flattering, its metaphor for the official world is obvious, which clearly shows the poet's calm mentality. The last two sentences, the late tide and spring rain, the water is more urgent. There is also the country ferry, where there were not many pedestrians, but now there is no one. So, even the boatman disappeared, and the empty ferry floated freely and carefree. Because the ferry is in the countryside, nobody cares. At night, when it rains and the tide rises, it is a time when ferries are used frequently, so we can't be idle. Therefore, in this leisurely scene of water crossing the boat, there is a kind of helplessness and sadness that is not in place and not used. In the first two sentences and the last two sentences, the poet used contrast techniques and emphasized them with striking words such as "pity", "urgency" and "horizontal", which should be said to be thought-provoking.
Li Shangyin's Notes to Friends in the North on a Rainy Night: This is a well-known lyric short chapter of Li Shangyin, written by a poet to his wife in the North. At that time, the poet was blocked by the autumn rain and stayed in the Beijing-Pakistan area. His wife sent a letter from home asking about the date of coming home. However, due to the continuous autumn rain and traffic interruption, it is impossible to determine, so reply: Jun asked that the return date is undecided. This sentence is full of questions and answers, ups and downs, revealing the poet's concern about being in a foreign land and the uncertain return date. The poet and his wife Wang have deep feelings and always look forward to returning to their hometown as soon as possible. They sat under the west window with their wives, pinched off the candles and talked late into the night. At this time, I can only miss it hard. There are only four sentences in the poem, but the scene is integrated with reality, which not only contains the reciprocating contrast of space, but also reflects the cyclic jump of time. "What to do" is the word of imagination, and imagination comes from real scenes. So the second sentence of the late rain has become an imaginary topic, and naturally it has become such a clever poem as "refusing to talk about the late rain".
Most of Li Shangyin's poems are elegant and gorgeous, with profound twists and turns. This poem, consisting of 10,000 Tang poems, is entitled "Night Rain Sends Inside", and "Inside" refers to the wife. The poet misses his wife on a rainy night in Bashan and is full of deep homesickness. The poet wrote his deep affection and kindness to his wife in plain language. The whole poem is ingenious in conception, natural and smooth, ups and downs, profound in feelings and lingering in thoughts. A message to friends in the north on a rainy night points out the unique artistic style of Li Shangyin's poetry creation: image, delicacy, implication and profundity. ?
Su Shi's Shuidiao Song Tou: This word was written in the Mid-Autumn Festival. On the Mid-Autumn Festival, when the moon was bright and silver was shining, Su Shi remembered Su Zhe, who had lived separately for seven years. The poet raised his glass to look at the moon, and his heart was full of infinite reverie. Zhang's infatuation about who saw the moon by the river and the moonlight shone on people echoed in Su Shi's heart. I can't help thinking about people. This article is full of heroic spirit, and it goes straight into "asking the truth about wine", which seems to have taken away the anger of some authors smartly. I don't know what year it is in the Palace in Heaven, but what year is it tonight? Comparing heaven and earth, it highlights his ambivalence of being an official and hiding at that time. The poet is dissatisfied with reality and hopes that heaven will be pure. But the sky, like the earth, is also imperfect and is the same defect. Looking at the Moon Palace from a distance, Su Shi seems to dance with Chang 'e, staying in Yaochi Wonderland, dancing with the shadow, with a touch of drunkenness and frivolous.
As the moonlight moves, it shines low on the doors and windows, making it difficult for poets in the room to sleep. Sleepless loneliness, sadness of separation of relatives, only the full moon can ask. But the author knows that it is natural for people and the moon to be on and off. Knowing this, there should be "no complaints", so that feelings can be transformed into reason and sadness can be transformed into magnanimity. "I wish people a long time, thousands of miles away" expresses the author's optimism: as long as people are always there, even if they are thousands of miles apart, they can enjoy the moon together, as if they are close at hand. The whole poem eulogizes the moon, which is the central image of the poem, but it runs through the world everywhere. In "Full Moon", there is a strong philosophical meaning, and the artistic conception of words is illusory: words shuttle between fantasy and reality, and thoughts wander between heaven and earth. The lonely author finally found a way out: the sadness of parting and the depression of official career can only be dispelled by self-forgiveness, and can only be laughed off modestly.
Du Fu's Mountain Climbing: The first four sentences are about mountain climbing. The first couplet is right. Shibiwei