(1) is a romantic work with profound reality and the direct source of our country’s romantic literature. Its romantic style is reflected in: 1. It creates an image of a lyrical protagonist that is far beyond pure and tall. The lofty ideals, strong emotions and heroic personality make this image far beyond the popular customs and reality. 2. The poet's tenacious fighting spirit to transform reality with his ideals runs through the whole poem. 3. The whole poem uses a lot of romantic expression techniques. The poet gallops his imagination and combines myths and legends, historical figures and natural phenomena to weave a grand and magical world. 4. Poets often use exaggeration to highlight the characteristics of things.
(2) Extensively use Bixing’s techniques. On the basis of inheriting the tradition of "bixing" in the Book of Songs, we further combine the rise and metaphor of things with the content to be expressed. Is it symbolic? In addition, "Li Sao" breaks through the use of bixing techniques in a certain fragment of the "Book of Songs", and uses systematic bixings one after another to express the content in a huge work, making it vivid, vivid and colorful.
(3) Integrate lyricism into one. The first part of the poem is lyrical based on the broad background of the poet's historical development for most of his life. The second part also fabricates a series of situations such as the advice of the female widow, the emphasis on Chen Ci, divination, Wu Xian's trance, and the mind's wandering in the sky, making the whole poem unique. It clearly expresses the poet's long-term struggle experience and complex thoughts and feelings.
(4) "Li Sao" is the poet's great creation. This is mainly reflected in the fact that Qu Yuan drew on the form of Chu folk songs on the one hand, and on the other hand drew on the prosperous prose style at that time. He lengthened the verses to form a huge piece, which was not only conducive to containing rich content, but also powerfully expressing the surging emotions. Enthusiasm; structurally, the whole poem is basically four sentences and one chapter, with varying numbers of words, and many even sentences, forming the characteristics of neatness in the scattered, and change in the neatness; its language is very refined, absorbing a lot of Chu dialect , the use of virtual characters is very flexible, and the sentence construction is quite unique; in addition to the poet's inner monologue, the poem also contains questions and answers between the subject and the guest, and there are a lot of extravagant descriptions, which have a profound impact on later poetry.