There are variations in metrical poems in Tang Dynasty before and after they are finalized. Some metrical poems are not completely written according to the format, such as the Yellow Crane Tower in Cui Hao, which means that the first half is archaic and the second half is homophonic. This change in metrical poetry is called "difficult style". China's poetic style. Also known as broken sentences, broken sentences and broken poems. Each song has four sentences, usually five or seven words. Known as the five wonders, seven wonders, and occasionally six wonders. It originated from the ballads of the Han, Wei, Southern and Northern Dynasties. The name "Jueju" originated in the Southern Dynasties. Liang, generally, uses quatrains to refer to four short poems, and their rhymes are relatively free, or they are ancient quatrains. After the Tang Dynasty, quatrains in the near aspect prevailed, and the meter was the same as the first, last or middle four sentences in eight metrical poems. Therefore, some people in the Tang Dynasty attributed quatrains to metrical poems in their poetry collections. Later, some scholars thought that quatrains were formed by cutting off half of orthographic poems. Quatrains are flexible and light, suitable for expressing fleeting thoughts and feelings, and are widely used by poets, and their creation is more prosperous than other poems. In Song Dynasty, Hong Mai compiled 10,000 quatrains in Tang Dynasty, accounting for 1/5 of the total number of existing Tang poems. Besides Li Bai, Wang Changling, Du Mu and Li Shangyin are good at quatrains, there are many famous works throughout the ages, which are not necessarily written by famous writers. In addition, most quatrains in the Tang Dynasty were sung by music, such as Cheng Wei Qu by Wang Wei, Qing Ping Diao by Li Bai, Zhi Zhu Ci by Liu Yuxi and Bai Juyi, and Yang Liuzhi. Therefore, quatrains are also considered as Yuefu in the Tang Dynasty. There are two kinds of metrical poems: one is five-character metrical poems and the other is seven-character metrical poems. Seven-character metrical poems can also be divided into flat and even poems. This is formed by adding two flat-voiced words or two oblique-voiced words before each sentence of the five-character metrical poem, as shown below: [horizontal] ○ |●●●●●●● |●
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○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 96 If this is the case, ●●○○○○○○○○○○○○○○○○○○○○○○○○○○○○ The poetic law is strict, but some places allow flexibility, so it is difficult to find a poem completely formatted from Tang poetry. Last class, I gave two examples of Du Fu's poems, which were copied by Mr. Liu Kaiyang, an expert in Tang poetry research. I found the poems of Li Shangyin and Wei Yuan from a large number of five laws of Tang poetry. Today, I plan to copy one of the five musts and one of the seven musts: listening to the Zheng, Li Duan, jade hand in the snow window, and glittering golden harp.
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Trying to please Zhou Lang as much as possible, you see she deliberately dialed the wrong string.
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The former army fought in Taohe River overnight, and it was reported that Tuguhun was captured alive.
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○967 Of course, there are some that don't rhyme at the beginning, for example, Wang Wei's Memories of Jiuri Mountain's East Brothers in September: Being in a foreign land, I miss my relatives twice every festive season.
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When I think of my brothers' bodies climbing high, I will feel a little regret for not being able to reach me. The first sentence of this poem begins with the word "guest" and doesn't rhyme. Seven-character verse generally rhymes with the first sentence, that is, the seventh word is exchanged with the fifth word, such as the first sentence of Du Fu's "Ode to Monument": Wanzhongling Valley is near Jingmen.
○ ●●●●● ○ The first sentence of the Five Laws generally does not need to rhyme, and the first sentence of the Five Classics generally does not need to rhyme. If rhyme is used, the fifth word and the third word will be interchanged. For example, the first sentence of Lu Lun's five-line poem "Xia Sai Qu" enters the rhyme: the moonlight is bright and the geese are soaring.
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Leaning against the window and opening the first cold flower tomorrow? ?
● Yuban blames Li Bai for her cold dew on the jade steps. Her silk bottom is wet and she lingers there for so long.
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Go back to my room and put down the crystal curtain, still looking at the exquisite moon through the curtain.
Low Jiang Xue Liu Zongyuan hundred mountains without birds, thousand paths without footprints.
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A boat on the river, a fisherman wearing his webworm moth; Fishing alone is not afraid of snow and ice.
● Drunk songs on the table of Jiuquan satrap: Cen Can Jiuquan satrap can dance with swords, and buy wine and beat drums on the night of Gaotang.
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Hu Jia broke a person's intestines and burst into tears.
● In summer, Liu Zongyuan does it once in a while, gets drunk in summer in Zhou Nan and sleeps in the north.
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In the afternoon, there was no sound. Shan Tong knocked on the tea mortar opposite the bamboo.
● The above quatrains are rhyming quatrains, which are not enough and belong to individual variations, so some scholars call them archaic quatrains. For beginners, readers should only learn routines, not variations. When reading Tang poems, readers will also find that some words in five-character poems are not completely harmonious, which should be normal, that is, a little flexibility is allowed without destroying the overall poetry law. For example, Du Fu's two poems: Li Bai is invincible in the spring, and Bai Bai wants to be white.
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Li Bai's poems are the fresh wind of Yu Xin's poems and the backbone of Jun Zai's works.
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Now, I am alone on the spring tree in Weibei, and you are on each side of the sun, sunset and sky in the southeast, and you can only miss.
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When is the toast, weight and details?
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The geese never answered me, and the red lake was full of autumn water.
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The article hates life, but the devil can trouble a wanderer.
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It should be * * * ghosts, sending poems to mumble.
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○967 This statement is seriously one-sided because there is no distinction between upgraded and upgraded types, such as the following two types: (1) upgraded type ○○○○○○○○○○○○○○○○○○○○○9675