Chu Ci is the work of Qu Yuan, a Chu people in the Warring States Period. Regarding the title of the article, Sima Qian interpreted it as "leaving worries" in Historical Records and Biographies of Qu Yuan; Wang Yi interprets it as "Don't worry" in the Songs of the South; Approaching people is either interpreted as "complaining" or "another way to write the name" Lao Shang "in Chu State". About the writing age, some people think that it was written in the Chu Huaiwang dynasty, after the poet was alienated; Some people think that when the poet was released to Jiangnan in the Qing Dynasty. So far, there is no conclusion. Li Sao is the longest romantic political lyric poem in the history of China's ancient poetry. The poet described his life experience, moral character and ideal, expressed the anguish and contradiction that he was slandered to death, rebuked the fatuity of the king of Chu, the madness of the villain group and the ineffective governance of Japan, and showed the poet's fighting spirit of adhering to the ideal of "beautiful politics", attacking the dark reality, not colluding with evil forces and his patriotic enthusiasm to death. Ancient myths and legends are widely used in the poem, and through imagination and association, a magnificent and peculiar fantasy world is formed, which also shows the poet's roaming in the fantasy world and his enthusiastic pursuit of ideals. The metaphor of "vanilla beauty" is widely used in the poem, and the profound content is expressed with the help of concrete and vivid artistic images, which is of great artistic charm. Li Sao has a profound and realistic positive romantic spirit, which has a far-reaching influence on later generations.
As for the reasons for the creation of Li Sao, Sima Qian quoted Qu Yuan, a Historical Records, and Biographies of Li Sao by Liu An, saying: "Qu Ping's sick king was not listening, flattering and concealing the truth, and evil songs were harmful to everyone, so Fang Zhengzhi could not tolerate them, so he wrote Li Sao with sadness and Zen; He also said: "Qu Yuan went straight on the right path, exhausted loyalty and wisdom to serve the monarch and made the world poor. Believe and see doubt, be loyal and slander, can you have no complaints? Qu Ping's work "Li Sao" is self-blaming. " Qu Yuan's "sadness" and resentment are closely related to the political reality of Chu State. Li Sao is a political lyric poem written by him according to the political reality of Chu State and his own injustice. Because the twists and turns describe the poet's life experience, thoughts and circumstances, some people regard it as an image record of Qu Yuan's life course and call it the poet's autobiography. Chu Ci is the work of Qu Yuan, a Chu people in the Warring States Period. Regarding the title of the article, Sima Qian interpreted it as "leaving worries" in Historical Records and Biographies of Qu Yuan; Wang Yi interprets it as "Don't worry" in the Songs of the South; Approaching people is either interpreted as "complaining" or "another way to write the name" Lao Shang "in Chu State". About the writing age, some people think that it was written in the Chu Huaiwang dynasty, after the poet was alienated; Some people think that when the poet was released to Jiangnan in the Qing Dynasty. So far, there is no conclusion. Li Sao is the longest romantic political lyric poem in the history of China's ancient poetry. The poet described his life experience, moral character and ideal, expressed his anguish and contradiction in murder, and rebuked the king of Chu for his fatuity and small clique rampage, failing to show his persistence in "beautiful politics"
Ideal, attacking the dark reality, fighting spirit of not colluding with evil forces and patriotic enthusiasm till death do us part. Ancient myths and legends are widely used in the poem, and through imagination and association, a magnificent and peculiar fantasy world is formed, which also shows the poet's roaming in the fantasy world and his enthusiastic pursuit of ideals. The metaphor of "vanilla beauty" is widely used in the poem, and the profound content is expressed with the help of concrete and vivid artistic images, which is of great artistic charm. Li Sao has a profound and realistic positive romantic spirit, which has a far-reaching influence on later generations.