Brush calligraphy teaching plan content 1: ink
China's calligraphy thinks that ink is used for expression, and the color of ink can be ever-changing. Is the ink colored? Let people never tire of watching it and have endless aftertaste. China has a long history of using ink, and there are traces of ink painting in pottery bowls in the Stone Age and Oracle Bone Inscriptions in the Shang Dynasty. The ink at that time was different from that of later generations? Ink? , is a natural raw material. Judging from the bamboo slips in the Warring States period, the quality of ink has been greatly improved. There are two types of ink: solid ink and liquid ink. Solid Mo Ding must be added with water in the inkstone and ground with ink ingot before it can be used. Solid ink includes pine smoke, oil smoke, pine oil smoke, lacquer smoke, etc.
Appreciation of brush calligraphy works;
Song Yanmo: Burning pine to get smoke and using glue to make ink are the earliest ink making methods in China. Delicate and moist, easy to attach color, but the thick ink luster is gloomy.
Oil smoke ink: made of tung oil, turpentine, clear oil, lard, etc. The ink color has great penetration, and the thick ink color is shiny, but the glue is heavy.
Song Yanmo: It is a mixture of pine smoke and oil smoke, which has some characteristics of pine smoke oil smoke ink.
Lacquer smoke ink: made of raw materials such as raw lacquer, tung oil and lard. Source: Calligraphy Home, Calligraphy Home China Calligraphy Learning Network. Delicate and moist, purple jade luster, thick ink such as paint.
Liquid ink is ink. Divided into painting ink and ordinary ink. Calligraphy and painting ink is refined on suitable paper according to the requirements of calligraphy and painting. Ordinary ink is made of industrial carbon black and other raw materials. The quality of the two is superior, but the thickness, concentration and color are different. Works written in ordinary ink are not easy to mount, while painting and calligraphy ink is easy to mount.
Appreciation of brush calligraphy works;
Content 2: Selection of font, style and template.
It is very important to choose a good calligraphy tablet. Choosing the first calligraphy tablet is like casting a well-shaped vessel, which has a great influence on the basic form of writing and the aesthetic consciousness of calligraphy. It takes more time to learn the first wooden tablet, usually until you have a habit that won't change easily? Settings? Clear the direction of continuing learning before you can change the tablet. Therefore, it is particularly important to choose the first book. The choice of inscriptions should pay attention to the following points:
(1) Start with the bibliography.
Know what you want. Generally, if you want to write words correctly, clearly and practically, you should choose a tablet with simple brushwork and correct and beautiful structure. In the process of learning, we should pay attention to mastering and absorbing the law of interest settlement and the form of stippling, and at the same time give consideration to the brushwork. Students who have a higher pursuit of calligraphy should have higher standards for post selection. In addition to the above requirements, more consideration should be given to choosing inscriptions with rich brushwork and strong expressive force.
(2) Font and style.
Generally speaking, Chinese characters can be divided into seal script, official script, regular script, running script and cursive script. From the perspective of calligraphy art, it can be further divided into several calligraphy styles. For example, regular script can be divided into European style, Chu style, Yan style and other styles. , also belong to regular script, but the calligraphy style is different.
The choice of template should first consider the font. It is customary to use regular script (especially in the Tang Dynasty) as a beginner's font, which has been formed since the Song Dynasty. Some people also advocate practicing from seal script or official script. Obviously, people who study calligraphy for practical purposes should choose regular script.
(3) Give consideration to two factors: one's own personality hobby and the good teaching of teachers.
Students' personality hobbies can be taken care of, but their preferences can be changed. Students' understanding of the first sample may not be correct, but it can be gradually improved in the learning process. Teachers recommend good copybooks, and students can play a subtle role in personality and other aspects through learning. As long as copybooks are not too difficult for students to accept and dislike, teachers should play a leading role in choosing templates. In short, the teacher should make sure that the students can accept it, and the ancient classic inscriptions that the teacher is willing to teach are models. There are many modes of regular script, such as Yin Fu Jing with big characters, Qian Zi Wen with Zhi Yong Shu Zhen and so on. Tang Kai has a correct structure and standard stippling. Studying Tang Kai's books can lay a solid foundation in stippling and structure.