magnum opus
Famous works such as Humble Room Inscription, Zhi Zhu Ci, Yang Liuzhi Ci and Wuyi Lane. Three philosophical works, The Theory of Heaven, discuss the materiality of heaven and analyze the origin of the theory of destiny, which is materialistic. There are works of Liu Mengde and Liu Binke.
Personal realization
Liu Yuxi, a poet, was as famous as Bai Juyi before his death and was called "Bai Liu" by the world. Bai Juyi called him a "poet" and admired him to the utmost. His poems are widely read. In the thirteenth year of Yuanhe, Liu Yuxi edited his writings into forty couplets, and deleted a quarter of them as "anthology". This is the earliest anthology and anthology of Liu Yuxi, which has not been handed down today. The New Tang Book Yi Wenzhi contains 40 volumes of Liu Yuxi's collected works. Lost in the early song dynasty 10. The lost legacy of the Song Dynasty was compiled as Waiji 100, but there are still some omissions.
2. Li Bai
Personal realization
Li Bai, the word Taibai, was a great poet in Tang Dynasty in China. His poetic style is bold and unconstrained, his imagination is rich, his language is natural and fluent, and his temperament is harmonious and changeable. He is good at absorbing nutritious folk materials from folk songs and myths, forming his unique magnificent colors, which is the new peak of active romantic poetry since Qu Yuan. He and Du Fu are also called "Du Li". Li Bai believes in Taoism, so his poems have gained the essence of Taoist thought. The beauty of nature outlined by Taoist views on nature, theology and politics in Li Bai's poems, the wonderful ideas presented and the implied attitude towards life have made many immortal works of Li Bai.
magnum opus
Literary creation Li Bai's poems have been lost a lot, and there are still more than 900 poems with rich and colorful contents. Li Bai cared about national affairs all his life, hoping to make contributions to the country, but he was not satisfied with the dark reality. His 59 antiques are representative works in this field. The dark corruption in Tang Xuanzong's later politics was widely exposed and criticized, which reflected the grief and indignation of talents who had nowhere to go. A lot of words are ironic, and the spirit is very high. Li Bai is eager to make contributions and serve the country, but he does not envy wealth. What do you think of are bells and drums, treasures and treasures? . After making contributions, he will follow the example of Lu Zhonglian, a senior scholar in the Warring States period, and quit without respect. His thoughts were obviously influenced by Taoism, especially Zhuangzi. Many of Li Bai's poems show concern and sympathy for people's lives. This content is often combined with criticism of rulers. Some of his Yuefu poems reflect women's lives and sufferings, which focus on thinking about women and remembering people, as well as the grievances of businessmen, abandoned wives and maids. His "Lodging in Wusongshan Mountain, Uncle Xun", "Song of Protection" and "Song of Autumn Pu" describe the lives of farmers, boatmen and miners respectively, showing concern for the working people. Li Bai wrote many poems describing natural scenery in his life. His poems "It's difficult to ascend to heaven through the Shu Road", "The water of the Yellow River can't be moved out of the sky and into the ocean, and it will never return" ("Into the wine"), "Flying down three thousands of feet, it is suspected that the Milky Way has fallen for nine days" ("Looking at Lushan Waterfall") and so on are all famous sentences that have been passed down through the ages. This kind of poetry, just like some of his works praising Dapeng birds, shows his lofty aspirations and broad mind, and reflects his desire to pursue extraordinary things from the side. Other poems, such as Qiu Deng's North Building of Xuancheng Qi Xie, Sitting Alone in Jingting Mountain and Journey to Qingxi, are good at depicting beautiful scenery, fresh and meaningful, and their styles are close to those of Wang Wei and Meng Haoran. Li Bai also has many poems about love and friendship. His Yuefu poems often express euphemistic and profound love from the perspective of female inheritors. There are also some poems about giving gifts and missing your wife, and their feelings are quite deep. Li Bai donated a large number of works to his friends, including many excellent works. Some of these poems show a distinct political attitude, and more often they show their daily farewell and lovesickness, such as the Yellow Crane Tower's farewell to Meng Haoran and Du Fu at Dunmenmen, hearing that Wang Changling moved to Longbiao Kiln for this purpose, reminiscing about the past, visiting the army, and giving Wang Lun a present. Deep feelings, vivid images and strong artistic appeal. The content of Li Bai's poems also contains some feudal dross, among which more is the negative nihilism of promoting life as a dream, eating and drinking, and the religious superstition of seeking immortals to visit the Tao and alchemy. Some of his poems about women and love are vulgar. In Li Bai's poems, exaggerated and vivid metaphors are widely used. His poems "But since the water is still flowing, although it is a knife cut, raise a glass to ease the sorrow" (Uncle Yun, a farewell school book at Xiezilou in Xuanzhou) and "Three thousands of feet with white hair, Sorrow is like a beard" (Song of Autumn Pu, Part XV) depict his deep anxiety after the failure of political activities in Chang 'an, which are widely circulated famous sentences. His poem "Poetry from the North Window is not as good as a glass of water" ("Answering the Twelve Cold Nights of the King") wrote his own talent; "I would like to cross the Yellow River, but the ice will choke on the ferry, and Taihang Mountain will be covered with snow" ("Difficult to Travel"), which is difficult to write a career; "Peach Blossom Pond is deeper than thousands of feet, not as good as Wang Lun" ("To Wang Lun"), and writing about the deep friendship between friends all impress readers with distinctive and prominent images. The imagination of Li Bai's poems is very rich and amazing. His "Strong winds blow my heart, and fairy trees hang in the west" ("Jin Xiang sends Wei Ba to the West") and "My heart is full of worries about the bright moon, and I stay in the West with the wind" ("I heard that Wang Changling moved to Longbiaoyao to leave") all show his nostalgia for Chang 'an and his poetry friends with strange imagination. Fu Liangyin, Antique and Lotus Mountain in the West respectively express the destruction of Chang 'an City and the ravages of Anshi Rebellion on the Central Plains through fantasy. Farewell shows the hidden worries about the political situation in the later period of Tang Xuanzong through confusing legends. They are vivid and meaningful. With the help of myths and legends, Shu Dao Nan and Meng Deng Tian Mu Shan have built a colorful and thrilling realm. Li Bai's "Upper Ink" The rich imagination of Li Bai's poems is particularly prominent in the long seven-character poems, which is obviously influenced by Qu Yuan. In terms of genre, Li Bai is good at classical poems and quatrains with relatively free form, and doesn't like to write metrical poems. 59 pieces of Antique are his representative works of five dynasties. The five ancient poems in his Yuefu have inherited the fine tradition of Yuefu folk songs in the Han, Wei and Six Dynasties, and their writing style is simple and vivid, full of the poet's enthusiasm. His seven-character ancient poems (including Yuefu seven-character songs and general seven-character poems) are more creative. The scenery is magnificent, colorful, lyrical and changeable. From the literary origin, this kind of poetry is most influenced by Qu Yuan's works, and it is difficult for Bao Zhao to imitate it. Li Bai is good at quatrains. His quatrains were improved on the basis of Yuefu folk songs in the Southern and Northern Dynasties, which made him more alert. "Thinking on a Quiet Night" and "Yu Jiefen" and other five wonders are implicit and meaningful. There are also excellent works, clear and concise language, harmonious and beautiful timbre, lyrical scenery and simple explanations. For example, See you Meng Haoran on the way to Yangzhou from the Yellow Crane Tower, Looking at Lushan Waterfall, Looking at Tianmen Mountain, Making a White Emperor City as early as possible, and Presenting Wang Lun. Are well-known masterpieces. The evaluation of the seven-character quatrains in the Tang Dynasty has always been that Li Bai and Wang Changling are best at blending scenes; Li Bai concentrated on the study of the Seven Laws, with only a dozen books and few excellent works. There are more than 70 poems about five laws, some of which are well written, which shows that he can write metrical poems, but he doesn't like to write more. Although Li Bai's Yuefu poems use the old Yuefu theme, they can be innovative. Those who wrote poems with the theme of old Yuefu in the Tang Dynasty made the most outstanding achievements. Some of his poems and quatrains are full of Yuefu poems, although they don't use Yuefu themes. The greatest feature of his poetic language can be said to be "clear water produces hibiscus, which is naturally carved". Specifically, the language is straightforward and natural, the syllables are harmonious and smooth, natural and unpretentious, and it exudes the flavor of folk songs. This is mainly due to the study of Yuefu folk songs in Han, Wei and Six Dynasties. But he didn't just learn and imitate the language of folk songs, but improved it on the basis of learning to make it more concise, beautiful and meaningful. His seven-character ancient poems are not only pure and natural, but also bold and unconstrained in language.