What are Lu Ji's works

His main works are On the Determination of Death and Reply to Reply.

Personal work

literature

According to the Book of Jin Lu Ji Biography, Lu Ji wrote more than 300 poems, essays and articles. There are 107 poems and 127 articles (including fragments) today. The original 47 volumes of Selected Works, 14 volumes of Lu Ji Ji Ji Ji Ji, and Sui Shu Jing Ji Zhi are also recorded, all of which have been lost. Xu Minyi discovered the Southern Song Dynasty legacy 10, and compiled it with Lu as the Collection of Jin Erjun, which was reprinted by Lu Yuanda in the Ming Dynasty, that is, the now popular Collection of Lu. Lu Pingyuan Collection was included in Zhang Pu's 133 Collection of Famous Artists from Han, Wei and Six Dynasties in Ming Dynasty. His works are included in volumes 96~ 99 of Jinquanwen, and his poems are included in the Poems of Qin, Han, Wei, Jin, Southern and Northern Dynasties.

1982, Zhonghua Book Company published Luji Collection, which was collated by Jin. Today, there are Lu's collating works.

Historical science

Lu Ji has also made great achievements in historiography, including the Book of Jin, Wu Shu (unfinished), Yao Lan and Luoyang Collection.

draw

According to Zhang Yanyuan's "Famous Paintings of Past Dynasties" in Tang Dynasty, Lu Ji also wrote "Painting Theory".

Lu Ji (26 1-303), born in Wuxian County, Wu Jun (now Suzhou, Jiangsu Province), was a famous writer and calligrapher in the Western Jin Dynasty. Wu county Lushi people, Sun Wu prime minister Lu Xun's grandson, the fourth son Afu. Together with his brother Lu Yun, he was also called "Erlu" and "Luoyang Sanjun" with Gu Rong and Lu Yun.

Lu Ji used to be a tooth guard of Sun Wu. After Wu died, he became an official in the Western Jin Dynasty. In the tenth year of Taikang (289), the Luji brothers came to Luoyang, and their literary talent was gone for a while, which was appreciated by Zhang Hua, the Taichang. Since then, their fame has greatly increased. Sometimes there is a saying that "two places enter Los Angeles, and three votes reduce the price". He has served as a teacher, a doctor of Wu, a doctor of Langzhong and a writer of Langzhong, and has become "twenty-four friends of Jingu" with Jiami and others. Sima Lun, the king of Zhao, came to power, was cited as the prime minister to join the army, and was appointed as Guan Zhonghou. When he usurped the throne, he was wrongly appointed. After Sima Lun was executed, he was saved by Sima Ying, the king of Chengdu. From then on, he devoted himself to it and was called "Lu Plain" by the world. In the second year of Tai 'an (303), he was appointed as a post-general and governor of Hebei Province, and led an army to crusade against Wang Sima in Changsha, but was defeated by Qilijian and finally killed and destroyed by three tribes.

Lu Ji's "few wizards, the article is the best in the world", poetry is heavy and painting is heavy, and parallel prose is not bad. Lu Yun and his brother were both famous writers in the Western Jin Dynasty and were known as "Taikang English". The poets in the Western Jin Dynasty, represented by Pan Yue, formed a "Taikang poetic style" and were known as "Pan Jianghai". Lu Ji is also good at calligraphy, and his Ping Fu Tie is the earliest authentic celebrity calligraphy in the Middle Ages.

realize

literature

Liu Heng painted "Land Machine of Twelve Counties in Songjiang"

The poetic circles in the Jin Dynasty started from the prosperous times and the Southern Dynasties, showing a transitional state. The poetic circles in the Western Jin Dynasty, represented by Lu Ji and Pan Yue, pay attention to form, describe complex words, and have complex poetic style. The so-called Taikang poetic style refers to the poetic style of the Western Jin Dynasty represented by Lu and Pan. Lu Ji's genius rests, and his words are brilliant and beautiful, which is known as "Taikang English".

Lu Ji's composition is harmonious, dual and rich in allusions, which creates a precedent for parallel prose. In order to strengthen the descriptive function of poetry, Lu and Pan applied the sentence pattern of Ci and Fu to poetry, enriching the expressive techniques of poetry. The elements of landscape description in their poems are greatly increased, and parallelism sentences are mainly used to describe landscapes, which plays a leading role in Xie Lingyun and Xie Tiao's landscape poems.

The pursuit of gorgeous rhetoric, complicated and meticulous description and the extensive use of parallelism are the main manifestations of Taikang's poetry style. Judging from the law of literary development, it is an inevitable trend to change from simplicity to complexity. As Xiao Tong said, "If you want to hide things and increase China, if you want to change and increase China, there are both things and articles." Lu and Pan developed Cao Zhi's aspect of "adopting Hua Mao", contributed to the development of China's poems, and promoted the development of landscape poems in the Southern Dynasties and the maturity of rhythm and antithesis skills.

Lu Ji's poems handed down from ancient times, *** 105, are mostly Yuefu poems and quasi-ancient poems. Representative works include A Gentleman's Journey, A Narrow and Evil Journey in Chang 'an, Going to Luodao to Do Business and so on. Liu Xie's "Wen Xin Diao Long Yuefu" said: "Constant, virtuous and good. "

There are 27 existing Lu Ji Fu, among which the most prominent ones are Wen Fu, Mourning Fu and Lost Carving Fu. In prose, besides On Death, his masterpiece is Hanging Wei Wudi. Lu Ji also imitated Yang Xiong's "Julian Style" and wrote 50 songs "Performing Julian". The essay Wen Xin Diao Long calls many imitations of Yang Xiong's works "to be transparent, to get into the fish's eye", and only recommends Lu Ji's works: "Only a scholar can balance his thoughts, manage a new culture, and cut chapters and sentences, which is wider than the old works. Do you admire Zhu Zhong's four inches? " My husband's writing is small and relaxed, so I can consider leisure. It is enough to make the meaning clear, the object round and smooth, and the Lei Lei rotates, which can be called pearl ears. "

Zhang Hua once said to Lu Ji: "When others write, they often regret that they have no talent, and you are more worried about too much talent." His brother Lu Yun once said in a letter to him: "Miao Jun will definitely burn his pen and inkstone when he sees his brother's article." Later, Ge Hong wrote a book, praising Lu Ji's article, "Like jade in a garden, nothing glows at night. Five rivers spew waves, but the source is the same. His prose is beautiful, elegant and comprehensive, and it is also a masterpiece of a generation! " Liu Xie's "Wen Xin Diao Long Cai lue" comments on his poems: "Lu Ji only wants to see deeply and has a wide range of words, so he can think skillfully without being complicated." Zhang Pu in Ming Dynasty praised: "After Beihai (Kong Rong), there was only one person".

think

Lu Ji adhered to the Taoist thought of advocating nature when he created, and was deeply influenced by Huang Lao's thought of self-cultivation. Theoretical opinions are closely related to Taoist thought in many aspects, or directly quoted or developed, which is very typical in Laozi and Zhuangzi's thought.

Lu Ji advocated the enfeoffment system politically, and once wrote the Theory of Five Equality to explain it.

calligraphy

Lu Jishan's calligraphy, whose Cao Zhang work "Ping Fu Tie" is the earliest original calligraphy by famous artists in ancient China, and it is also the first orderly calligraphy ink in history. Known as the "ancestor of calligraphy", it was rated as one of the nine "national treasures".

Song Chen-yi once said: "Shi Heng's Ping Fu Tie is a wonderful book. In Daguanlu, it is said that the reply post is "cursive, printed if copied, and the brushwork is strange". "Ping Fu Tie" has a great influence on later generations. Gu Fu, a Qing Dynasty man, said, "The ancient meaning is mottled, and the words are fantastic and unreadable, but he learned Huai Su's thousand-character writing, bitter bamboo shoots and Yang Ningshi's immortal living method, and Cao Xian got a pen from then on." These comments may be far-fetched, but if Huai Su and Yang Ningshi really see them, they will be moved. Dong Qichang praised the cloud "Before the Right Army and after the Yuan Dynasty, there were only a few lines left, which are the treasure of later generations". Xuan He Shu Pu also included his running script Wang Xiangtie.