Question 1: "You". The first three parts of the poem closely follow the word "quiet" to describe the material state and personnel. The first part describes the quiet environment: the Qingjiang River twists and turns and flows around the village; Zhuan Xu wrote about the tranquility of the physical state: the swallow is free and the seagull is accompanied. "Neck Belt" is about the intimacy of personnel: an old wife is amiable, a young son is lovely, and a family is happy. Here and now, the poet enjoys a rare peace of mind, and the word "quiet" in the first couplet is the embodiment of this state of mind. It can be described as a word warp and weft, and the whole article is taken.
Question 2: Agree with this view. Beautiful environment, stable life and happy family are naturally gratifying and satisfying for poets who have suffered from troubled times. However, all this is based on "old friends donate rice", which is unreliable. The word "but there" just shows the poet's hidden worries; However, Fu, a poet who worries about the world first and enjoys it later, can't be satisfied with being alone, saying that "there is nothing to ask for outside" is actually a helpless word to comfort himself. So the joyful voice of this poem reveals a bitter tone.
Question 1:
Test analysis: the appreciation of poetic eyes depends on whether the word can bring up the whole content or string it together. The general standard of answering questions is: point out poetic eyes; Combine the whole poem to analyze the relationship between the content of each sentence (couplet) and the eye of this poem; The last sentence is the general comment.
Question 2:
Analysis of test questions: Talk about your own views on predecessors' analysis, which should generally be analyzed according to predecessors' views, and should not be denied rashly. At the same time, we should pay attention to the content of the work, pay attention to the relevant background, especially the writers introduced in the middle school textbooks, and review the knowledge we have learned in class. Analysis of joy is 2 points and analysis of bitterness is 3 points.
Appreciation of jiangcun village
This poem was written in the first year of Shangyuan in Tang Suzong (760). A few months ago, after four years in exile, the poet came from Tongzhou to Mianzhou, a prosperous hometown in the southwest of China, located in the suburb of Chengdu, undisturbed by the war and temporarily kept quiet. With the support of relatives and friends, the thatched cottage he worked so hard to run has begun to take shape; The poet, who has gone through the hardships of leaving his hometown, is ready to drift from place to place and finally has a temporary shelter. It's early summer. On the banks of Huanhua River, the river twists and turns, while Tsinghua in Shui Mu is a quiet and elegant pastoral scenery. As you can imagine, the poet picked up the title of the poem "Jiangcun" and began to chant his feelings.
Everything is quiet in the second sentence of the first couplet of this poem, which reminds me of a will. The middle four sentences are closely related to "All is silent" and go all the way down. Liang Zhongyan, come and go freely; Bai Ou on the river is neck and neck. From the poet's eyes, both swallows and seagulls have an interest in forgetting their planes, which is suitable for music groups. Things are so quiet, and the interest in personnel especially makes the poet happy: his wife's infatuation and naive drawing paper for chess are amiable at first sight; It's so cute for children to knock on needles as hooks. Chess is most suitable for summer, Qingjiang is just fishing, and the village is happy and everything goes well. How can a poet not feel happy and satisfied when he meets again after a long separation? Conclusion "But an old friend provides rice, what else can I ask for?" Although it is a happy word on the surface, there is a lot of bitterness in the bones. Saying "but there is" does not guarantee that there will be; The sentence "What do you want more" just shows that you have made a request. Du Fu really didn't forget that his leisurely life in front of him was based on "old friends with rice". This is a very sensitive sensitive point. Once there is a problem with the distribution of rice, nothing can be said. Therefore, we can say that the last two sentences are bitter feelings rather than lucky words. A generation of poets, living in poverty and relying on others, while temporarily settling down, revealed such sad words, which is really a strong accusation against the feudal ruling class for destroying talents. Ks5u
The four sentences of Zhonglian have written enough about the tranquility of Jiangcun from the aspects of material state and human feelings. Then at the end of the sentence, the theme of "everything is quiet" is closed with the phrase "what else can we ask for", which is the simplest and most secure.
The poem Jiangcun is unique in artistic treatment.
First, compound words do not repeat. The first two sentences of this poem have both the word "Jiang" and the word "Village". According to the general rules of metrical poetry, compound words are forbidden to be associated with the chin and neck, and the loose sentences of the first and second couplets are not so strict, but they should be avoided as far as possible. Now using a pair of compound words has a light and elegant feeling, and I don't think it is a crime. This situation is very similar to that in legal sentences. Difficult sentences must be saved by difficult sentences, and compound words must be supplemented by compound words. Besides, there are two other overlapping words "everything" in the second sentence, so that the first two poems have no sense of support at all. Second, the whole poem is coherent and compact. Lianggui Village, Gulls in the Water Belong to the River: The chess is a long summer top, and the fish hook hides the Qingjiang River. Zhuan Xu's "Going to the beam and coming to the beam is close to the gull in the water", with two characters of "self" and "phase", each sentence is self-timed: "going", "coming" and "near" are also correct in the previous sentence. Self-righting and mutual righting, reading is light and erratic. The "painting" and "knocking" on the necklace are all ready-made Moreover, both sentences are plain tone, which can best express the artistic conception that husband and wife grow old together, respect each other as guests, and their children are ignorant. The third is to sum up sentences and suddenly turn to sadness, which is a great feature of Du Fu's homesickness poems. Du Fu has two poems that describe the joys and sorrows of his poems, saying that "extreme sadness is based on poetry, and poetry turns desolate" ("After the End"). This poem was originally written in a leisurely mood, but when he wrote it, he couldn't help but reveal his loneliness and unhappiness at the end, which made people feel disappointed. Almost all Du Fu's impromptu poems are like this. The predecessors called Du Fu's poems "gloomy", which is probably the turning point.