In his pastoral poems, his boredom with dirty reality and his love for quiet pastoral life can be seen everywhere.
Gui Tian Yuan is in Qiyi.
Few people do as the Romans do. Their nature is to love nature. I sneaked into the official career network and have been away from the game for more than ten years.
Birds in cages are often attached to the forests of the past, and fish in ponds yearn for the abyss of the past. I want to open up wasteland in Minamino and keep my humility to the fields.
The house is surrounded by about ten acres of land, thatched cottages. Willow trees cover the eaves, and peach trees cover Li Lieman in front of the hospital.
The neighboring village of the neighboring village is faintly visible, and there is smoke in the village. Several dogs barked in the alley, and the mulberry tree was barked by a rooster.
There is no dust and sundries in the yard, and the quiet room is comfortable and leisurely. Trapped in a cage without freedom for a long time, I finally returned to the forest today.
In Returning to the Garden, he described officialdom as a "dust net", compared being in it to "catching birds" and "pond fish", and compared retiring from the countryside to rushing out of the cage and returning to nature.
Because of his actual labor experience, his poems are full of the joy of laborers, showing the thoughts and feelings that only laborers can feel. For example, the third poem "Returning to the Garden" is a powerful proof that this is the progress of his pastoral poetry.
The poet was disappointed with the reality and was forced to return to poetry to build an ideal society. Peach Blossom Garden poetry is a reflection of his ideological tendency.
Peach Blossom Garden Poetry;
Yíng's family is chaotic, and saints avoid the world.
Huang Qi (qǐ) was good, but Iraqis died.
Immersed in the trace (yān), the road is ruined.
I am destined to farm, and I will rest from where I am.
Mulberry and bamboo hang in the shade, and millet (J) is a common art;
Spring silkworms harvest silk, and autumn ripening is (m ǐ) royal tax.
The deserted road warms the traffic, and chickens and dogs bark at each other.
Well (z incarnation) beans are old, but clothes are not new.
The child and Ru (rú) sang in a vertical line, and Ban Bai swam happily.
Grass glory knows peace, and wood decay knows strength.
Although there is no Ji Lizhi, he is four years old.
Why bother to entangle wisdom when you are happy!
Strange traces hide 500, and once a fairy opens them.
Pure and thin are different sources, rotating or hidden.
Excuse me, travel alchemist, how to measure the hubbub?
I am willing to whisper in the breeze and hold high to find my behavior.
In addition to his pastoral poems, Tao Yuanming also has poems praising warriors, poems full of patriotic enthusiasm and poems isolated from the world, which shows the complexity of his poetic thoughts.
Reading Tao Yuanming's Classic of Mountains and Seas
The Jingwei contains tiny pieces of wood, which are used to fill the sea. Xingtian waved a shield axe, and a resolute battle continued.
Similarly, all beings have no residual sorrow, become foreign bodies and have no remorse. Just set in the heart of the past, its moments of beauty are waiting for you!
Tao Yuanming's poems are mostly based on rural scenery and ordinary life, which are directly expressed by simple language and line drawing techniques, making people feel natural, cordial and sincere, without any traces of artificial carving, guiding readers to appreciate the relaxed and diluted feelings and enter the artistic conception created by the poet.