Celebrities of past dynasties, such as Cui Hao, Li Bai, Bai Juyi, Jia Dao, Xia Song, Lu You, etc. , are visited here first, poetry writing. Cui Hao, a poet in the Tang Dynasty, boarded the Yellow Crane Tower to enjoy the scenery and wrote a masterpiece handed down from generation to generation: "In ancient times, yellow cranes carried saints to heaven, but today there is no Yellow Crane Tower. In "The Yellow Crane Never Comes Again", the white clouds are empty for thousands of years. Every tree in Hanyang becomes clear in the water, and the grass is closely related to Nautilus Island. But I looked home, the twilight was getting thicker, and the mist of sadness was filled on the river waves. " Li Bai came to the Yellow Crane Tower and looked at Chutian with an open mind, full of poetry. When he was about to start writing poetry, Cui Hao's poems were so ashamed that he had to say, "There is a scene in front of him, and Cui Hao's poems are on it." Ho Choi and Li Bai stopped writing and became famous.
When Wuchang approach bridge of Yangtze River Bridge 1957 was built, the former site of Yellow Crane Tower was occupied, and now the reconstructed Yellow Crane Tower is located at Sheshanfengling, which is about 1 km away from the former site. * * * Five floors, 50.4 meters high, pyramid-shaped roof, layers of cornices, shaped like a whole. There are other buildings around the main building, such as victory tower, stele gallery and mountain gate. The whole building has a unique national style.
Inside the Yellow Crane Tower, layers of styles are different. The ground floor is a large and spacious hall, with caissons as high as 10 meters in the middle. On the front wall is a huge ceramic mural of "White Clouds and Yellow Crane", and couplets up to 7 meters long are hung on the columns on both sides: a cool piece, clouds sweeping the world; A river gone forever, the waves washed away the troubles of the past and present. On the front wall of the hall on the second floor, the marble of Yellow Crane Tower written by Yan in Tang Dynasty is engraved, describing the rise and fall of the Yellow Crane Tower and anecdotes of celebrities. There are two murals on both sides of Lou Ji, one is "Sun Quan built a city", which vividly illustrates the birth history of the Yellow Crane Tower and Wuchang City; The other is Zhou Yu's Banquet, which reflects the celebrity activities from the Three Kingdoms to the Yellow Crane Tower. The murals in the lobby on the third floor are "Xiu Xiang paintings" by Cui Hao, Li Bai, Bai Juyi and other famous people in Tang and Song Dynasties, and there are also excerpts from their famous sentences chanting the Yellow Crane Tower. The hall on the fourth floor is divided into several small halls with screens, and contemporary celebrity calligraphy and painting are built in for tourists to enjoy and buy. There are long scrolls and murals such as the Map of the Yangtze River in the top hall.
The Yellow Crane Tower was built in the Three Kingdoms Period in the second year of Wu (AD 223). Legend has it that it was built for military purposes. Sun Quan built a city to defend himself and looked forward to "ruling the country by force" (hence the name of Wuchang). Up to now, it has a history of 1700 years. The Yellow Crane Tower, towering above the Snake Mountain in Wuchang, enjoys the reputation of "the best scenery in the world", and is also called "the three famous buildings in the south of the Yangtze River" with Yueyang Tower in Hunan and Wangtengting Pavilion in Jiangxi. In the meantime, it has been built and destroyed repeatedly, and the world is endless. The last "Lou Qing" was built in the seventh year of Tongzhi (A.D. 1868) and destroyed in the tenth year of Guangxu (A.D. 1884), and has not been rebuilt for nearly a hundred years. The Yellow Crane Tower we see now is based on the Yellow Crane Tower in Qing Dynasty. 198 1 10 In June, the Yellow Crane Tower reconstruction project broke ground and was completed in June 1985. The Yellow Crane Tower is a five-story building, with a height of 5 10 m and actually nine floors inside. In ancient China, odd numbers were called positive numbers and even numbers were called negative numbers. "9" is the first positive number, which is homophonic with the Chinese character "dragon" and has everlasting meaning. The so-called "Ninth Five-Year Plan Supreme" and the Yellow Crane Tower also showed their extraordinary influence. The Yellow Crane Tower is known as "historical building" and "the most beautiful scenery in the world". In different times, due to the different needs of social life, different levels of science and technology, and different aesthetic concepts of people, the Yellow Crane Tower has produced different architectural forms and styles. The Yellow Crane Tower in Song Dynasty is a complex consisting of a main building, a terrace, a porch and a corridor, which was built on the high platform of the city wall.
Above, surrounded by carved fences, the second floor of the main building, the top floor of Cross Ridge resting on the top of the mountain, the surrounding pavilions and corridors are distinct, and the architectural layout is rigorous, which is famous for its boldness. The Yellow Crane Tower in Yuan Dynasty has the legacy of the Yellow Crane Tower in Song Dynasty, but it has made great progress in layout and content composition. The appearance of plant arrangement is a great progress, which makes the original simple building space develop into a courtyard space with shade, which is characterized by grandeur. The Yellow Crane Tower in Ming Dynasty is three stories high, with two resting hills on the top, a small square hall in front of the building, and pink walls on both sides of the entrance, which is characterized by comeliness. The imprisonment of the Yellow Crane Tower in Qing Dynasty has distinct characteristics. It rises from the ground, towering into the sky, showing a magical and magnificent temperament. The organizational style is characterized by three layers and eight sides, and the main building data should be combined with the number of "eight diagrams and five elements" and characterized by strangeness. The modern Yellow Crane Tower was redesigned on the basis of Tongzhi Building in Qing Dynasty. The building adopts reinforced concrete imitation wood structure, with 72 large columns rising from the ground, 60 upturned corners flying layer by layer, gorgeous glazed yellow tiles and five-story cornices and arches.
The main building is based on Tongzhi Building in Qing Dynasty, but it is bigger and more magnificent. Using modern building technology, reinforced concrete frames imitate wood structures. There are five cornices, a pointed roof and a golden glazed tile roof, with a height of 5 1.4m, a bottom width of 30m and a top width of 18m. Large murals, couplets and cultural relics are arranged on all floors of the building. Outside the building, a number of ancillary buildings such as bronze yellow crane modeling, statue pagoda, memorial archway, porch and pavilion make the main building more magnificent. Climbing up the stairs overlooking, I watched the long river rolling forward, and the three towns had a panoramic view.
Since its establishment, the Yellow Crane Tower has been shaped in different dynasties, but it is majestic and full of personality. Compared with Yueyang Tower and Wangtengting Pavilion, the plane design of the Yellow Crane Tower is an octagon with four sides, which is called "all directions". These figures reveal the symbolic and ethical ideographic functions of numbers in ancient architectural culture. From the vertical direction of the building, the eaves of each floor are directly related to the name of the building, which looks like a yellow crane and is ready to go. The whole building is magnificent and exquisite, full of changing charm and beauty.
South Pagoda, formerly known as Baiyun Pagoda, Anyuan Pagoda, Guiyue Pagoda and Chuguan Pagoda, together with Yellow Crane Tower, Toutuo Temple and Xie Bei, is also called the "Four Pagodas" of Ancient Snake Mountain. The existing building was rebuilt at 1985, which is located at the southeast of Yellow Crane Tower in the south of the park185m.
Li Bai (70 1-762), whose word is Taibai, is the most outstanding poet in the prosperous Tang Dynasty, and also a great romantic poet in the history of China literature after Qu Yuan, and is known as the "Poet Fairy". He had a rough experience and complicated thoughts. He is not only a brilliant poet, but also a ranger, assassin, hermit, Taoist and counselor. Confucianism, Taoism and Rangers are all reflected in him. "Retire after success" is the dominant thought that dominated his life.
Li Bai left more than 900 poems to later generations. These brilliant poems show his mental journey all his life, and they are artistic portraiture of social reality and spiritual life in the prosperous Tang Dynasty. Li Bai was ambitious all his life, and he expressed his yearning for fame and fortune unabashedly. This is vividly expressed in Fu Liangyin, Reading Biography of Zhuge Wuhou, and Love Cai Sheren Bear. Li Bai liked Ren Xia since he was a teenager, and wrote many ranger poems, among which Knight Rider is the representative work. Three years of political life in Chang 'an had a profound influence on Li Bai's creation. There is a sharp contradiction between his political ideal and the dark reality, and unspeakable pain and resentment accumulate in his chest. Angry wrote good poems, so he wrote a series of nostalgic people, such as "Difficult to Go", "Antique" and "Answering the King for Twelve Nights". A famous sentence that is sad for a person's life and difficult to send away. Li Bai lived a wandering life for most of his life, traveled to many famous mountains and rivers all over the country, and wrote a lot of beautiful poems praising the great rivers and mountains of the motherland to express his feelings of loving freedom and yearning for liberation. In this kind of poetry, the strange mountains and rivers complement his rebellious and unruly character. This kind of poetry occupies a large number in Li Bai's poetry works, and has been passed down through the ages, among which "Climbing Mount Tianmu in a Dream" is the most outstanding masterpiece. With dripping and carefree poems, the poet freely spread the wings of imagination, wrote various spiritual adventures and pursuits, and truly liberated the repressed soul in his dreams. And "Oh, how can I seriously bow and scrape to high-ranking people and people in high positions? They will never stand being shown an honest face!" His poems show the poet's lofty sentiments and become an important basis for future generations to examine Li Bai's great personality.
As a great poet who loves the motherland, cares about the people and never forgets the reality, Li Bai is also very concerned about the important issue of war. Enthusiastic praise is given to the soldiers guarding the border (such as "Xia Sai Qu"), and the wariness of the rulers is mercilessly lashed (such as "Battle of the South of the City" and "Song of Ding Du"). Li Bai also wrote many Yuefu poems, describing the hard life of laborers and expressing their concern and sympathy (such as Long March and Midnight Wu Ge). ).
Li Bai's poems and songs have the artistic charm of "the pen falls and shakes the wind and rain, and the poem makes the gods cry", which is also the most distinctive artistic feature of his poems. As a romantic poet, Li Bai mobilized all romantic skills and realized the perfect unity of poetry content and form. Li Bai's poems are full of self-expression and subjective lyricism, and the expression of feelings is overwhelming. For example, when he entered Beijing as an official, he said, "Laugh to the sky. Are we Artemisia people? " When I miss Chang 'an, "the wind blows my heart and hangs Xianyang trees in the west." Such poems are very infectious.
Extreme exaggeration, apt metaphor and amazing fantasy make people feel highly real. Reading these poems, such as "But since the water is still flowing, even though it is cut with a sword, it is even more worrying to raise a glass to dispel the sorrow" and "The white hair is three thousands of feet, and the sorrow is as long as long", readers can't help being infected by the poet's long sorrow and endless melancholy. Li Bai's artistic expression is particularly prominent in his poems, such as Climbing Mount Tianmu in a Dream, Difficult Road to Shu, etc.
In Li Bai's poems, imagination, exaggeration, metaphor and personification are often used comprehensively to produce a fantastic, magnificent and moving artistic conception, which is why Li Bai's romantic poems give people a heroic, unrestrained and elegant charm. His language is clear, lively and meaningful, just as two of his poems say, "clear water gives birth to hibiscus, and it is naturally carved."
Li Bai's poems and songs had a far-reaching influence on later generations. Han Yu, Meng Jiao and Li He in the middle Tang Dynasty, Su Shi, Lu You and Xin Qiji in the Song Dynasty, Gao Qi, Yang Shen and Gong Zizhen in the Ming and Qing Dynasties were all greatly influenced by Li Bai's poems.
Li Bai is one of the poets in China, and most of his poems are the best. We have a firm belief to remember, respect and admire Li Bai.