Cold color lonely village dusk, hate Taiwan four wild smell.
The stream is deeply uncomfortable with snow, and the mountains are frozen and cloudless.
Seagulls and herons can't tell when they fly, but Sha Ting looks at them.
There are some trees in the wild bridge, which are not white.
The first four sentences of this winter snow poem first explain the time: winter dusk, location: lonely village; Then, from the perspective of hearing, write the wind rush everywhere; Then the combination of reality and reality highlights the "deep stream" and "frozen mountain" and closely follows the word "snow". The last four sentences describe the snow scene in detail, so it is difficult to distinguish it from the egrets, and it is difficult to distinguish it from the weeks, which sets off the scene of heavy snow covering the earth and highlights the characteristics of "looking". Several plum branches in the sentence "Wild Bridge" are covered with Bai Mei and snow, so people can't tell which is Bai Mei and which is snow. This is very similar to the poem "Like a spring breeze, a dead tree and a pear blossom overnight" written by a poet in the Tang Dynasty ("Bai Xuege Farewell to Wu Gui"). This poem is vivid, fresh and unique, which can be described as a masterpiece of pure description of snow scenery in snow poems. On Snow by Gao Pian, a poet in Tang Dynasty;
Snowflakes are flying in front of the window, and I sit at the window and watch the green bamboo become as white as white.
Now look up to the sky and cover up the evil ways in the world.
The first two sentences of this poem describe the snow scene, vividly describe the state that snow touches the green branches and turns them white with metaphors, and secretly write the poet's experience of watching them at the window. The last two lyrics express the poet's desire to cover the "evil road on earth" with heavy snow to level the evil on earth. Here, the above description of the snow scene paves the way for the following emotional expression, while the following lyric makes the above description of the scenery have a landing. It can be said that love starts from the scene, and the scene is emotional. In this respect, there are Tang Dynasty poet Wang Wei's Remembering Li Yi in the Snow and Meng Haoran's Snow on the Road in Beijing.
Jiang Xue by Liu Zongyuan in Tang Dynasty;
There are no birds flying over those mountains, and there are no traces of people in those paths.
A boat on the river, a fisherman wearing his webworm moth; Fishing alone is not afraid of snow and ice.
This poem is a blend of scenes and feelings, with scenes of "hiding their houses" and boundless harmony. On the surface, this poem looks like a picture of fishing alone on a snowy river: it is snowing heavily, the sky is dark, there are no birds flying in the mountains, pedestrians cut off all roads, and only a fisherman and Dai Li are fishing alone on the icy river. In fact, it created "the image outside the image, the scene outside the scene" (2). In the picture of fishing alone by the snowy river, the poet's unyielding and lonely mood after the failure of political reform is clearly hinted. It is memorable to read, and you can realize that "meaning is beyond rhyme" ③ and "meaning is beyond taste" ④. We can also list many such snow poems with mixed scenes, such as Song of Snow to Farewell Wu Gui, Secretary of Tian, Liu Changqing's Snow Lotus Mountain Master, Snow Poem, and Lu You's Snow Encounter on Yiyang Road.
Bai Juyi s Snow at Night;
This night, the pillow was ice, which surprised me. I saw the light snow outside the window.
It's late at night until it snows heavily, because you can hear the sound of bamboo branches breaking from time to time.