The poem "Guan Yu" is based on Guan Yu; What is the function and significance of rising?

"Close the pigeon, in Hezhou." In the Tang Dynasty, Confucius said in "Justice in Mao Poetry": "Those who get the Tao are prosperous. Take the metaphor as an example. Those who quote plants, birds and beasts in poetry and prose are happy. " But how to prosper is a big problem. If all the expositions on "Xing" in the past dynasties are edited, I'm afraid it will be a masterpiece. How dare you talk about it easily? However, after reading the poem, there is no way to avoid the problem of happiness, so we have to perfunctory a few ordinary words. The so-called "xing" can be said to cause a topic, or it is caused by the scene. The combination of this scene and emotion is mostly the poet's current sentiment, which can be immediate or wishful thinking; The former is a real scene and the latter is a psychological image. But it only causes the topic, and once it enters the topic, it can be put aside, so there is no direct metaphor in "Xing", if there is one, it is "Bi". As for the relationship between scenery and emotion or between things and heart, that is, the scenery is so emotional that it is enlightened. Although this day is direct to the poet, it is subtle if others look at it. In fact, in the poet himself, it is not fleeting and difficult to capture. Times have changed, and it is more difficult for future generations to find a definitive answer. What's more, the creation of "poetry" has a history, and the creation comes first. Many of them first became aphorisms, including sentences with form and meaning, and the author took over at once, combining his own feelings at the moment. The same interest can still have different meanings. But we might as well look at it from what we can perceive. Luo Dajing said: "Du Shaoling's quatrains say:' The mountains and rivers are beautiful in the evening, and the flowers and plants are fragrant in the spring breeze. Mud melts into swallows, sand warms and sleeps mandarin ducks. "Or what's the difference between this and children's genus, I said otherwise. In the first two sentences, there is no business between the two rooms, and in the last two sentences, nothing is uncomfortable. It is not enough to swim here and feel the inner joy. " We might as well look at the prosperity of poetry from this angle. There is no business between the two rooms, and nothing is suitable. This is the simplest and most direct feeling that nature gives people. Therefore, it can be a standard to look at human things: or everything is like this, so people are happy, such as "Peach every day, burning its flowers" (Nan Zhou Yao Tao), such as "Yo Yo Luming Literature, the apple in the field" (Xiaoya Luming Literature). Or everything is like this, and people are not like this, so they are sad and resentful, such as "the male pheasant flies in the air, venting its feathers" ("The Wind is Fierce"), such as "learning from the valley wind, taking the rain with the shade" ("The wind is the valley wind"), such as "mountain spring water" in the poem, and advocating pure natural scenery is probably not the original intention. In a word, Xing is special because it is so direct to poets, but it is often obscure to others. However, if we understand that the poet regards the sudden change of the four seasons of heaven and earth and the ups and downs of all natural things as the witness and contrast of life, then the meaning of xing is very clear. Although simple, I have a deep understanding of life. "The music of bells and drums" is the identity language, and the most charming sentence is "Friends of the Harp". Zhu said, "Friends are love." Fu Guangshen said: "Those who care about their friends are friends of brothers and sisters." In this way, the description of "Yan Er is new and faint, like a brother" in Gu Feng is a ready-made annotation of the word "friend". If we read Zheng Feng's "Cockcrow" and "Martin Pool at the East Gate" together, we will know that "friends on the piano and friends on the piano" are not a general term, and a gentleman's "good temperament" is not only a kind of sound, but also an intimate sound. In the Spring and Autumn Period, songs and poems were used as rhetoric. Only that day did we know the elegance of diplomacy, and Guan Ju wrote about a good marriage. Harmonious beauty and prosperous business in daily emotional life are the deepest roots of that elegance. At that time, "poetry" was not a decoration, not an ornament, not just to repair the defects in life, but a real "commodity of life" (Gu Jiegang's words), and "Guan Yu" seemed to be a declaration of the unity of life and art, which appeared vividly in the dawn of literary history. Guan Ju, the opening work of The Book of Songs, has always been praised. Why use Guan Ju as the title of this love poem? When Confucius edited The Book of Songs, it was divided into three parts: ode to elegance, in which ode to elegance was divided into elegance and indecency. The wind is a poem sung for the people. In Mencius, there are records about folk songs. The wind is roughly equivalent to the current pop songs. Elegance comes partly from the folk and partly from the hymns of the nobility. Odes are poems used by nobles to praise God and ancestors when they were priests. Therefore, most poems have no names. In order to facilitate people's reference, editing a book will add titles to each part. Of course, Confucius was very modest and took the words at the beginning of each sentence as the title of the poem. "Guanju" is taken from Guanju's Pigeon, and "Guanju" refers to the voice and onomatopoeia of pigeons. Later generations used this naming method, such as Untitled by Li Shangyin in the Tang Dynasty. Because there are many poems, the naming method invented by Confucius is adopted, such as Jinse, which is taken from I wonder why my Jinse has fifty strings.