Everyone can see the face of spring, the spring breeze blows flowers open, thousands of purple, and the scene of spring is everywhere. Explanation: Anyone can see the face of spring. The spring breeze is full of flowers and colors, and the scenery of spring is everywhere. The name of the poem: spring, victory in the sun, seeking fragrance, surfing on the waterfront. Real name: Zhu. Posthumous title: Zhu Zi, Wen Gong, Mr. Ziyang, Mr. Kao Ting, Cangzhou Sick Old Man, Yungu Old Man. Font size: the characters are dark, and the middle characters are dark. Time: Song Dynasty. Ethnic group: Han nationality. Birthplace: Youxi, Nanjian Prefecture (now Sanming City, Fujian Province). Date of birth:1130 65438+10/8. Time of death: 65438+April 23rd, 2000. Main works: Nine Songs, Spring Day, Liu Hua, Random Thoughts on Reading, Rowing, etc. Main achievements: Master of Confucianism, Neo-Confucianism in Song Dynasty.
We will give you a detailed introduction of "Colorful is always spring" from the following aspects:
1. Click here to view the full text of "Victory Day in Spring, Finding Fangsi Waterfront" and the details of "Victory Day in Spring, Finding Fangsi Waterfront".
Beautiful spring outing in Surabaya, the endless scenery is new.
Everyone can see the face of spring, the spring breeze blows flowers open, thousands of purple, and the scene of spring is everywhere.
Second, appreciate
On the surface, this poem looks like a landscape poem, depicting the beauty of spring; This is actually a philosophical poem by the richest man, which combines reason with interest in the image.
The first sentence, "Surabaya for fragrance", points out tomorrow, "Surabaya" points out the place and "Seeking fragrance" points out the theme. A sentence is described in three layers, especially with the "Surabaya" node, which is deliberately arranged by the author. The word "Xun" not only describes the author's calmness, but also adds a lot of interest to poetry.
The second sentence, "boundless scenery is new for a while", describes the initial impression obtained by watching spring scenery. "Boundless scenery" is the reverse order of the first sentence "winning the day to find fragrance", which refers to the result of finding fragrance. Use "boundless" to describe all the scenery in front of you. "A Moment of Novelty" not only describes the return of spring to the earth, the natural scenery is brand-new, but also describes the refreshing joy of the author during his outing. Here, we don't elaborate, we don't cut and paste on every grass, tree and stone, but we put pen to paper from a vast space.
In the third sentence, the word "knowledge" in the "waiting for the east wind" inherits the word "search" in the first sentence. "You can easily know" means that the features and features of spring are easy to recognize. It means to win the day and find incense. I didn't expect endless income. Now that I have such a freshness, I can't help but rejoice. "Dongfeng Face" visualizes and personifies the breath and scenery of spring and puts the word "knowledge" into practice.
The fourth sentence "colorful is always spring" means that this colorful scene is all composed of spring, from which people know and feel the beauty of spring. This specifically answers why we can "wait for the east wind". The "colorful" in this sentence is close to the "east wind" and far from the "boundless scenery", with dual rhetoric and strong imagery. Poetry ends with "it's always spring", and all autumn is in "spring day"
Literally, this poem seems to express the feelings of visiting spring, but the place to look for fragrance is the Surabaya coast occupied by Jin people when they crossed the Song Dynasty a long time ago. Zhu has never been to the north, and of course it is impossible to swim to Surabaya in spring. In fact, the word "Surabaya" in the poem implies Confucius, because in the Spring and Autumn Period, Confucius taught his disciples with string songs between Zhu and Si. Therefore, the so-called "seeking incense" refers to the way of seeking saints. Boundless Scenery has a vast performance space, which reveals the poet's original intention of seeking the Holy Way through movies. "East wind" is a metaphor for enlightenment, and "colorful" is a metaphor for the richness of Confucianism. The poet compares the sage's way to the spring breeze that pushes the machine and ignites everything. It is Zhu's genius to write philosophical poems without revealing traces.
Three. translate
Beautiful spring outing in Surabaya, the endless scenery is new.
When the weather is sunny, the river in Surabaya is green, and the endless scenery is completely new.
Everyone can see the face of spring, the spring breeze blows flowers open, thousands of purple, and the scene of spring is everywhere.
Anyone can see the face of spring. The spring breeze is full of flowers and colors, and the scenery of spring is everywhere.
Fourth, Zhu's other poems
Boating, poetry to encourage learning, spring, reading books and Lan Jian's ideas. V. Background
Literally, this poem is the author's impression of spring outing. According to the age of the author's life, when this poem was written, Surabaya had already been occupied by Jin people, so swimming in Surabaya was not a practical thing, but a virtual thing. The author has never been to Surabaya, but this poem was written in Surabaya. The reason is that Zhu's psychology is subtle, and he likes Confucius. He yearned for Confucius to live in our thoughts, recite string songs and preach the victory of teaching, so he hoped to wander and find incense. So this poem is actually based on Surabaya, the holy land of Confucius.
Notes on intransitive verbs
Beat the sun: sunny days can also show people's good mood.
Looking for fragrance: spring outing, hiking.
Surabaya: The name of this river is in Shandong Province.
Shore: water, river.
Boundless: Boundless.
Scenery: Scenery.
Leisure: Ordinary and relaxed. The meaning of waiting for knowledge is easy to identify.
East wind: Spring breeze.
Poetry of the same dynasty
General Cao, Xiaqutang, Tengwangge, mistress attacked his wife and complained about the cold, and Tang Meishan's poems were also played as notes, with the title Cherish, abandoned as the value of rice crossing, seeing off guests, exclamations and titles.
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