Tomas Transtromer's Poetic Style

Lanster Lemmer is known as "the most outstanding symbolist and surrealist poet in European poetry." That's because: "The poet casts everything he hears and sees-wind, rain, sun, moon, sky, earth and people-into an independent whole-poetry through the driving force of personal literature and philosophy and social experience." 1984, when the American Poetry Review pointed out that the quality of European poetry surpassed that of the United States, after listing Milosse, brodsky, Heaney and Montar, it was considered that Te Lanster Lemmer was the most outstanding one.

Thomas Lanster Romer's poems are very close. He expressed his very strong feelings in a few words. He uses many associative methods. Because he used few words, he already met the requirements of Japanese haiku as early as the 1950s. The words here are not part of poetry, but syllables.

Structurally, Lanster Romer used bold metaphor, free rhythm and the structure of ancient poetry from the beginning. His language is mild, not tough, and his style is simple, but he has a sense of rhythm and attracts people through unexpected poems and associations.

In content, Lanster Romer seldom describes natural scenery or abstract philosophical thinking, but generally describes thinking about daily life. Here, he neither describes the world events reported by the media nor describes the inner conflicts. He pays attention to the moment of communication between people. German radio commented that his poems were "full of flavor, color, vibration and noise".