Yu Xiuhua's creative characteristics

Yu Xiuhua's poetry creation has a high starting point. Her poems have both the interest of classical poetry and the lyricism of modern poetry. The real intention of the creative subject is conveyed through interesting and flexible language. Her poems do not have a fierce gender confrontation posture, nor do they avoid the pain of women's survival. Instead, it objectively expresses the pain of the bottom women's survival with vivid physical experience and life experience, and shows the value and dignity of people with strong subjective spirit. Her poems are frank, just as Liu Nian, the editor of Yu Xiuhua Poetry Journal, said, "She has no high walls, no bronze locks, no dogs or even fences in her heart, so you can easily walk in." "Her poems, in China poetess's poems, are as striking as putting murderers among a group of ladies-others are neatly dressed, painted with powder, sprayed with perfume and blank paper. Her poems are aloof, with no low eyebrows and no compromise: "When he grabbed my hair and hit me against the wall, Xiaowu kept wagging his tail, and there was nothing he could do for a person who was not afraid of pain. "Yu Xiuhua's slightly sad poems bring readers back to their daily lives and personal memories, vividly showing the complicated life situation. As a young poet, Yu Xiuhua's poetry creation also has some obvious shortcomings. Her poems still lack the friction between personal vivid life experience and complicated historical imagination, and the language expression in some places is a bit stiff and kitsch. Even the poet's keen sensibility and good language talent can't cover up some rough and flustered words in poetry, which all affect the height of poetry. We expect a passionate, sensitive and calm Yu Xiuhua, which will bring more poems that are not only touching, but also more solid, pure and powerful.