We provide you with a detailed introduction of "leaving the wild pond like a snow branch" from the following aspects:
First, click here for the full text of "The Song of Chicken Singing" to see the details of "The Song of Chicken Singing"
When the Emperor of the Southern Dynasties shot the pheasant, the Milky Way was full of stars.
the copper pot leaks out of the dream, but the BMW dust expert is unknown.
the fish jumps over the lotus and swings in the palace marsh, _ _ a hanging bird of the imperial willow.
every household in red makeup looks at spring in the mirror, and the green trees make the world clear.
After 3 years of poverty, Zhu Fang's murderous look turned into sorrow.
comets sweep the ground and waves into the sea, while war drums cross the river and dust rises to the sky.
Embroidering dragons and painting pheasants fills the palace well, and wildfire drives Jiuding to burn.
the temple nest is made of wormwood by Jiangyan, and the twelve golden people are full of frost.
Qian Mianping's green terrace is the base of the city, and the warm color of spring makes it desolate and ancient.
I'd rather know the backyard music of Yushu, and leave it to the wild pond like a snow branch.
II. Notes
The Emperor of the Southern Dynasties: This refers to Xiao Ze, the Emperor of the Qi Dynasty.
pheasant shooting: shooting pheasants.
copper pot: an ancient copper pot-shaped timer.
leakage: the sound leakage has been broken.
unknown: I don't know.
palace marsh: a pond in the imperial palace.
red makeup: refers to a woman's full makeup.
Zhu Fang: the place name of Wu in the Spring and Autumn Period.
dust rising: refers to the dust flying in obstacles.
painting pheasant: it refers to the empresses.
Jiuding: According to legend, Xia Yuzhu Jiuding symbolizes Kyushu, and Xia, Shang and Zhou dynasties regarded it as a national treasure symbolizing state power.
Twelve Golden Men: After Qin Shihuang unified China, he destroyed all the weapons in the world and cast twelve bronze men.
Taicheng: a forbidden city in the Six Dynasties.
Yushu backyard song: yushu backyard flower by Chen Houzhu.
Third, Wen Tingyun's other poems
Morning Trip to Shangshan, Luoyang, Lotus, More Leaky, and Sending People to the East. Fourth, appreciation
Huang Ziyun said: "Fei Qing's ancient poems are similar to Yishan's, and the title is tasteless and the poem is absurd; If you take a stance regardless of justice, you can. " You don't need to find much argument. Just flip through the first piece of Wen Feiqing's Poems and read this song "The Melody of Chicken Singing", and you can find that what Huang Ziyun said is too arbitrary. This ancient poem is not only beautiful in posture, but also profound in meaning and charm. It is a beautiful masterpiece that satirizes the present by borrowing the past.
This work shows Wen Tingyun's worried patriotic feelings as a sober intellectual. Mr. Lu Xun said: "Really,' thinking about the ancient love' is often for the present." It is for the sake of reality that Wen Tingyun sends his thoughts about the past. However, because of his different grasp of elements, he wrote an elegy very beautifully and moving. Even at the same time, Li Shangyin, who is equally famous for his "gorgeous", has the same meaning in his poem "Ode to History", such as: "The water in the south of Beihu Lake is long, and the flag is lowered." Compared with his song "The Melody of a Chicken", it is also much more straightforward. No wonder Xue Xue wanted to say, "Wen Feiqing was also a Li Qinglian in the late Tang Dynasty, so his Yuefu was the best and Yishan was not as good as it." His whole poem, like a poet full of feelings, painted a huge colorful historical scroll with his sad tone, rather than a poem written in words. Moreover, because the first sentence in his poems uses narrative language to point out the plot, the whole poem is full of visual pictures, full of action and movement, and his scheduling of sound, light and color is so appropriate and harmonious that it seems to make people see a thrilling historical movie. It is really surprising that the poet seems to have mastered this kind of montage expression more than 1 years before the film was born.
the whole poem is divided into five parts.
The first thing is to write about what kind of circumstances and atmosphere Xiao Ze, the Emperor of Qi, left the city. Write brilliantly and furtively.
The Emperor of the Southern Dynasties is going out to hunt. He gets up very early. It was still dark, so when I saw the faint white light of the Milky Way, the sparse morning star was still flickering irregularly. The emperor's motorcade, surrounded by imperial secretary and attendants, ran out of the city unnoticed.
In another place, when the water in the timed copper pot gradually dripped out, the east turned fishbelly. This is the time for ministers to make an early pilgrimage. Ministers woke up from their dreams one by one and were pushed up: ready to wash their hands and go to court.
here, the star river and the dripping copper pot are all * * * sights. In this view, the poet used a parallel writing: people here just got up and are preparing for the early morning; And there, the emperors have already passed the cock crow. Two sets of lenses are in parallel: here is a leisurely rinse; And there, the galloping horses kicked the dust high and ran in a hurry. These two sets of parallel shots can explain many problems. At least readers will think of these ministers who snack on food, and when they pounced on the empty air, they shrugged their shoulders and shook their heads in a helpless way, so they can feel what this country is like.
Due to the arrangement of the plot that the emperor's chariot needs to steal away as early as possible, people clearly feel that there are two forces in the imperial court. According to "History of the South", "On June 5th, Emperor Yongming of the Qi Dynasty, the general in the Zuo Wei Temple, Handan, shot a pheasant, and the book was given to death." This shows that there must be quite a few people who opposed Xiao Ze's lewd behavior in those days. However, the author didn't write positively here, but used this specific plot to carefully brew this sneaky and solemn atmosphere, expressing the "escape from Zen" of the emperor, thus suggesting that Qi's death was not the result of Qi's absence, but the result of the emperor's uselessness and his own will.
If the meaning of this poem is not obvious enough, then in the second poem, the poet simply blames the emperor for destroying a peaceful and tranquil country.
Secondly, the poet used three groups of very peaceful and quiet images to illustrate that Qi's death was not caused by any natural disaster. Fish jumps to Liandong, willow hangs on birds, and it is peaceful and quiet within the palace wall; And every household wears red makeup, and it is spring in the mirror, so the population of urban and rural areas is multiplied, neat and strong. These descriptions may be a little exaggerated, but at least they are not images of war, hunger and people wandering in ravines. According to historical records: "Jiangnan is a national prosperity!" It can be seen that the death of Qi is not an economic decline. However, the reason why the rock broke the ground and the country changed suddenly, and the kingliness of the south of the Yangtze River suddenly became a war-torn smoke in 3 years, is that the sin lies in the lack of political affairs in the current dynasty and the banquet. This is called "heaven commits iniquity, but it can still be violated;" You can't live if you do it yourself! "
the sentence "green tree" is well translated. The cock crows on the green tree, and "the cock sings the world white", which is not only the first half of the prosperity, but also the people's livelihood; The prelude to the second half of the war began again: the sound of a green tree broke the ground. A word "Xiao" as a bright nostalgia; It is also the beginning of enlightenment. It is endless regret that lies in happiness, which is very relevant and philosophical.
Three and four are written together, and the syntax has changed. "The comet blows the waves to the sea, and the drums cross the river and the dust rises to the sky." It's a bit like the overused movie technique today. He first used two empty lenses, and there were signs of anger in the sky, but it was not the lightning and thunder that he used now, but the comet that symbolized the disaster in ancient times; The wild waves on the sea rolled huge stones and made an amazing roar. The roar of the wild waves turned into the drums for crossing the river; The rolled-up snow waves turned into waves plowed by warships. With the combination of reality and reality, the war was explained. Vivid image and economical pen and ink; This is where poetry is superior to prose. Then, "Embroidering dragons and painting pheasants to fill palace wells, wildfires and winds driving Jiuding", writing about the collapse of the Qi Dynasty, the country is in a state of war, which is very outstanding. Write a thrilling scene so colorful. Perhaps it is the bright colors that make people even more shocking. Try it: the emperor's robes and the concubines' gowns were once very solemn and sacred objects in people's minds. People should pay homage to them when they saw them. If they desecrate them, they will punish the nine families. Now, however, even the people wearing it are thrown into the well in the palace, and even the well is almost filled. The bronze Jiuding, which represents the national artifact, can't be easily opened unless it is a ceremony, and now it has been swallowed up by the raging war. Write a soul-stirring account of the downfall of a country. The brighter the colors here, the more frightening it is to see. It is hard not to grieve that something solemn and sacred is completely destroyed by evil. Without any narrative language, we can achieve such an effect and have such vivid and moving power.
The poet is singing about history here, so he has returned to reality from imagination. At present, it is "the temple nest Jiang Yan builds Artemisia, and the twelve golden people are frosty." The palace in the past was deserted, and only swallows made nests on the beams; The step stone is covered with wormwood because it has not been trampled for a long time. For fear of the people's rebellion, the twelve golden men made of all the weapons in the world were left in the ruins, covered in frost and giving off cold light in the air, which still seemed to be very impressive. However, the more arrogant it is, the more ridiculous it is to think that the world can be peaceful if weapons are confiscated. This reckless gold man is actually a symbol of ignorance. It glows with pride, and it is a wonderful irony to this abandoned hall full of wormwood.
At the last stop, the poet looked around and saw the Forbidden City in the past. It collapsed, and the base of the wall, which can only be seen vaguely, is also covered with grass, which is connected with the green cotton at first glance. In those days, the harmonious spring scenery here only ended up empty and warm now. In the past, the gold powder of the Six Dynasties, how prosperous it was, not only disappeared without a trace, but also the wild pear trees grew so tall on the ruins of the forbidden city. How beautiful the wild pear blossoms like snow, and how graceful and graceful it is, can't help but remind people of yushu backyard flower, which once sang and danced here. In this way, he linked the past with reality, debauchery with ruin, and made a seamless transition, which was simply an excellent montage.
After reading this poem, what you see in front of you are all emphasized artistic scenes. It is these artistic pictures that make readers feel indignant about the fatuous son of heaven in the Southern Dynasties and feel the poet's regret for loving the motherland. Poetry is highly ideological. Sure enough, soon after, the peasants revolted, and the Tang room ended in chaos like the Han Dynasty. Because history is so similar, it is difficult for readers to determine whether the poet is here to mourn Qi or mourn the Tang Dynasty. Therefore, the poet stood at the highest point of the times and foresaw the future of the late Tang Dynasty.
Some scholars say: "Wen Tingyun's poems are rich in rhetoric, lacking in profound ideological content, and have a strong formalism tendency, which is most obvious in his Yuefu." However, in this Yuefu, I really don't see anything wrong with rich words. It is not a terrible factor that determines whether a work has ideological content and formalism, but only reflects a functional artistic style. The artistic style is the result of the combination of national tradition and realistic social atmosphere on writers with specific temperament; It can't be the evidence to evaluate the artist's superiority. Look at the content of this poem, and you can't help but be surprised that he has such a foresight. If he is not a person who worries about the people, the country and the nation, he can't feel the sorrow of extinction in the joy of others. Since he dared to sing "The Melody of Chicken Singing", he must know the story of Handan Chao. Then, when others are under high pressure and whitewash the peace, he dares to take the taboo and insist on uncovering the scar of history, just as he himself said: "Always be the heart of doing the world, and sometimes sigh." Without firm political conviction, it is impossible. Therefore, the poet's gorgeous style is really formed because of his magnificent selfless fighting spirit.
Poems of the same dynasty
Sangushi, Warm Cuisine, Farewell to Xu Kan, Poem of Deep Sorrow, Poem on Jia Dao's Tomb, Couplet of Tiantai Temple, Song of Eternal Sorrow, Memorizing the South of the Yangtze River, Spring Trip in Qiantang Lake and Ode to the Mujiang River.
click here to see more detailed information about the song of the crow.