(A), both form and spirit, both form and spirit. In the second part of the poem, Liu Jin is compared to a bride, who looks like a fairy, unique and ingenious. The weeping willows by the river are pure and clean, gentle and graceful, and the sunset glow has stained her with a layer of gold. She is more like a bride with long hair and charm. Her beautiful image is graceful and graceful. Loving every grass and tree in Cambridge is like marrying a bride. Xu Zhimo is not just painting a picture here. He is expressing his feelings, his attachment to the scenery of Cambridge and his lost affection. He loves Cambridge, and he loves the lost sincere dream here even more!
(2) Scenes blend to express emotion with scenes. The third section of the poem depicts an image of "green grass", which is a supplement and deepening to the second section. In the author's mind, these aquatic plants of He Kanghe are fresh and tender, thick green and full of vigorous vitality. They seem to wave their green arms and extend warm greetings to their old friends. It seems to show off the beauty of their growing environment and express an uncontrollable sense of happiness and joy. They can stay with blue sky and white clouds, green trees and yellow flowers, gentle breeze and waves, and the shadow of Xiaguang Bridge for a long time. No wonder the poet lingers, willing to be an aquatic plant in the gentle waves of He Kang River. Things and me are one, things and feelings, feelings and feelings. The poet is simply an aquatic plant with thoughts and feelings! This description is similar to Zhuang Zhou's dream butterfly, which gives people an uncontrollable excitement and joy and has a strong artistic appeal.
(3) the combination of reality and reality, with reality as the background. The third and fourth stanzas of the poem are about "Green Pond", where there is reality first, then there is emptiness, and emptiness and emptiness are combined. There are colorful sunset clouds rippling between green grass and seaweed, which are dreamlike, real and unreal. How can people not be fascinated and intoxicated? Therefore, on a whim, the poet went boating and crossed He Kang to pursue the lost dream and relive the joy of dusk. The stars are brilliant and shining, and the poet has the feeling that "the vast sea of smoke is like Feng Xufeng, and I don't know where to stop" when boating on Dongpo Chibi. It's like being independent, out of the world, and becoming an immortal. He was intoxicated by this charming night. He can't help singing, and he can't help being happy when he goes back to vomit. These two poems are all written around "Qingtan". First, imagine Qingtan as a colorful dream, and then connect it with the previous romance of seeking dreams. What he saw before his eyes was what he saw.
(4) Combination of static and dynamic, with static as the background. The first and second verses of the poem all write the details of "parting from the clouds". The former is elegant and noble, and it is difficult to give up; The latter is sad and lonely, but helpless; The image of "cloud" subtly reflects the poet's secret and complicated psychology. Clouds are noble, beautiful, quiet and peaceful, and poets regard them as friends and know themselves. In those days, you may have floated on the green lawn, decorated the blue sky, sheltered me from the scorching sun, and witnessed my obsession with He Kang and my poetic intention to return to nature. Now, you fly away and leave me.
Poets have profound cultivation in classical poetry, and they have gained the three flavors of "image". New poems are written like ancient poems, with colorful images and endless rhyme. They really provide us with a good learning model. Based on poetry, we can not only observe the mood of poetry, understand the poet's voice, but also strengthen emotions and enhance our appreciation of poetry. This is a good method.