Peach blossoms set each other off in red.
People don't know where to go,
Peach blossoms are still smiling in the spring breeze.
-Hu's "Jingcheng Nanzhuang"
Most of the lyrics are love works, and the written materials left behind are extremely rare. Cui Hu's South Village in the Capital is an exception. Bai Meng's Poetic Art in Tang Dynasty. Emotion is the first, and the legendary story of the village of Chengnan is described in detail.
Poet Cui Hu, great scholar. On Qingming day, go to the south of the city to play. Come to a manor with flowers and trees. Cuihu was thirsty for wine, and a woman gave her a glass of water. "Open the door and sit on the bed, independent of Momo Xie Ke, which is extremely thick." "Cui resigned and sent it to the door. If you are overwhelmed." In the second year, Cui Hu revisited his old place, with the door wall still locked. Cuihu was disappointed and wrote this poem on the door. The story should have ended here: the peach blossom face is full of suspense. But the good Samaritan insisted on continuing the story-a few days later, Cui Hu came to the south of the city and heard the crying inside. When Cui Hu inquired, her father replied that since last year, her daughter has been "often in a trance and lost something." Recently, she read the inscription on the door, "She was sick at first, so she died after a hunger strike for a few days". Cui Hu entered the room, caressing his body and crying, trying to tell: "One is in Sri Lanka, the other is in Sri Lanka!" " This woman unexpectedly "suddenly opened her eyes and she came back to life for a long time." "My father was overjoyed, and I took my daughter back to him." I think this last comedy is a bit tacky and doesn't accord with the emotional tone of this poem. We'd better leave it alone.
The language of this poem is like a clear spring, clean and simple, and it seems that there is no need to ponder, but it is not. "Peach blossoms with human faces set each other off in red", and peach blossoms are doubly gorgeous because of human faces; The face is charming because of peach blossoms. The face is red because of peach blossoms, which is a foil; Peach blossom is red because of people, and it is empathy. This is the beauty of spring, youth, love and life. Peach Blossom with Face creates a splendid and immortal image for the beauty of a girl.
"People don't know where to go, but peach blossoms are still smiling in the spring breeze." When people arrived at the scene, they caused unspeakable melancholy, loss and even sadness in the poet's heart. But the peach blossom is oblivious, still smiling at the spring breeze! Cross-eyed, cheerful, how many inappropriate smiles, how many incomprehensible smiles! It is this jubilant laughter and audio-visual synaesthesia that creates a kind of joy and pushes the emotional conflict between the scenes to the peak. Cui Hu is fortunate to have a word "smile", which is enough to make his famous poet immortal.