Comments on Qu Yuan's Poems

Regarding the evaluation of Qu Yuan's works, Wang Yi said: "Qu Yuan's writing is sincere and far-reaching. Since the end, famous scholars of Confucianism and Boda have been writing ci fu, trying to imitate its appearance, ancestor its model, take its essence and steal its flowers and algae. " Liu Xie said: "So Li Sao and Nine Chapters mourn their aspirations; "Nine Songs" and "Nine Arguments" are too embarrassing to hurt; Journey and Tian Wen are magnificent and cleverly conceived; Evocation and big move are wonderful and profound; The goal of "no game" "Fisherman" issued a unique talent. So I can be angry with the past (interests), and I will cut the present, which is amazing and gorgeous and difficult to reconcile. " Li Bai praised "Qu Ping's ci poems hang on the sun and the moon (Qu Yuan's poems hang on the sky like the sun and the moon)". Du Fu is determined to "secretly climb the peak of Qu Song (I will try to climb the peak of Qu Yuan and Song Yu and keep pace with it)". Shao Bo of the Northern Song Dynasty said, "Qu Yuan has one ear for the article" Songs of the South ". "Su Shi said," If my article ends in failure, I will be the only one to blame. In the Ming Dynasty, Jiang said, "Reading Chu Ci shows its tragic features, just like Gao Jianli's beating, singing in the city, crying while enjoying each other, and no one is watching; "Sadness is like a poor traveler. When the west wind rains at night, sorrow (poverty) is wet, and the residual light is sad; In a secluded place, it seems that no one enters the mountain road, but I hear the cries of monkeys and snakes, and Shan Gui, a wooden charm, learns human language to worship people; In Yan Yi, like a beautiful woman riding a horse, jade whip beads, wearing bright flowers and beautiful things, singing a song "Yang Baihua" to the spring breeze; Fairy rhyme is like Prince Jin riding a white crane, standing on the highest peak of Goushan, waving his hand to thank others for blowing jade sheng, which is beyond human reach. " Shenqing Deqian said; "Have a first-class mind, first-class knowledge, first-class true poetry. As in space, not at all; Like the sea of stars, thousands of sources gush out; If the soil paste is thick, spring thunder will move, and everything will be there. In ancient times, there were many people who could say this, including Dr. Qu. " Wang Guowei said: "Great poems can only be produced by combining the feelings of northerners with the imagination of southerners, that is, riding through the post stations in the north and south." Mr. Lu Xun said: "Qu Yuan in rhyme originated in Chu and was demoted, which is Li Sao." Escape is a great speech, outstanding in the world. Later generations were surprised by his literary talent and imitated it one after another, so it was produced in the original Chu, so it was called "Chu Ci". "Mr. Lu Xun commented on Historical Records as' a masterpiece of historians, and Li Sao has no rhyme', affirming its historical value and its literary value. The value of Li Sao is the same as that of Historical Records. Mr. Guo Moruo's comments on Qu Yuan and Qu Yuan's works can be found everywhere in this book. The following passage is even more intriguing, revealing the relationship between Qu Yuan and his works and the Chinese nation: "The Chu people exchanged the reputation of politically unifying China for the reputation of a Qu Yuan. ..... Qu Yuan created by Chu and Ci of Chu created by Qu Yuan actually unified China in spirit. If China people don't die, and China language doesn't die, the songs of the South will never be destroyed. The contribution of Chu people is immortal, and Qu Yuan is immortal. "

Scholars in past dynasties praised Qu Yuan's literary and artistic works. Apart from a large number of poems, there are also novels, plays and artistic works, among which biographies of Qu Yuan by Shen Yazhi, Qu Yuan's Throwing into the River by Sui, Qu Zi Xing Yin Tu by Chen Hongshou, Li Sao Tu by Xiao and Makeup Li Sao Tu by Men have great influence. Contemporary poems, novels, plays, movies and TV plays praising Qu Yuan have mushroomed, among which Guo Moruo's Hamlet-style historical drama Qu Yuan is the most famous. War of Resistance against Japanese Aggression's performance in Chungking aroused the patriotic enthusiasm of China people and put them into the national war against Japanese invaders.

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