The five ancient poems about the moon are as follows:
1. Text:
The lonely moon fills the building, and the cold river moves at night. Wei Bojin is uncertain, and the wedding dress is more and more suitable.
Interpretation:
A full moon hangs alone in the sky, facing the house. The moonlight shines on the rolling river in the autumn night, and reflects on the door of the house. . The long, winding and undulating water waves are constantly beating with golden light, and the gorgeous Qi mat is even more beautiful when illuminated by the moonlight.
Appreciation:
The whole poem keeps writing about the moon, the angle keeps changing, the artistic conception is broad, but it is cold and lonely, expressing the author's loneliness when facing the bright moon and his true longing for his relatives far away. . In the first couplet, from the moon in the sky, to the waves on the river, to the flickering of moonlight on the door, the perspective continues to change, creating a vivid and expressive moon. The poet in the couplet looked down at the moonlight on the Yangtze River from the river tower, and then switched from writing about the moonlight on the river to writing about the moonlight inside the house.
The poet's sight in the neck couplet shifted from indoors to outdoors, and then the poet looked up at the stars. In the last couplet, the poet imagines the moon in front of him to his hometown and relatives thousands of miles away, and thinks of being bathed in the moonlight thousands of miles away from them. This is the poet's beautiful wish and true blessing, and it is also his helpless consolation for being stuck in a foreign land for a long time and unable to return for a long time.
2. Text:
My song is lingering in the moon, and my dancing shadows are scattered. They make love together when they are awake, but they separate when they are drunk.
Interpretation:
I recite poems, the moon wanders with me, I dance, and the shadows follow me. When I'm sober, I share joy with you, but when I'm drunk, we go our separate ways.
Appreciation:
The poet has gradually entered the drunken country, and when he is drunk, he sings and dances. When singing, the moonlight lingers, lingering, as if listening to good news; when dancing, the poet's figure also turns chaotically under the moonlight, as if he is dancing in front of him. They rejoice with each other when they are awake, until they are drunk and lying on the bed, the moonlight and the figure are helplessly separated. "I sing about the wandering moon, and my dancing shadows are scattered. We make love together when we are awake, and we are scattered when we are drunk." These four sentences describe the moonlight and figure, and they are deeply attached to the poet. This is "standing" again.
It expresses the poet's loneliness that is difficult to resolve. Loneliness is not even to the point of inviting the moon and the shadow, and even in the years to come, I will never find someone to drink with, so I can only travel with the moonlight figure forever, and meet again in the distant fairyland.
3. Text:
When I was young and did not recognize the moon, I called it a white jade plate. I also suspected that the Yao Tai Mirror was flying in the blue clouds.
Interpretation:
When I was a child, I didn’t know the moon, so I called it a white jade plate. He also suspected that it was a fairy mirror from Yaotai, flying above the blue clouds in the night sky.
Appreciation:
The poet uses romantic creative methods, through rich imagination, clever processing of myths and legends, and strong lyricism, to form a magnificent, magical and profound artistic image. . The poem first writes about the childlike understanding of the moon in childhood: "When I was young, I didn't know the moon, so I called it a white jade plate. I also doubted that the mirror from the Yao platform was flying in the blue clouds.
With "white jade plate" and "Yao platform" The comparison with "mirror" vividly shows the shape of the moon and the brightness and cuteness of the moonlight, which makes people feel very novel and interesting. The two verbs "call" and "suspicious" convey the innocence and innocence of children. In the poem, one after another A novel and wonderful imagination, showing the poet's ups and downs of emotions, the words are flowing, charming and thought-provoking, reflecting the majestic, unrestrained, fresh and elegant style of Li Bai's poetry.