"Watching Luo" focuses on "narration". From the poem, we can clearly see that young men fall in love with "My Fair Lady" in order to pursue her, but they can't pursue her and get her in fantasy. But there is no clear story in Jiaxu. In the first sentence, it is written that the hero can't catch up with the water, but the Iraqi people are at arm's length. The second and third sentences are repeated recitations of the first sentence, highlighting the arduous and long pursuit, rendering the protagonist's feelings long and lasting, and showing the emotional state that the protagonist can't get close to the "Iraqi people" and always lights up hope. Compared with Guan Yu, Jianji's emotional charm is stronger.
In terms of artistic skills:
The word "Xing" in Jane's Notes is more prominent than the word "Xing" in Guanju. The images of "Sword Armor", "Water" and "Yiren" complement each other and blend into one, forming a complete artistic world with exciting things and objects to be described. At the beginning, the scene of reeds growing by the water in autumn is exactly "expressing meaning with images" and has the role of "passion" Because of the reed, and under the reflection of the sky and water, it is bound to present a state of confusion, showing the realm of "hazy love" in the hero's heart from one side. The hero has no contact with "Iraqi people" and doesn't even know each other's names, but as long as he can see farther, he will be satisfied. "Dimness" and "distance" are the moving parts of this poem.
Both Guan Ju and Jia Jian can read love poems, but there are great differences in style and expression.
Extended data:
There are three ways to express The Book of Songs: Fu, Bi and Xing.
1, Fu. Equivalent to today's parallelism rhetoric.
2, than. In Zhu's explanation, it means "comparing this thing with another thing", which means metaphor.
3. xing. Xing refers to other things that lead to the meaning of this thing, which is equivalent to the current symbolic rhetoric.
References:
Expression skills-Baidu Encyclopedia