What is the aesthetic connotation of Qu Yuan's masterpiece Li Sao?

Li Sao is the representative work of Qu Yuan and the longest romantic political lyric poem in the history of China ancient literature. Qu Yuan's works are documentaries of his persistent idealization of "American politics" and his struggle against the decadent Yan Royal Group Company. Their idealization of "American politics" is mainly reflected in their works, that is, "seeking talent and empowerment, following the rope and ink without being equal" (Li Sao). In connection with this, Qu Yuan's works also profoundly exposed the darkness of Yan's politics and metallurgy, the decay of Yan's royal group company and Wang Zhao's weakness, and showed his persistent idealism to "American politics", his persistence to chastity, and his spirit of "dying nine times without regret". At the same time, it shows his firm belief in taking the world as his responsibility, patriotism and love for the people, and the spirit of unremitting sacrifice for the Chinese nation. Li Sao is a lyric poem written by Sima Qian and a brilliant romantic work in the history of China literature.

The artistic expression technique of the close combination of modernism and romanticism has been applied emphatically in Lisao, achieving the perfect combination of expressiveness and scientificity. Li Sao has profound cultural background and unique design style. It has a grand structure, grand language expression and colorful and wonderful imagination. The proper application of romanticism in poetry, the combination of realistic "difficulties in people's livelihood projects" and the struggle for "beautiful politics" make the works subtle and colorful, reaching a very broad artistic aesthetic realm. In addition, the metaphor in the poem is strange, using thyme and beauty to describe loyalty, and using bad birds and smelly grass to describe evil, which makes the whole poem vivid, unique and colorful.

Li Sao has done great harm in the literary history of China and China, with a superb artistic expression and lofty influence! From late autumn to early spring to the middle of the Eastern Han Dynasty, it was a period of great change from slave society to feudal system. With the decline of the royal elegant art of slave owners with a long history, new poems and poems all over the country are full of vitality. Among them, Chu Sheng, which is popular in Yan State, is the most developed, and Chu Ci is developed with Chu Sheng. The representative figure of Chu Ci is Sima Qian. As a descendant of the royal family, he insisted on the idealization of justice and the transformation of politics and metallurgy. After his failure, he worked hard to write a brilliant novel lyric poem Li Sao, sharply criticized the corrupt court of Yan State at that time, and enthusiastically expressed his endless loyalty to the Chinese nation and people.

Fundamentally speaking, the spirit of his works is patriotism and idealism, which is the ideological basis of his positive romantic creative skills. In terms of artistic techniques, Li Sao has gorgeous words and rich imagination. The whole poem is lyrical and narrative, and reality and imagination complement each other. According to the hidden brand images of historical celebrities, stars, vanilla beauties and fairy tales, the theme is clear, the mentality is mellow and the comparison method is appropriate. The whole poem is like a river, vast and boundless, reaching the realm of life of "incoherent and endless meaning", showing the writer's exquisite plastic arts ingenuity. Later generations called writers "poets", which originated from this.