Li Bai's poem about mentality 1. Li Bai wrote a poem that adjusted his mind, faced difficulties calmly and was full of information about the future.
1, one day I will ride the wind and waves, sail straight up and cross the deep sea.
-"It's hard to go"
But since the water is still flowing, although we cut it with a sword, sadness will come back, even though we drown them with wine.
-"Xuanzhou Xie Tiao Building Farewell School Shu Yun"
3. Yanshan snowflakes are as big as seats, and pieces of them blow off Xuanyuantai.
-"Popular in the North"
Since God has given talents, let them be used! , spin one thousand silver, all back! .
-"will enter the wine"
5. You didn't see how the water of the Yellow River moved out of heaven and into the ocean, never to return; Have you seen the lovely hair in the bright mirror in the high room, although it is still silky black in the morning, it turns into snow at night?
-"will enter the wine"
Oh, let a man with spirit take risks where he wants to go, and never point his golden cup at the moon empty! .
-"will enter the wine"
7. The green hills on both sides of the strait are opposite, and the lonely sails come from the sun.
-"Looking at Tianmen Mountain"
8. Sailing alone in the blue sky, only the Yangtze River flows in the sky.
-"Yellow Crane Tower Farewell to Meng Haoran on the way to Yangzhou"
9, flying three thousands of feet, suspected that the Milky Way fell for nine days.
-"Looking at Lushan Waterfall"
10, three mountains and a half fall out of the sky, and Bailuzhou is full of water.
-"On the Phoenix Terrace in Nanjing"
1 1, laugh and watch the sky go out. I'm from Artemisia.
-"Nanling children do not go to Beijing"
The highest cliff is less than a foot from heaven, and the withered pine trees hang low on the cliff surface.
-"Shu Dao Nan"
13, a cloud rises between the light of heaven and me, hiding his city from my melancholy heart.
-"On the Phoenix Terrace in Nanjing"
2. What poems does Li Bai have about adjusting his mentality, facing difficulties calmly and being full of hope for the future?
1. One day, I will ride the wind and waves, sail straight up and cross the deep sea. -Li Bai, "It's hard to go"
Interpretation: I believe that one day, I can ride the wind and break the waves; Hang Yun Fan high and move forward in the sea.
2. End up peacefully with the country and go to the Five Lakes smoothly. -Li Bai's To Minister Wei Zichun
Interpretation: settle down first, and then live in seclusion after success.
Don't change your mind after being wronged, and then you will know a gentleman. -Li Bai's Two Poems for Wei
Interpretation: You won't know who a real gentleman is until you have wronged your loyalty.
4. But a curly heart. Sigh for aging without doing anything. -Li Bai's "To Wei Shiyu Huang Shang II"
Interpretation: As long as you try your best, you are not afraid of the passage of time.
5. Go again at this time and go to Sanqing. -Li Bai's Winter Returning to Laoshan
Interpretation: study hard and cultivate a noble character like Song.
6. ups and downs should be fixed, don't ask Junping. -Li Bai's "Send Friends to Shu"
Interpretation: Your advance, retreat, rise and fall are all decided, and you don't need to ask Junping Yamabe.
7. There is a lot of prosperity in it, and it will go to the rooftop sooner or later. -Li Bai's "Send a friend to find the mountains and rivers of China"
Explanation: It is very prosperous there. You can definitely visit Tiantai Mountain. Don't go to Zhejiang until you reach Tiantai Mountain.
8. The water suddenly dried up and the blue sky was gone. -Li Bai's On the Three Gorges
Interpretation: Bashui suddenly seems to have come to an end, and the sky is still trapped in it.
9. Wild geese make people worry, and mountains bring good months. -Li Bai's "Climbing Yueyang Tower with Summer Twelve"
Interpretation: It makes me sad to see geese flying south. The distant mountains bring a good moon.
10. When I was drunk, my friend was so happy that Tao Ran forgot his machine. -Li Bai's "Down to the South Mountain" gave Hu Si a cordial pillow and bowl.
Interpretation: I am very happy when I am drunk and forget the treachery in the world.
3. Li Bai's lyric poems
Since from a pot of wine among the flowers, I drink the bright moon alone, and I drink it alone. No one is with me.
Raise my cup, I invite the bright moon, which brings me its shadow and makes us three people. The moon doesn't know how to drink, but the shadow in front of it is behind.
I have to mingle with them and enjoy the happiness of spring. The song I sing is bright and wandering, and I dance the shadow before wandering.
I woke up and drank, and then I got drunk and we lost each other. I am willing to stay with them forever and forget the harm of friendship, just like the Milky Way.
Li Bai's poems vividly expressed his depressed mood at that time and concentrated his thoughts. In his life, he once had a life in Chang 'an that fascinated him, but more often he was frustrated in his official career.
Therefore, his poems not only express the idea of actively entering the WTO, but also reveal the idea of being born passively. I want to do something, but I can't get the appreciation and support of the rulers, and I can't find many intimate friends.
So he is often surrounded by loneliness and feels depressed and confused. From his poems, we can hear the cry of a lonely soul, which contains the protest against unreasonable society and the desire for freedom and liberation. That irresistible force is really enough to "shock the wind and rain" and "make the gods cry."
The first two sentences "since from a pot of wine among the flowers, I drink alone. No one is with me "highlights the word" independence ". People who love drinking generally don't like drinking alone. They are eager to have one or two confidants to talk and drink and pour out their repressed words.
Especially when the scenery is beautiful and the flowers are blooming under the moon, I hope to have a close partner to share the beauty of the scenery and the mellow wine with me. Li Bai was in the same mood when he wrote this poem, but he had no relatives and no wine, so he had nowhere to say, so he had to "hold up my cup, and I asked the bright moon to bring my shadow to the three of us" and invited Yue Ming for company.
These two sentences are from Tao Yuanming's Miscellaneous Poems. Tao said, "There is nothing to say, shake a glass to persuade the lonely shadow." But it was just "two people", and Li Bai invited the bright moon, so it was "bring my shadow and let the three of us".
However, the moon won't drink, and the shadow will only follow itself silently. Alas, the moon can't drink water, and my shadow follows me blankly, leaving me alone.
But it is good to have these two partners after all. "But for a while, I had these friends, which made me happy in the spring." Let's eat, drink and have fun with the moon and shadow for a while! Then write singing, dancing and having fun: "I sang." The moon encouraged me; I danced. My shadow is rolling in the back. Wait until you wake up, then I'll get drunk and we'll lose each other. "
"Wandering on the Moon" means that the moon has been moved by my singing and has been hovering around me, refusing to leave. "The shadow is messy" means that the figure is also making all kinds of irregular dances with his body.
At this time, the poet and they have reached the point of emotional blending. So then he said, "Don't drink until you wake up, and then I get drunk and we lose each other."
When they are awake, they are good friends, and when they are drunk, they will inevitably be separated. However, Li Bai did not want to be separated from them. The last two sentences say, "Is goodwill always safe? People in the same period. "
"Ruthlessness" means not being contaminated with the secular, and "heartless journey" means making friends outside the general secular relationship. Li Bai believes that this kind of unprofitable communication is the purest and most sincere.
He couldn't find this kind of friendship on earth, so he had to meet the moon shadow, hoping to take a trip with them forever and meet them in the high sky. "Han Yun" is the Milky Way, which generally refers to a paradise far away from the world.
Although these two poems show the Taoist thought of negative birth, Li Bai's thought is not completely negative. As far as his disgust and denial of the vulgar relationship between people in society is concerned, it should be said that it has profound positive significance and also shows the idea of actively joining the WTO. Although this poem says "bring my shadow and let the three of us", it mainly explains the moon.
Li Bai likes the bright moon since he was a child. "Gulang Moon Journey" said: "When I was a child, I didn't know the moon, so I called it Baiyupan. I also suspect that Yao Taijing is flying on the other side of Qingyun Mountain. "
In his young mind, the bright moon is already a symbol of light. He often pinned his ideals on the bright moon and eagerly pursued her.
At the beginning of "Quench thirst by drinking poison", I said, "When will the moon in the blue sky come? I'll stop for a drink and ask. People can't go to the moon, and the moon walks with people. "
The poem "Farewell Letter to Xie Tiao Building in Xuanzhou, Shu Yun" also said: "We are both proud and want to hold the bright moon in the sky." He wants to climb the moon and embrace it, which shows his yearning for a better future.
It is precisely because he hates the darkness and filth of society and pursues brightness and purity that he places such deep feelings on the bright moon. Even his death is legendary, saying that he died after drinking wine and catching the moon in the water. The bright moon often reminds Li Bai of his hometown.
When he was young, he visited Mount Emei in Sichuan, and the moon on Mount Emei left a deep impression on him. He wrote a song "Emei Mountain Moon Song", which said that "Emei Mountain falls in the first half of the moon and falls to the Qianghe River", which is quite famous.
In his later years, he wrote a song "The Moon Song of Emei Mountain" in Wuchang, which was written to send a Sichuan monk to Chang 'an. The poem said that when he saw the bright moon in the Three Gorges and thought of Emei, Wan Li accompanied him to the Yellow Crane Tower. Now meet your guests from Mount Emei, and Mount Emei will definitely send you to Chang 'an. Finally, he hoped that the monk Shu would "make a name for himself in the Imperial Capital and return to be the Emei Moon".
The bright moon aroused Li Bai's homesickness, so in the famous poem "Thinking of a Quiet Night", he would say, "Looking up, I found it was moonlight, and then sinking, I suddenly remembered home". When he saw the bright moon, he thought of Emei and his hometown of Sichuan. Yue Ming is another close friend of Li Bai.
"Dream on Mount Tianmu" says: "My heart and dream are in Wu and Yue, flying over Jinghu Moon overnight. The moon shines on my shadow, and I shine on Yanhe. "
In another poem entitled "Walking down the Mount Zhongnan to Good Pillows and Bowls in Hu Si", he said: "Walking down the Blue Mountain at night, moonlight is my escort home." Seeing the bright moon is simply a child's innocence.
More interestingly, when he heard that Wang Changling had moved to the left Dragon Label, he wrote a poem for Wang Changling. The poem says: "I am worried about the bright moon and will follow you to Yelangxi." In Li Bai's imagination, Yue Ming could follow Wang Changling to distant places with deep sadness.
When we know that the bright moon is so important to Li Bai, it is easy for us to understand why Li Bai placed such a deep friendship on the bright moon in the poem "Drinking Alone with the Moon". "Until, holding up my cup, I asked the bright moon, give me my shadow, let the three of us" and "Goodwill always be safe? I see the Milky Way is a long road. Li Bai has been with him since childhood, symbolizing light and purity, and often reminds Li Bai of the moon color in his hometown, which is worthy of Li Bai's infatuation with her.
4. Li Bai's personality and related poems
Personality characteristics: He didn't show fame all his life, but he held high hopes, despised the powerful by his clothes, unscrupulously mocked the hierarchical order centered on political power, criticized political corruption, and carried forward the heroism in the prosperous Tang culture with a bold rebellious attitude.
Li Bai's anti-power thought is becoming more and more conscious and mature with the enrichment of his life practice. In the early days, it was mainly manifested in the equal requirements of "self-improvement, not being human" and "making friends with princes", as he said in his poem: "I was drunk in Chang 'an, and five kings and seven people shared a glass of wine.
In the face of heroic spirit, the romantic spirit will fall behind others! "("Liu Yelang presented the judge Xin ")" Encourage the nine masters to ride, making waves and becoming red. " ("Ode to the Jade Pot") He sometimes makes grandiose remarks that show contempt for powerful people, such as "Gold and white jade buy songs and laugh, and get drunk and tired, and despise princes" ("Remembering the past" sent the county yuan to join the army). But his main performance is inner pride.
With the understanding of the actual situation of high-level power groups, he further revealed the opposition between Buyi and dignitaries: "Zhu Yu buys songs and laughs, wasting talents." (The fifteenth time of "Ancient Style") "Wu Tong nest finch, orange."
(Article 39 of Antique. The ugly behavior of those who stole power because of flattering the emperor is even more ironic, such as: the cart flying dust, the pavilion is dark in the afternoon.
China is more expensive than gold, and Lianyun has a room. He Huihe was dubbed cockfighting.
When the snorts are dry, pedestrians are afraid. There is no such thing as washing your ears, only Yao and your feet! In "Dream on Mount Tianmu", he made the loudest voice: Ah, how can I solemnly bow and scrape to those high officials whose sincere faces will never be seen! The significance of this artistic generalization in Li Bai's poems is as important as Du Fu's famous sentence "The wine and meat in Zhumen stink, and the bones on the road freeze to death" ("Ode to 500 words from Beijing to Fengxian").
In the deteriorating political situation at the end of Tianbao, Li Bai linked anti-dignitary with extensive social criticism. For example, Answering the King on Twelve Cold Nights not only fought bravely for the fallen sages, but also expressed disappointment and contempt for the imperial court: If there is no Beihai in Li See, where can there be heroic spirit? If you don't look at Pei Shangshu, there are three feet of wormwood thorns in the earth grave.
Teenagers have long wanted to go to the Five Lakes. Seeing this, I will spare Zhong Ding. Li Bai even sharply reprimanded Xuanzong himself in the way of satirizing modern people in his poems, such as "Feeling the Book, My Friend", "Ancient Style" and "Ascending to the Far Sea".
In a word, it can be said that he developed the anti-power theme in Tang poetry to the point of dripping and hearty. Ren Hua said that Li Bai "has lived for decades, but he has never seen Li Bai's painting fade for a day" ("Miscellaneous Words Send Li Bai"). This consciousness of never giving in to powerful people and bravely resisting and maintaining self-dignity is an important content of attaching importance to personal value since Wei and Jin Dynasties, and it is also a tradition of attaching importance to strength and character. It is under the new historical conditions that Li Bai inherited and carried forward this excellent tradition and became a superstar in poetry.
Li Bai's poems and songs are full of passion for life. His poems are often full of childlike interest in the wild, such as: "Two people love each other, one cup after another."
I want to sleep when I am drunk. You can leave yourself. If not, take the violin in the morning. "("Lovers in the Mountain ")" The sleeves are long and the sleeves are easy, and the Hanzhong satrap is drunk.
Put a robe on me. I'm drunk and sleep on a pillow. "("Reminiscing about the past and sending Yuan to join the army ") Life is like strong liquor, which fascinates the poet. Of course, this is not to say that there is no sorrow and pain in life, but the poet's optimism is enough for him to transcend and overcome his sense of hardship. Do you have time to worry about life? "And drink and climb the stairs" (the song of Liangyuan), "Drunk Jia Qianchi, don't look at the monument to tears" (the fourth song of Xiangyang), which is a portrayal of his broad-minded mentality.
He is never satisfied with loneliness and loneliness, such as I drink the bright moon alone: from a pot of wine to flowers, I drink alone. No one is with me. Raise my cup, I invite the bright moon, which brings me its shadow and makes us three people.
The moon doesn't know how to drink, but the shadow in front of it is behind. I have to mingle with them and enjoy the happiness of spring.
The song I sing is bright and wandering, and I dance the shadow before wandering. When you are awake, you are happy together, and when you are drunk, you go your separate ways.
I am willing to stay with them forever and forget the harm of friendship, just like the Milky Way. Only a energetic poet can come up with such a fantastic idea.
He has a "short song line", and the idea is: "If you want to win the Six Dragons, go back to the car and hang the Fusang. With the help of the Big Dipper, every dragon advised them to drink a glass of wine, so they all fell asleep and couldn't stay awake.
Wealth is not what you want, people are in their twilight years. There is no sigh of the past, but the naive imagination of "persuading wine", which expresses infinite attachment to life.
These poems, with their pure interest, appeal to the beautiful human nature submerged by vulgar life, thus gaining permanent charm. Li Bai has a strong feeling for nature, and he is good at integrating his personality into natural scenery, which makes his landscapes and valleys have idealized colors.
He said in the poem "Sunrise": "I will include a big piece, and I will be noble and have the same topic." He also said: "Yangchun told me to smoke, and I took articles during the holidays."
(From the preface of my brother's spring banquet in Taohuayuan) Li Bai is heroic and pursues a pure and noble state of mind. These different personality aspects also form two types of his artistic conception of mountains and rivers: one is to highlight the beauty of strength and movement in the majestic mountains and rivers, and express his lofty aspirations in the magnificent artistic conception; The other is to pursue the bright and clean beauty of Li Bai's pictures and express spotless innocence in beautiful artistic conception. For example, the Yellow River and the Yangtze River in his works roared and roared: "How does the water of the Yellow River move out of the sky and into the ocean, and never return" ("Into the wine"); "The Yellow River Wan Li touches the mountains, and the vortex hub turns to Qin Mine ... djinn growls and breaks the two mountains, and Hongbo jet shoots the East China Sea ("Xiyue Yuntai Song Send Dan Qiu Zi "); "I climbed up. I look at the whole world, and the vast rivers can't go.
"Huang Yun is popular for a hundred miles, and the snow peaks are around nine streams" (the song of Lushan suggestion and Lu Xuzhou); "Poseidon has been to the evil wind, and the waves hit the stone wall of Tianmen. What happened to Zhejiang in August? Snow in Taosi Mountain (Hengjiang Ci).
The peaks in his works are towering and steep: "The highest cliff is only one foot below the sky, and the withered pine trees hang their heads from the surface of the cliff" (Shu Dao Nan); "Straight into the sky, its peak into the sky, the top of the five holy peaks, casting a shadow through China; The rooftop is 18,000 feet, right here, and it begins to turn to the southeast (Dream of Tianmu Mountain). He endowed mountains and rivers with lofty aesthetic feeling with heroism in his chest. His praise for the great power of nature is also a tribute to the far-sighted and unremitting pursuit of life ideals. Extraordinary natural image and proud heroic character are integrated.
At the same time, Li Bai wrote many beautiful artistic conceptions with crystal clear.
5. The mentality determines all Li Bai's cases.
Li Bai (70 1-762) was born in Long, Mian County (now Jiangyou, Sichuan).
The most outstanding poet in the prosperous Tang Dynasty is also a great romantic poet after Qu Yuan in the history of China literature, and he is known as "Poet Fairy". In his youth, Li Bai studied in a wide range. In addition to Confucian classics and ancient literary and historical masterpieces, he also browsed hundreds of books and became a "good swordsman".
Believing in Taoism, having the idea of transcending the secular; At the same time, he has the political ambition to make contributions. The poems he wrote in Shu as a teenager are rarely preserved, but they show outstanding talent.
Li Bai traveled in eastern Sichuan when he was about twenty-five or six years old. In the next ten years, he roamed many places in the middle and lower reaches of the Yangtze River and the Yellow River. In the 18th year of Kaiyuan (730), he once arrived in Chang 'an to strive for a political way out, but failed.
In the first year of Tianbao (742), he was called by Xuanzong to worship Hanlin in Chang 'an as a minister of civil affairs and participated in drafting documents. Less than two years later, he was forced to resign and leave Beijing.
During this period, Li Bai's poetry and song creation tends to be mature. 1 1 years later, continue to wander in the middle and lower reaches of the Yellow River and the Yangtze River. "Wandering around the world, it is suitable for poetry and wine."
He still cares about state affairs and hopes to be re-appointed by the court. In the third year of Tianbao, Li Bai met Du Fu in Luoyang and became good friends. They didn't meet again after breaking up the next year.
In the fourteenth year of Tianbao, the Anshi Rebellion broke out, and Li Bai lived in seclusion in Xuancheng (now Anhui) and Lushan Mountain. In the second year1February, he was invited to the Lee Shogunate in Wang Yong, hoping to eliminate the rebellion and restore national unity.
After Wang Yong angered Su Zong and was killed, Li Bai was also found guilty, imprisoned in Xunyang (now Jiujiang, Jiangxi) and soon exiled to Yelang (now Tongzi, Guizhou). On the way, I was forgiven and came back. I was 59 years old.
Living in Jiangnan area in his later years. At the age of 6 1, I heard that Qiu Li Guangbi led an army out of the city to attack the Anshi rebels and went north to join the army to kill the enemy. He turned back halfway due to illness.
The following year, he died in the apartment of his uncle Dangtu (now Anhui) county magistrate Li. Li Bai's poems have been lost a lot, and there are still more than 900 poems with rich contents.
Li Bai cared about national affairs all his life, hoping to make contributions to the country, but he was not satisfied with the dark reality. His 59 antiques are representative works in this field.
The dark corruption in Tang Xuanzong's later politics was widely exposed and criticized, which reflected the grief and indignation of talents who had nowhere to go. A lot of words are ironic, and the spirit is very high.
Li Bai is eager to make contributions and serve the country, but he does not envy wealth. What do you think of are bells and drums, treasures and treasures? . After making contributions, he will follow the example of Lu Zhonglian, a senior scholar in the Warring States period, and quit without respect.
His thoughts were obviously influenced by Taoism, especially Zhuangzi. Many of Li Bai's poems show concern and sympathy for people's lives.
This content is often combined with criticism of rulers. Some of his Yuefu poems reflect women's lives and sufferings, which focus on thinking about women and remembering people, as well as the grievances of businessmen, abandoned wives and maids.
His "Lodging in Wusongshan Mountain, Uncle Xun", "Song of Protection" and "Song of Autumn Pu" describe the lives of farmers, boatmen and miners respectively, showing concern for the working people. Li Bai wrote many poems describing natural scenery in his life.
His poems "It's difficult to ascend to heaven through the Shu Road", "The water of the Yellow River can't be moved out of the sky and into the ocean, and it will never return" ("Into the wine"), "Flying down three thousands of feet, it is suspected that the Milky Way has fallen for nine days" ("Looking at Lushan Waterfall") and so on are all famous sentences that have been passed down through the ages. This kind of poetry, just like some of his works praising Dapeng birds, shows his lofty aspirations and broad mind, and reflects his desire to pursue extraordinary things from the side.
Other poems, such as Qiudeng Xuancheng Xie Tiao North Building, Sitting alone in Jingting Mountain and Journey to Qingxi, are good at depicting quiet scenery, fresh and meaningful, and their styles are close to those of Wang Wei and Meng Haoran. Li Bai also has many poems about love and friendship.
His Yuefu poems often express euphemistic and profound love from the perspective of female inheritors. There are also some poems about giving gifts and missing your wife, and their feelings are quite deep.
Li Bai donated a large number of works to his friends, including many excellent works. Some of these poems show a distinct political attitude, and more often they show their daily farewell and lovesickness, such as the Yellow Crane Tower's farewell to Meng Haoran and Du Fu at Dunmenmen, hearing that Wang Changling moved to Longbiao Kiln for this purpose, reminiscing about the past, visiting the army and giving Wang Lun a present. Deep feelings, vivid images and strong artistic appeal.
The content of Li Bai's poems also contains some feudal dross, among which more is the negative nihilism of promoting life as a dream, eating and drinking, and the religious superstition of seeking immortals to visit the Tao and alchemy. Some of his poems about women and love are vulgar.
In Li Bai's poems, exaggerated and vivid metaphors are widely used. His poems, such as "But since the water is still flowing, even though we cut with swords and raise our glasses to drown our sorrows" and "White hair is three thousands of feet, and sorrow is like a beard" (Song of Autumn Pu, article 15), depict his deep worries after the failure of political activities in Chang 'an, which are widely circulated.
For example, he wrote "Poetry is a gift from the north window, and a thousand words are not as good as a glass of water" ("Answering the Twelve Cold Nights of the King") and wrote his own talents; "I would like to cross the Yellow River, but the ice will choke on the ferry, and Taihang Mountain will be covered with snow" ("Difficult to Travel"), which is difficult to write a career; "Peach Blossom Pond is deeper than thousands of feet, not as good as Wang Lun" ("To Wang Lun"), and writing about the deep friendship between friends all impress readers with distinctive and prominent images. The imagination of Li Bai's poems is very rich and amazing.
His "Strong winds blow my heart, and fairy trees hang in the west" ("Jin Xiang sends Wei Ba to the West") and "My heart is full of worries about the bright moon, and I stay in the West with the wind" ("I heard that Wang Changling moved to Longbiaoyao to leave") all show his nostalgia for Chang 'an and his poetry friends with strange imagination. Fu Liangyin, Antique and Lotus Mountain in the West respectively express the destruction of Chang 'an City and the ravages of Anshi Rebellion on the Central Plains through fantasy. Farewell from afar shows the hidden worries about the political situation in the later period of Tang Xuanzong through the wandering fantasy legend. They are vivid and meaningful.
With the help of myths and legends, Shu Dao Nan and Meng Deng Tian Mu Shan have built a colorful and thrilling realm. The rich imagination of Li Bai's poems is particularly prominent in the long seven-character poems, which can be seen.
6. The psychological description of Li Bai.
At the beginning of the poem are two parallel long sentences, such as rushing to the reader with the wind and rain. "Didn't you see how the water of the Yellow River moved out of heaven and into the ocean, never to return?" Angelababy is not far from the Yellow River, so it's interesting to climb the mountain. The Yellow River has a long history and a great gap, such as falling from the sky, spilling thousands of miles and entering the sea eastward. Such a magnificent wave scene can be seen extremely badly without the naked eye. The author wants to fall from the sky and "get the word and get it", which is exaggerated. The last sentence says that the coming of the big river is unstoppable; The next sentence says that the river is gone and irreversible. One rises and one disappears, forming a breath, which is not available in short sentences (such as "The Yellow River falls into the sky and returns to the East China Sea"). Then, "you didn't see the lovely hair in the bright mirror of the high room, although it was silky black in the morning and turned into snow at night" is like a turbulent wave. If the first two sentences exaggerate the space category, they exaggerate the time category. Sigh that life is too short, not to hurt the boss bluntly, but to say "how cute the mirror lock on the shelf is", a gesture of grasping the head and watching the film and calling for help, just like painting. Describing the whole process of life from youth to aging as "morning" and "evening", shortening the short-lived things and making the strong waves stronger than the previous two sentences, is a kind of reverse exaggeration. Therefore, the first set of parallel long sentences is metaphorical-the river is gone forever, indicating that life is perishable, and it also has a comparative effect-while the great eternity of the Yellow River shows the smallness and fragility of life.
This beginning can be said to be extremely sad, but it is not delicate. It can be said that it is a giant sadness with thrilling artistic power, and it is also caused by the sense of momentum at the beginning of long sentences. This opening technique is commonly used by the author, such as "I had to throw Bolt and me away from yesterday;": Today it hurts my heart even more "("A farewell letter to Xie Tiao Tower in Xuancheng "), Shen Deqian said:" This body is too white and self-centered ",which shows that it is quite original. This poem is a call for "not seeing you" (generally Yuefu poems are only used occasionally at the beginning or end of the article), which greatly enhances the emotional color of the poem. Poetry has the so-called big opening and closing, which can be described as big opening and closing.
7. What poems express a "positive attitude"?
1. Cao Cao's Looking at the Sea
On the east coast, climb Jieshi Mountain to see the vast sea.
The sea is so vast that the islands stand high on the sea.
Trees and paraquat are very lush. Autumn wind makes trees make sad sounds, and the sea is surging.
The movement of the sun and the moon seems to come from the vast ocean.
Journey to the sun and the moon, if you go out.
Han is a talented star, if you take him by surprise.
I am glad to use this poem to express my inner desire.
2. "Although turtles live long" Cao Cao
Although the tortoise has a long life, it still has its time.
The snake rides the fog and ends in dust.
The old horse lurks, aiming at a thousand miles.
The martyrs were full of courage in their later years.
Surplus and contraction periods are not just in the sky.
Blessings that nourish grace can last forever.
I am glad to use this poem to express my inner desire.
3. Liu Yuxi, "The First Meeting of Yangzhou Rewards Lotte"
The mountains were desolate and silent for twenty-three years.
People come back. Like people in Michelle, I can only play the flute, and I am disappointed.
On one side of the boat, Qian Fan races; At the head of the sick tree, every year is a spring shower.
Today, listen to you sing a song, drink a glass of wine and cheer up.
4. "It's hard to walk alone" Li Bai
The cost of pure wine is a gold cup, 10 thousand copper coins and a hip flask, and I am ashamed of 10 thousand yuan. (shame: hey; Direct connection: value)
I threw the food bar and cup aside. I couldn't eat or drink. I pulled out my dagger. I peeped in four directions in vain.
I want to cross the Yellow River, but ice will block the ferry and Taihang Mountain will be covered with snow. (A work full of snow: dark snow)
I will sit on a fishing rod and lean lazily by the stream, but I suddenly dream of sailing a boat towards the sun. (Bi Zuoyi: Sit)
Travel is hard. Travel is hard. Don't go astray! Where to go today.
One day, I will ride the wind and waves, raise the Yun Fan and cross the sea.
5. "Delighting in Rain on a Spring Night" Du Fu
Good rain knows the season, when spring comes.
Sneak into the night with the wind, moisten things silently.
The wild path is dark, and the river is bright.
Look at the red and wet place, the flowers in Jinguancheng are heavy.