Travel more and increase your knowledge is the fundamental way.
Otherwise, no matter how beautiful the words are, they just moan.
It's disgusting.
So you might as well start from your side.
Record your feelings bit by bit.
Then enrich your life.
Read some literary works properly
How to learn to write modern poetry
Recently, I browsed the ancient poems and modern poems written by online writers, and I feel that there are several points:
1。 Although Lu Xun said that there were no poems after the Tang and Song Dynasties, it is undeniable that many outstanding modern folk poets absorbed the essence of their predecessors and wrote many excellent works. However, it is limited to ancient poems. The quality of modern poetry is obviously not as good as that of ancient poetry.
Why? This is related to the uniqueness of ancient poetry. China people's square characters are characterized by one word, one sound, tangible sound, understanding and other structures, and the semantic ambiguity of words is very strong, which is very suitable for creating ancient poems that need to be understood. Many ancient poems have no taste after being translated into modern poems, which shows that the writing of ancient poems mainly pays attention to artistic conception, and the creation of artistic conception mainly depends on the vague meaning of a single word, such as "there are no birds in a hundred mountains, and thousands of people are not seen"; "pushing the window for a thousand years of snow"; And so on, readers can think of endless connotations; However, the discourse structure and word semantics of modern poetry are relatively clear, leaving readers less room for imagination and obviously lacking in depicting artistic conception, which needs the author to make up for with higher writing skills; Therefore, in this sense, writing excellent modern poetry requires relatively greater literary literacy. "Spring breeze is green in Jiang Nanan", and the author deliberately uses "green", which is the advantage of ancient poetry. If the countryside is translated into modern poetry, it will certainly be translated into concrete verbs that make people unable to imagine the space, and the artistic conception will disappear greatly.
Of course, it is also necessary to write good ancient poetry, but after he has mastered some knowledge of ancient poetry, it is relatively easy to get started. Therefore, the prosperity of ancient poetry on the modern network is not unexpected. However, this was left to us by our ancestors. At the same time of inheritance, how can we carry it forward and be more consistent with modern languages? We must never be satisfied with repeating what our ancestors said and what already exists. If we do this forever, China's poetry will have no future and lose its innovation. Foreigners, especially American Pound, had the courage to innovate as early as the middle of last century, absorbed the advantages of poets such as Wang Wei and created intentional poems. However, we have not inherited and innovated ourselves. Either we have been writing obscure poems and symbolism with foreigners, or we have been writing with the ancients, writing things that the ancients have played, but we have no good things of our own. At this point, the Japanese are doing better than us. They studied our Tang poems, but they created haiku. They absorbed French symbolism, but kept the style of ancient poetry meter.
Someone once said that there are no poets in China. An online poet retorted loudly: "I do!" Very well, China needs a poet, but he is only a modern writer of ancient poetry. Without innovation, his poems are doomed to be forgotten. If someone who writes modern poetry can bravely stand up and say, "I am a real poet in China!" Then, there is hope for China's poetry.
The meaning and truth of poetry is a big topic, and it is ridiculous for amateur writers of our generation to talk about this topic. Talking about this topic requires serious and profound thinking, research and thinking about the history of poetry itself, and the poet himself should also have profound theoretical cultivation of poetry.
Some people say that poetry is written for themselves, but I don't quite agree with it, but I'm not completely opposed to it-people are social people, so are poets, and poets will always be a part of society. No poet can write a beautiful chapter without divorced from reality. Water, sand and clouds are just a drop of water in the sea or stream, a grain of sand in the desert and a cloud in the sky. The poet is a society, himself and an individual. He has a unique life experience and has his own characteristics with the things in this society. A grain of sand is different in size and texture. All these can be expressed in a poet's poem-"A dangerous building is a hundred feet high, and you can reach for the stars, but you dare not speak loudly for fear of disturbing people." As far as I know, this poem is purely a personal soul and an experience of real life. Its social value is not positive, and there is no objective embodiment here, but this does not affect its spread to future generations as an excellent poem. "Night gives me black eyes, and I use them to look for light." Pure and concise modern poetry, similar to the poem of truth, does not fully show its social value in this poem, but its enlightenment to the soul cannot be ignored. Comparing the two, who can clearly answer whether ancient poetry is excellent or modern poetry is excellent? No matter whether the poet is extremely lonely, has an extraordinary aura, or is far-sighted and looks forward to the future, he still belongs to this society and individuals in essence.
The difference between ancient poetry and modern poetry in form is the most obvious and fundamental, especially in emphasizing the level and even the writing style. Paying attention to form, that is, stubbornly believing that writing poetry must be proficient in meter and completed in accordance with the prescribed format, is harmful and does more harm than good. Why modern poetry rises is a topic worthy of our consideration. Modern poetry creation is the mainstream of poetry creation in this era and even in the future, which can be seen from the proportion of poetry published on the Internet and traditional journals. On the other hand, if the mainstream position of ancient poetry is not restricted, I am afraid that the level of modern poetry has already surpassed that of ancient poetry. In detail, I think there is no difference between ancient poetry and modern poetry in time and history. Whether you like ancient poetry or master modern poetry is related to the author's personal hobbies and creative methods, and has nothing to do with the quality of the poem itself, or whether it exists or not, which has no conflict with the requirements of poetry creation (both metrical poetry and modern poetry need musical beauty, jumping, dialectics and a tangible life experience).
Modern poetry has sprouted in ancient China. Which of Qu Yuan's Xi Fu, Huai Sha Fu, Li Sao Fu, Ode to an Orange, Li Bai's Climbing Mount Tianmu in a Dream, Drinking Difficult, Du Fu's Autumn Wind Breaking the Cottage, and Chen Ziang's Youzhou Tower pays attention to meter again? Among them, both content and music rhythm are equally excellent. Does unlimited meter affect its status as a masterpiece through the ages? The reason is that the spiritual connotation conveyed by these poems has made them great. Why do we always turn a blind eye to this, being self-righteous and complacent about the profoundness of China's ancient poems? Unfortunately, under the influence of the wave, China's ancient poems, which were not restricted by form, declined directly after the Tang Dynasty, and were not deepened and developed, which was inseparable from the ban on indium in politics and literati's thoughts at that time and their education. The long-term rule of metrical poetry in China has seriously restricted the development of modern poetry, so that the creation of China's free verse finally failed to form a climate and almost disappeared. It was restricted and stifled by the rules of China's ancient body rhyme. In the Qing dynasty, it almost completely declined and could not see the afterglow of the sunset. In modern times, an ancient civilization, modern poetry actually needs to be introduced from abroad, which shows the depth of its harm. However, before 1934, who saw this? The real poets in contemporary China have deeply realized this point. Of course, from another perspective, we can't deny that China's classical poetry creation is beneficial to the development of China's classical poetry. Its strictness and style are indeed unmatched by other countries in the world, and it has become an unshakable and can only be looked up to. We can't deny its historical value and position, let alone its historical significance and social value, but we can't help but say that it is not the sorrow of China's poetry art, which has delayed the development of modern poetry in China for at least one thousand years. The classical poems created by contemporary poets are almost ignored, either because of quality problems or because of the lack of excellent poems. It profoundly reflects the future development direction and irresistible historical trend of poetry. After all, poetry needs to be developed.
What is a really good poem? When I put forward such a question, I thought about it again and again, and I think it is more appropriate to grasp it this way: only poems that are harmonious and unified in content and form, truly reflect the soul's experience of life, life and reality, can move people's hearts and arouse thinking and * * * can become excellent poems.
We can have our own special hobbies, but we can't criticize a certain type of poetry irresponsibly because we don't like it or find it obscure. Individuals unilaterally and subjectively think that it is only a personal matter, and sometimes we can't get to the point directly, or think that poetry creation is simply moaning without illness. At the very least, it is not a respect for the author's painstaking creation. Of course, we can ignore poems with imprecise creative attitude, or point out the shortcomings of their poems, which is conducive to communication and improvement after all.
As for readers' different views on the same work of an author, I think it is caused by the difference in readers' level and attitude towards reading poetry, or by personal life experience. I remember a master poet who read his own poem at different times. He told us that his understanding was completely different, and the poet himself was still like this, let alone others. As for the naive statement that a friend told me the other day that the work of an author who won the first prize was not pleasing, I wonder if we can talk about other things after thoroughly understanding his award-winning works.
As literary works, there are great differences, even essential differences, between poems, essays and novels. Simply put, prose expresses the author's feelings, thoughts and views on the outside world. Novels are the experiences of characters, and these things are expressed through words. A string of words has no meaning in itself. When they are combined and perceived by readers as a whole, they gain value. At this time, the text has become a tool and carrier for the author to express his meaning. Therefore, when judging essays and novels, we should first consider what value the author wants to express when writing them. Good creativity and accurate and beautiful words constitute a good work, and consciousness is the fundamental purpose of the work.
But what is modern poetry? Its author breaks away from the meaning world composed of words and looks down and appreciates them. Just when we came to the big garden, we stared at every blooming flower carefully. At this time, the author became a gardener, collecting all kinds of flowers he liked and weaving beautiful patterns. As for what this pattern represents, he doesn't care.
Modern poetry is also composed of words that the author thinks are beautiful and pleasant to hear, and each word gives people a good feeling. Perhaps there are various values and meanings endowed by people behind them, but this ingenious combination has no meaningful support, and the whole they form does not represent a certain meaning or value. It's like the same song. Notes make up a beautiful melody, but they don't point to a specific meaning. The key is to be friendly. No wonder poetry and songs have been formed into a word by others: poetry. Obviously, writing itself has become the purpose of modern poetry.
Therefore, to evaluate a modern poem, we should see whether it can give us a natural aesthetic feeling, and then its meaning and value can be freely endowed by readers.
Prose is a wonderful flower in literature. China's literature has traces of prose for a long time, such as Ouyang Xiu's Zuiweng Pavilion, Fan Zhongyan's Yueyang Tower and so on. But the most successful is Xu Xiake's travel notes. Although this article belongs to the category of travel notes, in content and thought, it broke away from the simple lyrical article of borrowing scenery and created a new genre of prose.
Since modern times, a large number of essayists have emerged in China. Such as Zhu Ziqing, Yang Shuo and Ai Qing. Some of their works are fresh and beautiful, and some are profound and dignified. But they all recorded and admired the establishment, growth and development of the new China. This has a profound influence on the later prose style.
To sum up, there are two main aspects worthy of attention in prose, namely genre and style.
Let's talk about genre first. There are several prose genres now. There are essays, modal particles, travel notes, narrative lyricism and so on. With the author's different feelings, the definition of each essay is different.
In a few words, speak your mind, such prose is very essence, and complement modern poetry; Delicate and meticulous artistic conception, such prose is very concise, the author must have profound meaning, and must be understood in combination with the topic.
Talk about style. There are fresh, dignified, joyful, sad, positive, lonely and countless. But there is a purpose, that is, the writing must be beautiful and the article must be smooth. The shape is scattered but the spirit is not scattered. There must be a finishing touch at the end, highlighting the theme and reflecting the idea of this article.
In fact, life is like wine, and articles are like tea. A successful good article is a good article as long as it can attract readers' attention. Although prose has its own unique laws and categories, who is not moved by it as long as it is written from the heart? The same is true of awkward sentences in ancient poetry.
What is prose? Prose is the soul writing on paper!
How to write prose?
A, feel life, feel happiness
-Prose writing should have rich feelings.
This is a true story. A chubby ten-year-old man suddenly shouted at a table full of delicious food, "I want to die." I ate all the dishes. What's the point of living? " My mother was shocked and went to consult a psychologist. The doctor prescribed a patch of medicine "simple tea and light rice" and said, "This is a psychological obstacle-I can't feel happiness. There are still many people suffering from this disease. " After reading this story, we can't help feeling that my mother's heart is great, but her greatness has been lost by some excessive care and love. Sons and women are used to this kind of care and love, which is a terrible numbness. Xiaopang is born without knowing happiness, and doesn't understand maternal love at all, let alone happiness. Are there chubby students? To write a good composition, you must first have a sensitive heart. Now, the life of middle school students seems very boring. 3: 0 1, family (dormitory)-teacher-canteen. Coupled with the heavy pressure of exam-oriented education, it is easy to fall into a state of mechanical numbness. Students may say, what's the good feeling? However, if you can observe and feel carefully, there are many beautiful feeling waves in the sea of Wang Yang where you study and live. What matters is how to capture it sensitively. "Between teachers and students" is an eternal topic in school life. There are so many things between teachers and students in and out of class, and the friendship between teachers and students is so deep over time, but why not "take it lightly and teach by example"? Because I have become accustomed to it and turned a blind eye, I have never tasted it carefully. Students must remember several details in My Teacher written by Wei Wei, and how delicate the author's feelings are. He really wrote about the children's psychology and felt that Teacher Cai loved them, so Teacher Cai held the whip high and landed it gently on the slate. In fact, a teacher's gesture and devotion to a specific scene will give students a unique feeling, but you usually don't notice it.
How to write a good composition? As an author, there are some necessary conditions. The first condition is interest, the second condition is interest and the third condition is interest.
First of all, we should read a lot of famous books, and those essays that can be called "beauty" directly penetrate into the author's interest and soul.
Secondly, we should have rich life perception and experience. Prose is written to express what the author sees, hears and feels, and to understand and evaluate life. Only when the author has deep feelings about real life and arouses strong feelings will he have the desire to write. Because of feelings, people, people and nature will feel empathy. Life and death, emotions, tides, ups and downs, ups and downs ... have all become topics of expressing feelings. What's more, observe if you can care, and be as detailed as possible. A keen heart can hear the deepest voice of others, feel the pulse of society, and then explore its roots and possible future development.
Third, the important accomplishment of writing prose with my own style is that I write my mouth with my heart and never go with the flow. There are five points to pay attention to: ① Describe the real story and make some artistic processing on the basis of the real story. (2) to express the author's life feelings, generally do not force a complete plot. 3 Free and diverse, with scattered forms. (4) concise, short and pithy. ⑤ The language is simple and beautiful, simple and natural.
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