How to grasp the sense of rhythm in art

The ancients believed that the natural landscape was colorful and ever-changing in spatial form and extremely vivid and diverse in time state. Looking for the truth of life from rocks, trees, Shui Ze and clouds and grass, and pinning their hearts and emotions are the true intentions of ancient artists in China to create landscape paintings. For the creation of landscape painting, the spatial characteristics of China's landscape painting are closer to a transformation of time and space. The painter not only considers what he sees, but also cares about the process of inner change and what he thinks. Express objects with the state of life. Unlike western paintings, China's landscape paintings are not limited by light, shadow, texture and perspective, but rely more on virtual reality, occlusion and irregular proportions to imply the space of clouds, running water, rocks and trees, which makes the expression of nature more casual, subjective and profound. The so-called "inferiority complex, heart wandering in space, heart harmony in the mysterious realm, meaning floating white clouds, forgetting my face, aiming high." A painting can walk from the front of the mountain to the back of the mountain, or from the top of the mountain to the bottom. A long scroll can hold all the seasons, rain and snow. It is not a specific mountain, a specific water. It has light and shade, expression, spirituality and more life, which can make viewers feel happy and sad together. This magic, this unique vision and soul of China's philosophy and culture, you can't see it in western landscape paintings. Simply put: