The superposition of several images: 1. Expressing emotion with scenery, containing feelings in scenery, constitutes a sad and sad artistic conception in the blending of scenery and feelings. China's classical poems attach great importance to the creation of artistic conception. Artistic conception is an important category in the aesthetics of China's classical poetry, and its essential feature lies in the blending of scene and scene and the unity of mind and matter. Whether emotion and scenery can be well combined becomes the key to the formation of artistic conception. In the Qing Dynasty, Wang Fuzhi's Xuanzhai Poetry said: "There are two names of scenery, which are inseparable. God is infinite to poets. " Wang Guowei's abridged draft of human ci says: "All scenery words are sentimental words." The first four sentences of Ma Zhiyuan's poem are all about scenery, and these scenery words are sentimental words. Words such as "withered", "old", "faint" and "thin" make the rich autumn colors contain infinite sadness and bitterness. And the last sentence "heartbroken people are at the end of the world", as a curved eye, is even more wonderful, which makes the scenery described in the first four sentences become the environment for people's activities and the fuse for heartbroken people at the end of the world. The scenery on the song is not only what Ma Zhiyuan saw during his trip, but also what he saw in his eyes. But at the same time, it is its emotional carrier and an inner thing. The whole song is full of emotion and scenery, which constitutes a touching artistic realm. Secondly, many dense images are used to express the author's pain and hatred of autumn during the journey, which makes the work full of rich poetry. Image refers to the artistic image used to convey the author's feelings and contain the author's thoughts in poetry. China's classical poetry is characterized by the complex and intensive use of images. Many poets in ancient China often arranged numerous images closely in their poems to express their thoughts. This song by Ma Zhiyuan clearly embodies this feature. There are ten kinds of images in just 28 words, which are not only the real environment of heartbroken people's life, but also the carrier of his heavy sadness. Without these pictures, this song would not exist. Coexisting with the complexity of images is the singleness of image expression. In the same work, the status of different images is relatively balanced, and there are no deliberately prominent individuals, and their emotional orientations tend to be consistent, that is, many images often convey the same emotional tone of the author. So is this song. In order to express his melancholy and sentimental feelings, the author chose many images in his poems. These images can convey the author's inner feelings, and the combination of emotion and scenery makes the emotional orientation of images in the works consistent and single. Numerous images are connected in series by the clues of the author's same emotion, forming a complete picture. The combination of complexity and singleness of images is an important reason why China's classical poems are profound, harmonious and poetic. The arrangement of images in classical poetry often has the characteristics of many but not chaotic and distinct levels, which is because the author is used to arranging images in normal time and space order. Today, some people call Ma Zhiyuan's Tianjingsha Qiu Si a "parallel image combination", but in fact, there is still a certain order in juxtaposition. There are ten images in the whole song, and the first nine are naturally divided into three groups. Vines bound trees, crows falling on trees, the first group arranged from bottom to top; The second group is arranged from near to far; The ancient post road and the west wind thin horse on the road, the third group is arranged from a distance to the present, with a slight change in the middle. Because the "West Wind" is inserted in the middle to write the tactile sensation, the description angle is changed, thus increasing the jumping feeling of the image, but this jumping is still local and not beyond the scope of autumn scenery. The last image "Sunset" is the background of the whole song, which connects all the first nine images together to create an empty scene. Because it is also the product of seeing far, the works as a whole also show the spatial arrangement order from near to far. From the old tree to the flowing water, to the ancient road, and then to the sunset, the author's vision is expanding step by step. This is also one of the manifestations of image order. Thirdly, he is good at processing and refining, and draws a wandering journey in late autumn with extremely concise painting.