There are many calligraphy works in "Ding Feng Bo", here are the following:
1. Cursive script
This word is an expression of one's feelings after returning home drunk and encountering the rain. The poet uses his leisurely and unrestrained behavior in the rain to express his stubborn character and broad-minded mind that he is not afraid of being discouraged despite repeated setbacks in adversity. The whole poem is evocative of the scene and the language is humorous.
The vicissitudes of life and the myriad changes in vegetation were all incorporated into Su Dongpo's life. If he had never encountered the "Wutai Poetry Case", if he had not worked hard on Dongpo, his mood would have been very different. Without experiencing those pains and tortures, he would not know that "there is neither wind nor rain", which is actually joyful.
2. Running Script
Only after experiencing the introspection and introspection of the trough period can people break through themselves. Only when you fall to the bottom and overcome yourself and get up is true growth. Only then can we have this peaceful state of mind, "There is neither wind or rain nor sunshine". Only by experiencing the baptism of wind and rain can you become stronger, both spiritually and in life, which will impress people!
The original text of Su Shi's "Ding Fengbo·Don't Listen to the Sound of Tearing Leaves in the Forest" is as follows:
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On March 7, it rained on Shahu Road. The rain gear went away first, and everyone in the group was in a panic. I didn't realize it, but it was already sunny, so I wrote this word for it.
Don’t listen to the sound of beating leaves through the forest, why not scream and walk slowly. Bamboo sticks and mango shoes are easier than horses, who is afraid? A coop of mist and rain will last a lifetime.
The steep spring breeze blows away the drunkenness, it is slightly cold, but the mountain tops are shining slantingly. Looking back at the desolate place where I came from, there was neither wind, rain nor sunshine.
Author: Su Shi (1037-1101), a writer, calligrapher, painter and gourmet in the Northern Song Dynasty. His courtesy name is Zizhan and his nickname is Dongpo Jushi. Han nationality, Sichuan people. He is one of the "Eight Great Masters of the Tang and Song Dynasties". His poems are fresh and bold, he is good at using exaggeration and metaphor, and his artistic expression is unique. He is also known as Su Huang together with Huang Tingjian. His Ci is bold and unrestrained, which has a huge influence on later generations. He is also known as Su Huang together with Xin Qiji. Xin: He is good at calligraphy in running script and regular script. He can create his own ideas, and his pen is rich and ups and downs, with an innocent and unrestrained interest. Together with Huang Tingjian, Mi Fu and Cai Xiang, he is known as one of the four calligraphers of the Song Dynasty.